Benutzerrezensionen

There was a bit of a dust up after the 2022 Oscar nominations were announced and neither Viola Davis (for "The Woman King") or Danielle Deadwyler (for "Till) had made it onto the final list for Best Actress. Both actresses were vocal about their disappointment and were quick to accuse the academy (and industry at large) of racism. I rolled my eyes a bit at Viola Davis, not because I don't think racism is as much a problem in Hollywood as anywhere else, but because of her particular example. Davis has been nominated four times and won once. Who knows what parts she is or isn't getting because she's a black woman, but it certainly doesn't seem like the industry is shunning her. Plus there was nothing Oscar worthy about "The Woman King," Davis included.

I hadn't seen "Till" at the time, so I didn't have an opinion. But now that I have, it does seem pretty egregious that Deadwyler was overlooked, especially when Michelle Williams made it in for her mannered and nearly bad performance in "The Fabelmans," which had the additional insult of not even feeling like a leading role. Was Deadwyler excluded because of anti-black sentiment, or was it just that she's a relatively unknown actress in a downer movie not many people wanted to watch? I don't know. But what I do know is that she is sensational in the movie, and is easily its best asset.

This is a hard, hard movie to watch. It does not shrink from the horror of what happened to Emmett Till, but it also manages to avoid exploitation vibes. Deadwyler is fierce as Till's mother, who took her grief and rage and channeled it into championing the civil rights movement, probably to keep from going insane from the injustice. This movie made me so angry, and gave me no outlet for my anger. It's stomach churning that the people who murdered Emmett Till, including the woman who falsely accused him of misconduct, never faced any consequences for their actions. And one thing I liked most about the movie is its refusal to cast Till's mother as a saintly do-gooder who's able to rise above her anger and find forgiveness. She doesn't forgive anybody. She wants revenge on the people who murdered her son, but knows she can't get it, at least not in the way she would like to. That felt much more human to me than idealizing her as a martyr.

I can forgive people for not wanting to watch this, because we all know the outcome in advance and it's so depressing. And I sat on it for quite a while before I mustered up the energy to pop it in. But I was glad I did.

Grade: A.

Till is essential but deeply harrowing viewing.

It follows the events and aftermath of the lynching of young Emmet Till and the dogged pursuit of justice by his mother.

As you can imagine, the story is incredibly disturbing. It is not an easy watch at all. It is important to note that the violent acts themselves are not shown on screen, however the truly shocking aftermath is shown and this is an image that will never leave you.

I don't think much more needs to be said about the story. It speaks for itself and is full of impact, feeling, raw emotion, and power.

This is backed up by the brilliant performances. Jayln Hall is superb in capturing the boyish charm and excitement of young Emmett. But really this film is all about Danielle Deadwyler as his mother, Mamie. She is superb. Her performance will break your heart.

An essential film that must be watched.

Greetings again from the darkness. Don't look away. Whether referring to Mamie Till-Mobley telling family members to look at the disfigured boy in the casket, or to the general counsel to all citizens in this day of division, the sentiment is the same ... see with your own eyes so that you understand the injustice. Writer-director Chinonye Chukwu (CLEMENCY, 2019) and her co-writers Michael Reilly and Keith Beauchamp allow us to see the tragic story of Emmett Till through the eyes of his mother, and it's a powerful approach. It's Mr. Beauchamp who has diligently researched this story for almost 25 years, and was the driving force behind the 2005 documentary, THE UNTOLD STORY OF EMMETT LOUIS TILL.

The film certainly benefits from the powerhouse performance of Danielle Deadwyler (THE HARDER THEY FALL, 2021) as Mamie Till-Mobley. Mamie's love and concern for her 14-year-old son Emmett (a terrific Jalyn Hall) is only surpassed by her strength and dignity after his death ... and all of this is masterfully portrayed by Ms. Deadwyler in her surefire Oscar contending role. We see just enough of young Emmett to realize he's a well-raised, considerate, and fun-loving boy who sometimes stutters. He's so excited for his trip from Chicago to Mississippi to meet some of his relatives, while seeing and doing new things. It's 1955, and Mamie tries to caution Emmett on the differences between their world at home and the southern world he's about to enter.

