Christmas Inc. - Eine Spielzeugfabrik zum Verlieben

6.0 stars.

I'm not sure how anyone could have ignored the awkward and mismatched relationship and dialogue between the leads, which was most difficult to watch. I figured it was a fluke at first, but it continued and continued and continued. They are not synchronized at all.

His acting style seemed very forced, maybe because he was uncomfortable with the part, or he was actually so infatuated with her in real life that he couldn't contain his angst. Additionally, she was bland and uninterested, and as a result totally uninteresting. Near the end they are attempting to express feelings and moments that never existed. It's a very strange experience watching them push a romance that just isn't there.

The grinch reporter was very easy to loathe, and it was nice to have an antagonist for once that we could sink our teeth into (not in the usual positive sense).

I give it 6.0 stars instead of 5.0 because the story was well done, saving a town, saving a man's boyhood joy of Christmas, the portrayal of a very intelligent and capable executive assistant... these qualities of the film were flawless, but could not capably carry the dead weight.

The plot was of course unoriginal, but so are 95% of these Hallmarks, and many of them pass my litmus test of re-watchability. 'Christmas Incorporated' deplorably failed.

Sure, it was corny and formulaic, but that's exactly what I love about Hallmark movies. They're clean, have mild religious overtones, no sex, maybe just a kiss at the end. Riley talks about her family attending Midnight Mass. Love that. I believe people crave these types of movies rather than Hollywood filth with their obligatory premarital sex scenes.

Riley is an appealing character, and she carried the film She's a little tart, not too mushy, not too gorgeous, but a nice down-to- earth girl you'd love for her to invite you to her parents' home for Christmas. The male lead wasn't as strong. The story wasn't all that strong, but I don't care. I liked it, and wanted to watch it until the end.

This movie is adorable and the chemistry is totally there! Despite having a bias for anything Andrew Walker, this movie completely delivered. It was cute, sweet, not entirely predictable, and my husband wasn't making puking faces at me the entire movie. As long as you don't think through the actual logistics of the movie, you will like it. Andrew does a great, believable bah humbug character and Shenae Grimes-Beech is adorable, like always. Although it follows a typical Hallmark movie story line, it still feels fresh and new!

Favorite line: "You can't cut me off from Christmas ornaments!!"

We love the Hallmark movies but found this one a bit lacking. Sure the story was weak but that was not our objection. The dialog was very stilted and didn't at all seem real. A lack of chemistry made us wonder why a mature guy would fall for a teenager (that what she acted like). I'll blame this one on the writers. We had just finished re-watching A Christmas to Remember which we absolutely loved loved loved so maybe getting this weaker effort on the rebound didn't help. Not a complete waste of time, but switch to the other Hallmark channel if you can find something there.

Film historians of the future will no doubt teach seminars on the impact of the Canadian film factory (heavily taxpayer subsidized) on the content circulating through north America from approximately 1985 onwards.

Hollywood bluebloods hate the Canuck film machine because it takes food off the table. But, based on a lower dollar, the Canadians have found multiple "niches" where year after year they can slip almost-generic content into the maw, each one virtually into profit the moment the film leaves the camera because of the lower costs.

Some 90% of the movies that flood the airways around X-mas, in particular, are of this origin and most Americans don't have a clue.

This film is unusual for two reasons. Behind the camera is David Perlmutter who has been a Canuck film producer since the 80s and is by no definition a Johnny Come Lately.

And in front of the camera we have Shenae Grimes-Beech, an actress possessed of enough charisma for two leading ladies. She carries this film on her back and in the many areas where the script fails, or the casting of the extras (all too-familiar Canadian faces) fails, or the set design fails (the "toy factory" looks like an empty warehouse with a cheap sign installed at very the last minute) she simply cracks a smile and the audience decides to stick with the film for a few moments longer.

Finally and for the benefit of newbies to these sorts of films, a "6" rating is veritably an Oscar nod for such a film. I have seen worse.