IMDb-BEWERTUNG
7,8/10
13.255
IHRE BEWERTUNG
Ein tiefer Einblick in das Leben und die Musik der Rock-Band Oasis aus Manchester.Ein tiefer Einblick in das Leben und die Musik der Rock-Band Oasis aus Manchester.Ein tiefer Einblick in das Leben und die Musik der Rock-Band Oasis aus Manchester.
- Auszeichnungen
- 2 Gewinne & 2 Nominierungen insgesamt
Paul Arthurs
- Self - Rhythm Guitar
- (as Bonehead)
Christine Biller
- Self - Ignition Management
- (as Christine Mary Biller)
Debbie Turner
- Self - Rhythm Guitar & Singer, Sister Lovers
- (as Debbie Ellis)
Peggy Gallagher
- Self - Noel and Liam's Mother
- (as Peggie Gallagher)
Tim Abbot
- Self - Creation Records
- (Archivtonaufnahmen)
Richard Ashcroft
- Self
- (Archivfilmmaterial)
Empfohlene Bewertungen
Regardless of the subject matter or the music, this is a brilliant documentary, never anything other than subjective. Obviously I'm a fan-boy, loving the first album despite phasing out after the release of the SOME MIGHT SAY single and disliking the 2nd album with growing apathy with each release and the growing super-stardom that followed. The summer of '94 brings great memories, with friends, whirlwind romances, chemical discoveries, and what not, fun coming out me ear-holes, with Definitely Maybe sound tracking it. I'd managed to stave off the tracksuit image....just.....but it all felt real still. I'd grown sceptical of what the band later achieved and audiences that followed them. I guess it was inevitable, and call me a snob, but it was satisfying that last night this doc identified exactly what happened to Oasis, what they became, beyond any media promotion or shallow hipster idolisation. They simply haven't got the creative nous to produce further albums of greatness beyond that exhilarating debut (think the Pistols here also, like). And its for all to see up there on screen, the original bands awareness of themselves beyond the cocaine fuelled hedonism and, of course, the wealth. Of course it carried on as we know and the rest is history, a disappointing history for me, alas. Because Definitely Maybe is a f*cking mega album, end of. And this doc is too. Its not DiG! that the f*cking hipsters all think is great (Its not guys - its a shocking doc, but has great music). Its the real deal whether you like the band or not, an expose of EXACTLY what it must be like for a bunch of scallies from Burnage, with a love for hedonism and rock 'n' roll, who got marketed and became massive beyond their control. Mega! x.
If you are an Oasis fan dont miss this .. i also like the fact that the documentary focused on how oasis defined a generation of music .. not how it ended.
Biblical, well I ain't no God fearing person but Whatever, the film captures, for most part, the simplicity we brought to being a modern day Rock n Roll star.There are two sides to it for the fan and the icon. The buzz of being recognized,quoted, followed and rich are fantastic and trying.To wake up and think "yeah I am really famous" as a first thought of the day is a buzz, a high better than any drug. But then after a while it grinds you down and you kinda want it to go away at times but it doesn't want too.I think the film shows signs of that and the demise was fame fatigue amongst other things.For the fans this is showing that we are just lucky guys who wrote and performed some great songs that caught the mood around at the time for a certain generation. Don't forget the Blur's and Suede and Elastica's but it's our tunes and our story that mirrors the times. Politics were dirty and confusing. The media were trying to create a Britpop scene and worse thing potato head did was sip champagne with Tory Blair, sorry Tony Blair. Stupidity aside come and rock n roll with me and the boys, I am all the things they say I am and then again I am nothing that has been written. One thing guaranteed. Love me and I will love you back. What makes the world go around? We did for sometime anyway. Love LGx
Supersonic. I was never a massive Oasis fan - couldn't really understand the hype. But this documentary film - from the makers of Senna and Amy - was a brilliant portrayal of the rise and rise of the band in their early years. Looking back their music was very good, even if Liam and Noel were total arses. A thoroughly entertaining 8 out of ten. Well worth a watch even if you don't like their music..... Might even give Eight Days a Week a try now (even though personally I find them over-rated........)
Oasis climbed to success at an amazing speed. They went from performing together for a few times to recording an album and gaining some fame and momentum, to recording a second album and becoming the biggest band on the planet. At their peak, they claimed to be better than the Beatles. Well, I don't know about that, but I guarantee that the legion of fans they had, that could have filled up a stadium 2 weeks in succession is not something to take jokingly. Either way, we are not here to discuss the quality of the band, but rather, the quality of the documentary. My opinion: the documentary is great, but I don't know if I am biased and that the cheer pleasure of seeing footage of one of my favorite bands makes me the worst person to give an opinion about it. Let's put it this way: unless you hate the Gallaghers, what you find in the documentary is guys with great personality, full of desire to enjoy life who became rock stars and lit up the world. I think that's a good enough reason to watch anything.
Wusstest du schon
- WissenswertesWhen the location for the UK premiere was announced to be London, Liam Gallagher took to Twitter to vent his anger, saying that it should be in Manchester, where Oasis were originally based.
- VerbindungenFeatured in Breakfast: Folge vom 3. Oktober 2016 (2016)
- SoundtracksShakermaker
Written by Bill Davis, Roger Greenaway,Bill Backer (as William Backer), Roger Cook & Noel Gallagher
Published by Universal Music Publishing Ltd
o/b/o Dick James Music Ltd & SM Publishing (UK) Ltd
Performed by Oasis
Licensed courtesy of Big Brother Recordings Ltd
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- Oasis: Supersonic
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Box Office
- Bruttoertrag in den USA und Kanada
- 242.867 $
- Eröffnungswochenende in den USA und in Kanada
- 16.880 $
- 30. Okt. 2016
- Weltweiter Bruttoertrag
- 1.503.038 $
- Laufzeit2 Stunden 2 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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