There are varying accounts of what Emmett actually did or didn't do to Money, Mississippi store clerk Carolyn Bryant (played by Haley Bennett, SWALLOW, 2019), but the shock of seeing Emmett's disfigured face and body is handled brilliantly here, and though the actual violence occurs off screen, the impact remains. Against all of her motherly protective instincts, Mamie seizes the power of the moment to have a photograph taken and demand an open casket so that the world can witness the result of the atrocity. Her ability to think clearly catapulted the case to national attention, and allowed Emmett Till to become a name and example that is still studied today.

The supporting cast includes Frankie Faison (Mamie's father), Whoopi Goldberg (Mamie's mother), Sean Patrick Thomas, Tosin Cole (as Medgar Evers), John Douglas Thompson, and Jayme Lawson. The trial of the men accused of beating and killing Emmett plays a part here, but the only real courtroom drama occurs when Mamie takes the stand. It's in that moment when Ms. Deadwyler truly shines and allows us to feel a mother's pain and disgust. Afterwards, we get a taste of her activism ... something she continued until her death in 2003 at age 81. Filmmaker Chukwu benefits from the performance of Deadwyler and the years of research by Mr. Beauchamp, and she delivers a film that allows us to experience a dark moment in history from a different perspective - the eyes of a mother.

Opens in theaters on October 21, 2022.

"If you are neutral in situations of injustice, you have chosen the side of the oppressor." Desmond Tutu

"Handle with Care" could have been on the cover of the script for Till, but it wasn't necessary because director Chinonye Chukwu, following her Sundance-winning Clemency, crafts her gentle but powerful depiction of 14-year-old Emmett Till's Mississippi lynching in 1955 and the subsequent trial of two white men. This docudrama not only does justice to the tragedy, but it also shows the death's influence on the 1967 Civil Rights Act.

Mamie Till-Mobley (Danielle Deadwyler in a sure-to-be-Oscar nominated performance) fights to have her son's brutalized body shown to the public, and it was shown, and like the movie itself, unforgettable. The film shoots this struggle in bright color as if to proclaim the horror vividly to the world. While strong black men recoiled from facing down white supremacists, Mamie never backed down in her attempt to bring justice for her son and expose the bigotry that exists even today.

While sometimes the music is heavy-handed and the courtroom drama veers to conventionality, never does the script waver from an even-keeled tempo, that like the Civil Rights Movement itself edges inexorably to success, the only possible outcome when justice is on its side. Although the material may be too emotionally sensitive for some, most will appreciate the unsentimental, unsensational, respectful delivery.

Emmett's famously bloated and disfigured face haunted us almost 70 years ago from the pages of Jet magazine, and it is no less disturbing now in Till. It's just that we have matured enough to face down realism for the greater good of facing down racism.

"We do the best we can." Mamie

One of the year's best movies.

It's 1955 Chicago. Mamie Till-Mobley (Danielle Deadwyler) is a widower trying to protect her son Emmett (Jalyn Hall) from everyday racism. She is concerned as Emmett joins relatives in Mississippi for vacation. Sure enough, his interaction with a white woman leads to his lynching.

I don't want to be insensitive, but this movie is not really doing anything new. There isn't much that I didn't know before. It's interesting that they show the whistle. Mostly, I am concentrating on the performance of Danielle Deadwyler and her lost of the Oscar nomination. I've seen all the nominees at this point. I think I can have her replace Michelle Williams. Deadwyler is mostly doing stoic dignity with a couple of big acting scenes. Williams is doing good work, but she's not the lead in the movie. Both are great performers. Deadwyler has the bigger role.

My Review- Till My Rating 9/10 Currently in selected Cinemas

Why was this fine movie ignored at last awards season I suspect for the same reason than in 2019 Just Mercy the story of a Civil Rights Defence Attorney Bryan Stevenson which starred Michael B Jordan in a 10/10 performance was also not nominated.

Danielle Deadwyler gives such an impressive performance in Till cast in the difficult role of a grieving mother Mamie Till - Mobley and I'm pleased to see the BAFTAS recognised her brilliance.

Till is a profoundly emotionally disturbing movie based on the true story of Mamie Till Mobley , an Afro American mother trying to pursue justice for the cruel and brutal murder of her 14 year old son Emmett Till.

Set in 1955 Emmett who enjoys a safe and comfortable lifestyle with his mother in Chicago until he is sent off to visit his cousins in Mississippi much to his protective mother's protests.

His Grandmother Alma played beautify by Whoopee Goldberg is keen for Emmett to meet his cousins so he sets off for a weeks family reunion.

