IMDb-BEWERTUNG
5,3/10
7813
IHRE BEWERTUNG
Juliette, eine einsame Überlebende aus einer apokalyptischen Ära, kämpft gegen Hunger, Durst, ein gebrochenes Bein und seltsame, verstörende Kreaturen, die nur nachts herauskommen.Juliette, eine einsame Überlebende aus einer apokalyptischen Ära, kämpft gegen Hunger, Durst, ein gebrochenes Bein und seltsame, verstörende Kreaturen, die nur nachts herauskommen.Juliette, eine einsame Überlebende aus einer apokalyptischen Ära, kämpft gegen Hunger, Durst, ein gebrochenes Bein und seltsame, verstörende Kreaturen, die nur nachts herauskommen.
- Auszeichnungen
- 20 Gewinne & 75 Nominierungen insgesamt
David Gasman
- Harry
- (Synchronisation)
Laura Lieblein Adam
- Doctor
- (as Laura D'Arista)
Andreas Pliatsikas
- Jack's Club Friend
- (Nicht genannt)
David Serero
- Bartender
- (Nicht genannt)
Stephanie Slama
- The Midwife
- (Nicht genannt)
Rob Tunstall
- Drug Dealer
- (Nicht genannt)
Empfohlene Bewertungen
Hostile is actually a good movie, but you have to make it to the end to figure that out. There is not nearly enough backstory to make much sense of things, and the ending, although touching, doesn't make logistical sense. Maybe fate? My suggestion? Lower your expectations. Don't analyze it too much. And expect a love story more than anything else. You do that, you'll enjoy this movie.
6/10- Comes together nicely (although not logically)
6/10- Comes together nicely (although not logically)
This was definitely not what I was expecting, it was actually much better, and deeper. I'm sure this movie, like most with flashbacks, will get panned by some reviewers because of it. However, after watching it through, the movie is actually more in the flashbacks than the "present" storyline. It has a really cool and moving symmetry at the beginning and end, using the gunshot. I actually let the movie begin to play over again at the end, which is where I really noticed it, and by rerunning is where you catch all the foreshadowing that you may not have caught. One of the first scenes, in the art gallery, with the "look past the ugliness" explanation of the Bacon artwork, is the basis of the story. I think you'll enjoy the movie as long as you're not looking for it to be the typical, gory, zombie-like post apocalyptic movie. Also understand that one flashback doesn't pick up exactly where the other left off (this threw me off at first and is why I enjoyed watching it a second time after understanding). The flashbacks are linear, but time passes (weeks to months) between them. This was a pleasant surprise, since I sit through quite a few bad movies when I look for free movies to stream.
I love a good post apocalyptic thriller so I was looking forward to this one. It starts really well, and then quickly becomes odd, then frustrating, then just plain eye-roll worthy.
The entire movie jumps back and forward between timelines but does so in a way that feels very jarring. The entire relationship between the two leads felt unrealistic... so many plot points and character decisions just became too much of a stretch for me. I can suspend my disbelief to a certain point but c'mon guys...
I really wanted to like it, it was shot beautifully, the creatures were genuinely creepy, and it had potential.
Points for originality, I definitely wasn't expecting what I saw (though I did call the 'twist' about 20 minutes before it happened). The message that the writer tries to leave us with is a nice one but feels out of place in this genre and left me with too many questions.
The entire movie jumps back and forward between timelines but does so in a way that feels very jarring. The entire relationship between the two leads felt unrealistic... so many plot points and character decisions just became too much of a stretch for me. I can suspend my disbelief to a certain point but c'mon guys...
I really wanted to like it, it was shot beautifully, the creatures were genuinely creepy, and it had potential.
Points for originality, I definitely wasn't expecting what I saw (though I did call the 'twist' about 20 minutes before it happened). The message that the writer tries to leave us with is a nice one but feels out of place in this genre and left me with too many questions.
No lie...I was really enjoying this movie right up until the ending. The post apocalyptic movie genre has always intrigued me mainly because I like to judge the decision making processes (or lack thereof) of the protagonists as they dart from one sticky situation to the next. The one common denominator in nearly every single one of these flicks is "OMG! Did you really think going into the dilapidated farm house by yourself and without a weapon or flashlight was going to turn out well?" This movie was no different. Our protagonist played by Brittany Ashworth immediately hit the right notes by coming off as capable, confident, and extremely self sufficient in the desolate landscape she was forced to survive in...and then she rolled her "Mad Max" Battlewagon when a "pre-end of the world photo" she obviously treasured blew out the window, and got a compound leg fracture in addition to an upside down hunk of useless metal, AND was stranded alone. Of course she'd be alone! But to her credit she did a good job fighting off the "things" you'd expect in a world gone to Hades. Then there was that ending. Oh boy. Up until then, not a bad run and I think most people would like it. Grade: B.
This post-apocalyptic love story could have been very good, even great, had it not been for the jarring back-and-forth jumping between two different timelines.
The main plot-line finds our heroine injured and alone in a barren, zombie-infested no-man's land, hunted by a spindly creature with a bad skin condition. This situation could have been a nerve-wracking viewing experience, had the director not decided to splice scenes of her "life before" throughout the full run-time of the movie. This breaks the tension EVERY TIME, in both narratives.
If you want to tell a backstory, just tell it and get it over with!
The acting, music and cinematography was adequate.
The main plot-line finds our heroine injured and alone in a barren, zombie-infested no-man's land, hunted by a spindly creature with a bad skin condition. This situation could have been a nerve-wracking viewing experience, had the director not decided to splice scenes of her "life before" throughout the full run-time of the movie. This breaks the tension EVERY TIME, in both narratives.
If you want to tell a backstory, just tell it and get it over with!
The acting, music and cinematography was adequate.
Wusstest du schon
- WissenswertesJavier Botet suffers from Marfan syndrome, A genetic disorder that is characterized by tall statures, slender frames, and elongated limbs and digits.
- PatzerAt 13:27 into the film, Juliet is facing a painting while Jack is on her right as they are both facing the camera. 1 second later when the camera is behind them, as she turns to leave, Jack is standing on her left.
- SoundtracksHouse of the Rising Sun
(Traditional)
Performed by Lauren O'Connell
New Arrangement by Lauren O'Connell
Courtesy of Lauren O'Connell
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Ngày Sinh Tồn
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 385.428 $
- Laufzeit1 Stunde 23 Minuten
- Seitenverhältnis
- 2.39 : 1
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