Aquarius

This is a very interesting film. I didn't really know anything about it and I found its narrative structure and plot pretty minimalist but still very impactful for its characters and for its themes. There seems to be a lot of controversy surrounding the film and its nonselection as the Best Foreign Language Film by its country into the Oscar category. I do hope that all of that controversy doesn't end up hurting the film in terms of viewership. The biggest reason to see this is probably Sonia Braga's performance. On the surface it doesn't really look like a particularly demanding or challenging role, but to say that would also be to discount and diminish the power on the things she does throughout. More than anything, it's an intriguing performance and the film is definitely recommended.

Aquarius is an emotional and dramatic saga, featuring Clara in her fight for her apartment. In a world of expansive corporate engineering practices, Clara fights and hard for what she had and inherited.

Emotionally, Aquarius runs as a mix of drama and thriller. The film it leaves the viewer on edge at times, witnessing the covert tension Clara herself experienced and the engineers placed on her. The film's ending is unique and ending, so expect to ponder how the heck a resolution would be reached ultimately.

Besides plot twists, Aquarius also portrays the intimate experiences of Clara, her love for Brazilian and international music. It features a nice selection of songs and rhythms.

Finally, Aquarius also gives voice aspects of Brazilian society, such as the class division, and the shared experience of light in a coastal city, almost in passage, but beautifully.

In sum, It is an emotional, long, and intimate journey into the heart and experiences of an iconic and unforgettable woman. It may feel long at times and slow, but it is sure to pick up later on. It is a hard film to watch, but one superbly acted and edited.

Aquarius is an interesting film, which has a good photography and a beautiful soundtrack, besides a compelling performance of the cast. Sonia Braga is great, playing a mature woman who stands for her rights and opinions. The story is shot in Recife and slowly presents the almost silent tug of war between Clara (Sonia) and the construction company. They want Clara sells them her apartment - the last one to be sold in the whole building - for the construction of a new property. The development of the characters is good, Kleber Mendonça Filho finds the correct pace for telling us Clara's story, so we can see why is so important to her to stay living in that place. In the other side, we have enough clues of how bad the other people fight against Clara, because there's real money and other interests involved. Although I think it worths watching, I recognize it is not a film for everyone; maybe some details only can be truly understood for people who has spent some time living in Brazil. I refer to the almost invisible social war between wealthy and poor people, represented in many subtle dialogues, gestures, and eye contact among characters. That's why I don't give 10, as a warning for non-Brazilian spectators.

First of all I'd like to apologize myself due any English mistakes.

I didn't understand those bad reviews that I just read here. In fact the movie is simple, with a simple a story but very emotional. Here in Brazil we face racism and a social fight which is pointed out in the movie.

The actors are good and Sônia Braga spectacular. I could see this movie more ten times and I am sure that I would always have something to learn.

I'm giving you this review without political issues, I am just a cinema lover. Do not miss the opportunity to see how prejudice and racism are frequent around the world. Also you're gonna experiment a time travel throughout the memories!

Greetings again from the darkness. If you were an avid movie-goer in the 1970's, you likely fell in love with Sonia Braga while watching Dona and Her Two Husbands (1976) and Kiss of the Spider Woman (1978). Those movies catapulted the Brazilian actress to global stardom, and a long career limited only by some regrettable script choices.

Writer/director Kleber Mendonca Filbo wisely casts Ms. Braga in the lead of his latest, and she delivers what may be her best performance ever … and certainly one of the best by any actress this year. Clara is the lone holdout in a beachfront apartment complex against a corporate developer intent on modernizing the old building in order to maximize profits.

The film is divided into three parts: "Clara's Hair", "Clara's Love", and "Clara's Cancer". The initial segment is set in 1980 when Clara is recovering from cancer treatment and is attending the 70th birthday party for her beloved Aunt Lucia (Thaia Perez). Lucia's flashbacks to her younger days bring a subtle smile to her face, while providing parallels to what we see later with Clara. Some secrets from family are treasured memories, not meant to be shared. As the story moves forward, we grow to admire and respect Clara and join in her defiance of the smirky hotshot developer.

The big company bullying the old lady would be an interesting and predictable story, but here it's secondary to the story of a strong woman – a woman who overcomes cancer, carries on after the death of her husband, fights to keep her home, and generally lives life on her own terms. She maintains her strength and dignity despite outside influences.

A recurring theme throughout is "old vs. new". From the first sequence with the "old" Aunt passing the baton to her younger niece, to the old lady battling the young developer in order to prevent the historic building from being turned into a modern co-op, to the contrast of the vinyl records of Clara's collection to the digital music of the younger generation, to Clara's preference for actual phone calls to texting. It's the classic now versus then argument, and it's summed up by Clara's line to her kids: "When you like it, it's vintage. When you don't, it's old." There are some similarities to Sebastian Lelo's 2013 film Gloria, which featured an exceptional performance from Paulina Garcia, and this one utilizes some terrific "little" scenes … conversations with family and daily life with her housekeeper – all while staying close to a glass of wine, her favorite music, a cozy hammock, and her Barry Lyndon poster. While the ending is a bit disappointing, and Brazilian politics prevented it from being that country's Oscar submission, those don't negatively impact the strength of Sonia Braga's Oscar worthy performance as we rejoice in the strength of an independent woman.