In stark contrast to the liberal more tolerant Chicago the town of Money in Mississippi still has the red neck Southern bigotry and white supremacy left over from the black slave era .

This bigotry and racism make life so dangerous for its black population who are seen as second class citizens.

Before leaving home young Emmett reassures his mother Mamie that he will stay under the radar and be invisible .

However he is a bright spirited lad who makes a fatal mistake that angers the white male and female residents of Money causing his mothers greatest fears to come true, In Mamie's poignant journey of grief turned to action, we see the universal power of a mother's ability to change the world.

Till is a carefully researched film with a healthy estimated budget of USD 33,000,000 the Producers used 27 years of research by the man who was responsible for reopening of Emmett Till's case in 2004 by the United States Department of Justice.

At its core is the brilliant performance of its beautiful star Danielle Deadwyler who is on screen most of the time .

I mentioned Whoopi Goldberg who is impressive as Emmett's Grandmother Alma but all the players in this fine movie impressed me including Kevin Carroll who plays Rayfield Mooty, a member of the Civil Rights organisation the NAAC and Frankie Faison as John Carthan, Mamie's father and Emmett's grandfather who accompanies his daughter to the trial to try where she attempts to battle the Mississippi criminal justice system where truth is a disposable commodity.

The Screen play Writers Chinonye Chukwu, Keith Beauchamp and Michael Reilly have written a wonderful story that deserves to be seen on screen.

I wasn't surprised and I was pleased to see that a woman of colour Chinonye Chukwu also Directed this movie as it needed to be told from the woman's perspective to achieve the right sensitivity.

This is a perfect companion movie to Just Mercy 2019 and exposes many injustices in the American Justice System.

You've seen it all before, but that doesn't make this film a chore, it's important to remember, there was a world without defenders, when murderers roamed free, taking lives with so much glee, all protected by the courts, in Mississippi there was no retort.

The brutal execution of Emmett Till replayed and relayed through an outstanding cast, but none quite as incredible as Danielle Deadwyler's heartfelt performance of the lynched boy's mother who's quest for justice is unsurprisingly quenched, but goes on to form part of the momentum of the time to initiate the changes required in the struggle of the African American (and others) for equality, justice and fairness.

Let me just start off by saying the lead performance was outstanding. There's not a parent in the world who could even begin to imagine what the Till family endured. Nor would any parent ever want to deal with so much pain.

While the movie takes certain liberties-it's still a movie, the story behind the real life event stayed true.

I found the movie hard to watch at times being a father and biracial myself along with biracial children. The story comes down to a mother's simple quest for justice in the murder of her son. To those not familiar with Emmit Till's story, I urge you to look it up for yourself.

Danielle Deadwyler plays Till's mother and she gives a knockout performance rivaling anyone who's won an academy award. In fact, I'd say she would be the front runner this year for best actress. Like I said, it's a hard watch but terrific movie nonetheless.

Although this is a good film about such an important event, I can't help but feel it doesn't capture the audience as it needed to?... I was left feeling very frustrated at the fact you watchin ed as a matter of course rather than feel involved in the situation and the strength of feelings running so highly Why did the director not let the viewer see the horrors of what took place in that barn?..it was the key to the whole history of what happened, not only to this young man but many many others at this time in history!

I can't help but feel that although you may mention this film to a friend!...will you talk about it in six months?... I doubt it... will it be remembered for what it should have been...not at all!!... Better direction who knows how to engage the viewer could have improved this movie massively....

Watching *Till* was an incredibly powerful and emotional experience for me. The film masterfully depicts the harrowing true story of Emmett Till and the profound impact of his tragic death. The performances were deeply moving, especially the portrayal of Mamie Till-Mobley, capturing her strength, pain, and relentless pursuit of justice for her son.

I was brought to tears by the raw portrayal of the cruelty, lies, and blatant racism that led to Emmett's lynching. It is unfathomable how such false accusations and evil actions could be carried out, and this film does an exceptional job of shedding light on this dark chapter in history.

Till is not just a movie; it's a powerful reminder of the enduring struggle against racism and injustice. I commend the creators for bringing this crucial story to the screen with such sensitivity and impact. It's a film that will stay with me for a long time and one that I believe is essential viewing for everyone.

