Thirteen - Ein gestohlenes Leben

Thirteen taps into the much overdone "I'm back after vanishing for an inexplicable period of time", mystery crime drama, sub genre.

All the obvious questions bubble to the surface yet again. Is Ivy Moxham, the abducted girl, who and what she claims to be? Does she have an ulterior motive or some other nefarious intent, lurking in the background for her relieved but confused family and friends? Will the two intrepid British detectives uncover some hidden, awful truth?

In other words, Thirteen is not really doing anything terribly original. You can pretty much predict the likely plot twists and turns. Naming the main character Ivy is a bit obvious, too. Ivy, a plant that twists and turns and smothers. Not hard to see where she might lead those who suddenly find her in their lives. Nowhere good, that much is obvious, without giving anything away.

Whilst all this may have you reaching for the remote, I can say, thankfully, this series is well cast, with excellent acting talent and intelligent narrative. These factors lift Thirteen above other drama's and films cast in a similar vein and dampen down, the dulling sense, of deja vu.

So what to do I think about Thirteen? Look, like most dramas out of the UK, with a few exceptions, its a quality production. As such, its inherently watchable. Just don't expect anything that has not been done before, in one way or another. Seven out of ten from me.

Over a weekend filled with the flu and fueled with Dayquil and hazelnut coffee I had the chance to subscribe to a free trial of Amazon Prime. Who sees this offer and goes "Nah, I don't need more bingeworthy content."? Well not me. After having seen the movie "Room" on Netflix about a month ago, when I stumbled acrossed BBC's "Thirteen" I was intrigued and decided to spend a day watching it from beginning to end. The first thing you need to know is "Thirteen" follows 26 year old Ivy Moxom (Jodie Comer) who has been in captivity for the last 13 years. Her family has since moved on with her sister about to start her own family and her boyfriend, now a married man, an adult that she still sees as the same person he was when she left. Her dad, now in a new relationship, seems to have also left her an all but forgotten relic of his past. In the first few parts of the show it is easy to feel sorry for Ivy. She goes through an incredible amount of police questioning as well as speaking with government officials who are all asking her the same thing. It is an inside chance to see how the process of coming back to society can be quite demeaning, both as a human being and as the victim. Ivy, through her constant poking and prodding, is put on the back burner because her kidnapper has now taken someone else. Ideas of jealousy and stockholm sydrome swallow the thoughts of one the detectives, DS Lisa Merchant (Valene Kane) , while the other, Elliot (Richard Rankin), seems to be blinded by getting too personal with Ivy. As the show progresses it is easy to see a continuing theme of Ivy becoming attached to the men in her life. Her motives are questioned and one detective can't help but believe that she may be "helping" her kidnapper in some fashion and lying about being kidnapped at all. Ivy even has a moment back at the cellar where she was held that looks to corroborrate the idea that she was actually in love with her kidnapper. Her continuing jealousy surrounding her family, friends, and the police lead me to believe that instead of escaping she was actually tossed aside for a younger victim. The series definitely put me on the edge of my seat and ready to click the next episode as soon as the current one ended. It was easy to decide who I was "rooting" for as it seemed the writer kept that open for interpretation. There were only a few moments that left me questioning, even at the end, but I won't spoil that for you. I give "Thirteen" an 8/10

Jodie Comer...delivers a stunning performance, playing on many levels at once, her growing disbelief as she understands she has spent much of her prime so isolated, convincing and heartbreaking. Thirteen takes white-knuckle turns that elevate it from the expected. Thirteen gives a well-worn premise an intriguing facelift with haunting execution and compelling performances across the board. Underrated . Jodie Comer performance is reason enough to invest 4h 45 minutes to see her acting hauntingly triumph .

I actually looked this up to see how old it is because I too was shocked at the insensitivity of the police towards a person who has endured obvious horrors. I thought maybe it was from many years ago before law enforcement understood anything about kidnap victims. It was made clear in the first episodes that she had experienced multiple physical attacks in addition to captivity, demonstrating that she had survived many forms of torture. Even if they did need information, in real life, dealing a person who had survived her ordeal, they would not terrorize her in the process of the interrogation - locking her in rooms and threatening her with incarceration - dahhhh!! I thought it was good generally up until now and I'll keep watching, but this twist in the story line is annoying.

Ok it's got a good plot and moves along quickly so I can see how people might enjoy it - but I find myself screaming at the tv every minute or so because it is soooo unbelievable. There is no way they would interrogate a victim in this manner or use her as bait. The plot is actually so unbelievable that it's predictable. The stupid things they have the characters do only leads to one outcome. I gave it a 5 because I watched 4.5 episodes before I gave up on it. I usually watch things until the end even if the show is bad. But I don't want to be screaming at the television anymore tonight