Manji, ein hochbegabter Samurai, wird nach einem legendären Kampf mit dem Bann der Unsterblichkeit belegt. Verfolgt von der Erinnerung an den brutalen Mord an seiner Schwester weiß Manji gen... Alles lesenManji, ein hochbegabter Samurai, wird nach einem legendären Kampf mit dem Bann der Unsterblichkeit belegt. Verfolgt von der Erinnerung an den brutalen Mord an seiner Schwester weiß Manji genau, dass nur der Kampf gegen das Böse seine Seele retten kann. Daher verspricht er einem j... Alles lesenManji, ein hochbegabter Samurai, wird nach einem legendären Kampf mit dem Bann der Unsterblichkeit belegt. Verfolgt von der Erinnerung an den brutalen Mord an seiner Schwester weiß Manji genau, dass nur der Kampf gegen das Böse seine Seele retten kann. Daher verspricht er einem jungen Mädchen namens Rin, dessen Eltern zu rächen, die von einer Gruppe von Meisterschwert... Alles lesen
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Therefore the performances for bringing Manji, Rin, Anotsu and all the other casts to life were satisfactory. Compressing 30 volumes into film, means that there were major trimmings made in order to fit this medium. Most notably are the back stories and developments for all characters depicted. Some characters in film are relegated to cameos, while others lack the motivational complexity of their respective arc that were spanned across the years. And yet, I still found myself intrigued by the story presented to me here on film.
The actions are brutal. Not as gory as how I would like it to be though. The original format was way more gorier in certain aspects. But I can understand why it was needed to be toned down for live adaptation.
If one is into cinematography, feudal Edo era, a story of revenge, filled with action sequences of samurai swordplay - this is a film that I would recommend. It fulfills on all those aspects. It had heartfelt moments and dashes of fun sprinkled perfectly into its pacing.
However if one is into enriching character developments, motivations for all their arcs and more; I would suggest to visit the original manga instead.
Overall, it is still a very remarkable effort from everyone involved.
"Blade of the Immortal" takes place in Japan during the mid-Tokugawa Shogunate period and follows the deeds of Manji, a skilled samurai who has a decisive advantage: no conventional wound can kill him. In the past, his actions of vengeance (for the death of a family member) led to the deaths of 100 other samurai. Near death himself, he then becomes immortal at the hands of an 800-year-old nun named Yaobikuni. Decades later he befriends a young girl who desperately wants to avenge the death of her parents, who were slayed by a master swordsman who is attempting to take over all other dojos. Can Manji fight thru the villain's clan of assassins and secure justice for their deplorable actions? I was a bit surprised when confronted with the opening 10 minutes of this movie – which are legitimately outstanding. I'm not going to tell you exactly what happens, but even Miike's most vocal critics – and there are a lot of them – should admit that that sequence is fantastic. It's basically "critic proof." And it also establishes a darker tone than one might expect from the trailer. This movie gets violent and harrowing very early on, and I liked that.
"Blade of the Immortal" is an action film first and foremost, so it really needs to succeed on that front in order to work overall. Most fortunately, I think that this is a very effective action extravaganza. There is a ton of fighting in this movie, which is an obvious positive, but the placement of the action is very nicely spaced. In my recent review of "Call of Heroes", I mentioned that Benny Chan is very good at spacing out his action and maximizing the pacing of his action films. Miike does the same thing here with "Blade of the Immortal." There are a few huge battles, but also a lot of one-on-one duels (or scuffles with a small handful of characters) that are peppered throughout. "Blade of the Immortal" keeps moving and there always seems to be a fight right around the corner. I really liked that about this movie and consequently, its 140-minute runtime flies by much faster than you may think. The overall quality of action is good too.
In terms of performances, they are also generally good. Takuya Kimura carries the movie quite easily, Sota Fukushi handles the villain role well, and Erika Toda steals the show whenever she shows up. I liked the lead actress (Hana Sugisaki) too, but she does tend to scream her lines a bit too much. I think Miike should have dialed her down a bit.
I did not have subtitles while watching this in the Japanese movie theater, but the story and characters seemed rather basic and simplistic. Not a big problem in my eyes for a full throttled action movie like this, but a few of the side characters seemed to be wasted, like Chiaki Kuriyama's character (who did not do much at all, actually). The filmmakers probably wanted to insert more characters from the manga into the film, so a few of them feel like they were shoe-horned in. One thing I did like is how, at certain times, the villains are placed in the same bad predicaments as the protagonists which means that they occasionally have a common enemy.
This is an entertainingly violent, action packed film from Miike.
What I didn't like: Manji's relationship with Rin is very basic. They almost never interact after the introduction scene. Rin screams. A lot.
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- WissenswertesThe film was promoted as being director Takashi Miike's 100th film, but it isn't. Although it was at one time his 100th directing credit on IMDb, that list also includes several TV series, TV episodes, and segments of other films. According to some calculations, Miike has directed over 100 works, including music videos and short films, but (at the time of Blade of the Immortal's release) fewer than 90 were feature films.
- VerbindungenRemade as Blade of the Immortal (2019)
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Box Office
- Bruttoertrag in den USA und Kanada
- 150.532 $
- Eröffnungswochenende in den USA und in Kanada
- 49.569 $
- 5. Nov. 2017
- Weltweiter Bruttoertrag
- 7.162.617 $
- Laufzeit2 Stunden 20 Minuten
- Farbe
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- Seitenverhältnis
- 2.35 : 1