This film stretched out every scene to the max, and had many that weren't even needed. All casting and performances were excellent, and that's what stood out the most for me in this film. I couldn't even recognize Whoopi cast as the grandmother and had to ask Alexa "who is cast in the movie Till" to confirm it was in fact her - very impressive. I also discovered that Alexa pronounces Goldberg's first name as Whoppy, not Whoopi when you ask with the exact phrase I used. The sets, props and costumes were impressive and very detail-oriented for the era. The cinematography and score were spot-on. Sadly though, it wasn't as engaging or suspenseful as I expected, as everything is told in too a-matter-of-factly way. Still a decent one-time watch, especially for Danielle Deadwyler's heart-wrenching performance.

This was a very hard film to watch because you're in the room with Mamie Till while she experiences everything that she does, you're feeling everything that she must have felt (if you don't have ice water running through your veins). It's basically an immersive experience of what it must have been like being black in the American South (and Chicago) in the 1950s and it's harrowing.

This is the kind of film that should be shown at schools and town houses. It's a lesson in empathy and a reminder of what a white supremacist regime looks like in unadulterated form. What's scary is how much hasn't changed, both in the U. S. and the world at large. How the same sort of group dynamics at play back then have people voting for the extreme right in this day and age. I'm very worried about the state of my country and the rest of Europe with more and more extreme right politicians getting voted into office but simultaneously the powerlessness that I and others feel is very relative compared to what the people portrayed in this movie went through. And they still fought back, which is the inspiring part.

I wasn't fully immersed in it, like I could tell I was watching a movie, it didn't make me feel like I was part of it or lost in the story. Pretty slow, especially first part of the movie. Maybe the fact that this was a true story makes it hold more weight because I wasn't really moved by the movie itself, gives it emotional value as it's very important in American black history.

Only problem is the story went how I thought it would, so it just feels like one that you've already heard before. If you're already invested in the what the movie has to tell beforehand, then you might appreciate it more. I thought it would be something new and intriguing, instead it's different characters and setting but same stories and similar ones have already been told better(sad reality that they're commonplace).

It carries an important message, just unfortunate it wasn't told as best as it could've been. It just leans so much on the pain the mother and story carries in order to move you. It's not half bad, it's just a movie that needs you to already believe in the message to elevate it from just a decent movie into an astonishing one. But because of the emotional value it has, it might still received very favorably by some, maybe even most.

Women of the Movement was much better of providing a full picture of who Emmitt was, and the obstacles Mamie faced every step of the way from the moment Emmitt was taken.

Understanding they are cramming in a lot of information into a 2 hour movie, and because of this, instead of going deep and really showing the emotion, turmoil and true injustices Mamie faced, got lost in this production.

Women of the Moment gives you a more accurate portrayal of not only Mamie, Emmitt and her family, but shows just how Mississippi fought and did everything they could to hide the truth of how blacks were treated, abused and discredited during this time.

I felt compelled to write a review after reading the one star from another white reviewer. I am white myself, and I couldn't disagree with that reviewer more, Who denounced the Director for her choices and seems to think the white perspective is always the more accurate one. They completely missed the point. This wasn't a story about white racism, this was a story about the power of of a Black mother, and her ability to reach beyond her own tragedy to better the lives of Black people everywhere in this country. This was a celebration of her, as it should be. This was a powerfully executed movie in every respect, and that's all that needs to be said. Well done.

The movie "Till" is a biographical drama about the murder of Emmett Till and the activism of his mother, Mamie Till-Mobley who pursued justice after her son's death. The movie does have a strong theme that addresses the issues of racism and segregation in the United States. While it may contain some cliches, they serve to emphasize the situation of black people in northern states like Chicago and the racism and segregation they faced in southern states like Mississippi.

The second part of the movie portrays the pain and struggle of Emmett's mother, Mamie Till-Bradley, as she searches for justice for her son's murder. Mamie becomes a prominent defender and activist for the black movement, using her personal tragedy to bring attention to the larger issues of racism and injustice.

It is indeed concerning that in the 21st century, issues such as the resurgence of white supremacy groups and the political climate under the Trump administration still persist. The passage of the Emmett Till Antilynching Act in 2022, under the Biden administration, makes lynching a federal hate crime, is a significant step towards addressing this issue. However, it is indeed disheartening that it took 65 years for this legislation to be passed. It is important to continue to work towards creating a more just and equitable society for all people.

While many of us are familiar with the stories of Martin Luther King Jr., Rosa Parks, and recently George Floyd, the significance of Emmett Till and his mother, Mamie Till-Mobley, is often overlooked. Their impact on the civil rights movement was profound and deserves to be recognized. This movie is a very good start.

