Zehn Jahre vor Kirk, Spock und der Enterprise entdeckt die USS Discovery neue Welten und Lebensformen, während ein Sternenflottenoffizier alles Fremdartige verstehen lernt.Zehn Jahre vor Kirk, Spock und der Enterprise entdeckt die USS Discovery neue Welten und Lebensformen, während ein Sternenflottenoffizier alles Fremdartige verstehen lernt.Zehn Jahre vor Kirk, Spock und der Enterprise entdeckt die USS Discovery neue Welten und Lebensformen, während ein Sternenflottenoffizier alles Fremdartige verstehen lernt.
- 2 Primetime Emmys gewonnen
- 22 Gewinne & 93 Nominierungen insgesamt
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Zusammenfassung
Reviewers say 'Star Trek: Discovery' receives mixed reactions for its fresh take, impressive effects, and diverse cast. Fans appreciate modern themes and character development. Criticisms include Klingon redesigns, deviations from traditional values, and reliance on action over philosophical depth. Some find character arcs and storytelling lacking, while others praise progressive social justice themes. The series polarizes audiences with its approach to core Star Trek elements and new directions.
Empfohlene Bewertungen
Never have been so bored to death of hearing stupid speeches. Every 10 minutes there's a big speech about what there going in to and how important it is. Yeah yeah we got after 50th speech we didn't need another 100. Make a sci-fi program not political bull crap.
The show started out techno-clever with interesting character interactions.
Now all we have is a bunch of needy characters episode after episode. Even the computer is needy. It is exhausting.
I give it a 6 because I still have hope, but the writing is being sucked into a black hole of neediness.
Now all we have is a bunch of needy characters episode after episode. Even the computer is needy. It is exhausting.
I give it a 6 because I still have hope, but the writing is being sucked into a black hole of neediness.
I just finished watching season 4 episode 1 and I don't know what to make of it. The show's script and dialogues feels like it's for an audience of 12 years old. The special effects are nicely done but the technology is borderline "magic" not believable.
I'm sort of enjoying this in parts, but why oh why is the main character, Michael Burnham, bursting into tears or looking tearful in nearly every one of her scenes? Who on earth would write a Commander who is supposed to have had a Vulcan upbringing but is both emotionally unstable and incapable of making the kind of flash, life and death decisions required of command? The whole of everything can be at stake and yet she stands around crying about one thing ot another, agonising with someone while people around her are suffering and dying and the world is coming to an end yet again and you are thinking for God's sake get on with it and stop blubbering. The amount of emotion had me in tears, not of empathy but boredom. The amount of slow moving, soul-searching scenes is a drag on what could otherwise be a good show. The gratuitous violence is too much and unnecessary. I have commented previously in another place about the current annoyingly cynical use of gay or lesbian relationships in every series and film these days. The right to a relationship of your choice and way of life is an accepted thing now, so why is there a pushy political agenda which I think is patronising to gay people in that the producers assume that gay people won't watch anything without a gay person in it? Sci-fi fans are sci-fi fans no matter who they are, and it is partitioning gay people rather than treating them as normal viewers like the rest od us. I also found some action very confusing. The special effects are great, though. We're into Series 3 so I don't expect the crying to lessen. I tend to go and make tea now in the blubbery moments, but one can only drink so much tea in an hour or so.
The first two seasons were awesome. Very good writing. Now with the third and especially the fourth season, the writing is horrible. Everything is overly dramatic. Pretty much every cast member annoys me now. I'm guessing the show got new writers after the second season. If that's the case, then they should have end the show there. Where did all the creativity go???
Representation: LGBTQIA+ Characters On-Screen
Representation: LGBTQIA+ Characters On-Screen
Celebrate the LGBTQIA+ characters that captured our imaginations in everything from heartfelt dramas to surreal sci-fi stories.
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- WissenswertesThe Starfleet vessels seen in the first season, including the Discovery, the Shenzou and the redesigned Enterprise, were all designed by production artist John Eaves. Eaves' work with Star Trek spans three decades. Probably his most notable contribution was the design of the Enterprise-E for Star Trek - Der erste Kontakt (1996).
- PatzerWith Michael being the adoptive sister of Spock, the series has many flashbacks to their childhood and upbringing on Vulcan. Spock's Vulcan half-brother, Sybok, does not appear nor is mention during these scenes. In Star Trek V - Am Rande des Universums (1989), Spock says that he and Sybok grew up together. However, since it's never stated when Sybok joined Sarek's home - only that he did so following his mother's death - or when he was exiled from the family, it's not impossible Sybok moved in after Burnham, and left before she graduated (the two extremes of the flashbacks). Also, since Sybok was never mentioned before Star Trek V, it seems reasonable the family never spoke of him again after his estrangement.
- Alternative VersionenThe serif-font legends and subtitles in the "broadcast" episodes are absent from the DVD versions, where they are replaced with the standard DVD subtitles.
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