Though certainly not a perfectly crafted film, Till is stuffed with powerhouse performances and scenes that I couldn't take my eyes off of.

Danielle Deadwyler gives potentially the most engrossing, beautifully heart-wrenching performance I have beheld this year. She disappears into the role and becomes the grieving mother who was Mamie Till. She channels all of the proper emotions at all of the proper times. Sorrow, regret, compassion, hope-all of them and more are tangible in this woman as we follow her journey.

What elevates the emotional core of the story even more is the impressive directing. There are impressively long takes and varied shot composition that always appear meticulously planned and crafted for the purpose of highlighting the actors and allowing them to shine, as they all deliver their dialogue with incredible sympathetic power.

I usually don't rant and rave about musical scores, as I find most of them just serviceable. This one deserves recognition. The music is used surprisingly sparingly, never drowning out the human interactions. But when it's heard, it instils both melancholy and hope into the film, which is exactly what the story is ultimately about.

But, like just about every biopic, Till has its issues, though the ones found here are relatively minor.

For one thing, though the long takes are impressive and allow emotions to linger, they're often too long. A great deal of shots linger way longer than they need to, and scenes carry on beyond the time that their point was made. It hurts the pacing considerably.

And while I did admire the script's attempt to include a great deal of real-life characters and plot points for the sake of integrity and uncomfortable honesty, it also hurts the pacing, as quite a few of them inevitably need to be rushed through with little-to-no impact on the larger picture. This is almost always a problem with biopics, which is why I think most of them should have been TV miniseries instead.

Till has a great deal more depth and care put into it than I was expecting, and I applaud its ambitious reach, as it does grasp the vast majority of what it reaches for.

I can't praise enough the powerful acting of Danielle Deadwyler. She truly gives a star-making performances the mother. If the is overlooked at the Academy Awards it will be a travesty.

Speaking of travesty, the murder of Emmett Till and the subsequent acquittal of the two defendants is just that. Carolyn Bryant the woman who made the accusations is in her 80s and still has never been charged with any crime. This movie vividly depicts a Southern system steeped in racism. There are scenes even in the courtroom where blacks are treated with composted distain.

This is one truly fantastic movie.

STAR RATING: ***** Brilliant **** Very Good *** Okay ** Poor * Awful

The year is 1955. Black teenager Emmett Till (Jaylyn Hall) is a charismatic young man, who is preparing to travel from Chicago to Mississippi to meet some relatives. His steely mother Marnie (Danielle Deadwyler) is concerned, telling him as a young black man he must be careful how he conducts himself down South, and he cannot behave the same way as in his hometown. Emmett enjoys his trip without incident, until he has an encounter with shop worker Carolyn Bennett (Haley Bennett), which leads to his brutal lynching. Devastated, Marnie makes her way down south to lead a dignified but determined campaign for justice for her boy, which leads on to greater things in the rise of the civil rights movement.

The history of slavery, segregation and oppression holds a vast swathe of stories that truly reveal the dark underbelly of American history, and indeed history in general, that shatter the proud veneer that the world likes to soak itself in. The story of Emmett Till, whose brutalised, distorted body in death was used for powerful effect by his mother on the front cover of a prominent publication at the time to wake America up to the true horror of racism is a truly significant one, that deserves an on screen telling, which has arrived in this lengthy, thorough dramatisation, that largely slipped under the radar in its January release on these shores.

In his inevitably limited screen time, young actor Jalyn Hall certainly makes an impression as Emmett, truly bringing him alive and making him more than just a name under a headline, a lively, energetic individual, whose cocksure humour would either rub off on you, or brush you up the wrong way. But it is Deadwyler in the lead role, who must commandeer the entire story, and she turns in a powerful, transfixing performance, as a woman saddled with grief and rage, who must compose herself and remain respectable in order to ensure a chance for justice for her son. The rawness of her emotions, and the power of her delivery add a solid extra depth to the proceedings. In a supporting role, Bennett also creates an impression as Bryant, the young woman whose false accusations against Emmett led to his slaying, conveying a cold iciness in the courtroom in the face of Marnie's tough struggle. Special mention should also go to Tosin Cole in a support role as chauffeur Medgar Evars, who would also go on to be a key player in the civil rights struggle, and whose own posthumous murder would be the subject of the 1996 courtroom thriller Ghosts of Mississippi.

It is said that if history makes you feel comfortable, you are not studying real history but propaganda, and Till is certainly not a tale that will leave you feeling happy and content with the world. But it is a powerful, stirring drama, with affecting performances and a stirring delivery, and sadly far from the only such tale of its kind. ****

It's nice to see this story getting the attention is deserves, but this screen offering seems almost rambling and lost when trying to establish the narrative. Powerful performances from the cast; very well performed. You'll cry, you'll be shocked, but you'll also be left feeling like the movie was more of a collection of moments and less like a cohesive script.

There are truly award worthy deliveries from various members of the cast and the movie was shot well with its lighting, cinematography, and set & costume design. But between powerhouse performances you're left with 10 minute stretches of obvious filler that don't do much to add to the story or draw you into it. I found my mind wandering and losing interest, even though these real life events are so worthy of attention for so many reasons.

In short, this movie is okay and deserves a watch for what's good about it, but viewers should set the bar a bit in mediocre territory if they want to avoid coming out of it dissatisfied. Editing is probably the single point of failure here. The story as-is could be 30+ minutes shorter and it would flow a lot better. Else, they could have included more elements of the NAACP's involvement, elements of the political environment, or anything other than a series of prolonged, silent scenes of brooding introspection. It feels almost like the filmmakers had a goal to make the movie last a certain amount of time, and then in post-production figure out how to do it.

All in all, it's worth a single view, but probably one of those movies you remember 10 years from now that it once existed and you vaguely recall having seen it.

Chukwu's "Till" is the cinematic representation of the tragic and vile murder of Emmett Till in 1955. Prior to this October 2022 biopic, in late January of 2022, ABC released a six hour, six-part, limited series on the Emmett Till story titled "Women of the Movement". Arguably, it can be stated that the series is an immersive, comprehensive, and harrowing portrayal of the individuals, environment, and injustice that befell Emmett, his mother Mamie, Emmett's family, and an entire African American community. Albeit a strong and emotional performance from Danielle Deadwyler, the tonality and expression of Chukwu's film is very different from the ABC series, and is largely executed in the style of a theater production with scenes acted out in a manner that reflects actors delivering their scenes in a controlled and timed fashion without emotional and realistic spontaneity. For instance, the scene of Mamie fainting on the ground upon hearing that her child had been found murdered, played out like an on-stage performance with the support cast gathering around and reacting as a diorama scene without active realism to the event. Another instance of diorama scene configuration can immediately be seen in the following sequence of shots, where a camera is pulled on a dolly slider through two different households (one white and one black), in addition to Mamie's home, as they react to the televised and radio news of Emmett Till's murder.

Although creative from the standpoint of the director and the cinematographer, it does not playout like a traditional film's portrayal of immediate visual realism. Moreover, there is a lot of dead time spent in specific shots that does not add emotional or historical context to the development of the known story. Granted that this film is only a two-hour production, as opposed to "Women of the Movement", this is not an excuse for the shortcomings of support cast character development and their portrayal not being authentically written (i.e., superficial without true homage to the actual historical figures), nor fully executed in a manner that depicts timeless performances as opposed to simply a passing acquaintance or thought. Inconsistency in the cinematic framing of shots shows the lack the dynamic structure of positioning that builds tension or captures the emotional severity that is present in several critical scenes during the film. Additionally, the cinematic score from composer Korzeniowski, at times, subjectively choses the wrong tonality and expression in several important moments, which can detract the viewer from any tension that should be the focus of a particular scene.

Overall, the film lacks a timeless aura with the gravitas that can be found in the 1988 film "Mississippi Burning", or the 1992 biopic film "Malcolm X". Furthermore, the accuracy of the film's dialog in relation with historical dialog and context is flawed (e.g., the interaction of Emmett Till and Carolyn Bryant at the store, or the kidnapping of Emmett Till from the home of Mose Wright). A bit off-putting was the director's choice of quickly glancing over the evil expressions of taunt and sneering malice from the Bryant's and the overall racist culture of Mississippi in the town of Money during the trial, including the jurors, although it could be argued that the emphasis was to focus on Mamie Till-Mobley and not on the perpetrators. The story of injustice that her son faced was not fully realized in the second act of the film (i.e., following the murder), and quite frankly, the film ran out of time and steam, choosing to inform the audience of a complex life that Mamie led following the events of her son's trial through the epilogue.