Eine verzweifelte Mutter, die seit ihrer Kindheit von einem bösartigen Geist heimgesucht wird, lässt sich besessen machen, um das Leben ihrer todkranken Tochter zu retten.Eine verzweifelte Mutter, die seit ihrer Kindheit von einem bösartigen Geist heimgesucht wird, lässt sich besessen machen, um das Leben ihrer todkranken Tochter zu retten.Eine verzweifelte Mutter, die seit ihrer Kindheit von einem bösartigen Geist heimgesucht wird, lässt sich besessen machen, um das Leben ihrer todkranken Tochter zu retten.
Apollonia Love Pratt
- Jenny
- (as Appy Pratt)
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But close enough, I could give it 2 small stars cause of an ok first half and good acting, but in the end it went down as a fat boy on a seesaw
Funny is the first review on this movie gave it 10 stars and a long story about how fantastic the director was,,, well that guy is on crack or he is the director, or perhaps both
It starts ok actually, little slow but not boring, the movie works it way up and in the middle the movie wins your attention, you have a hope now something good starts to grow , but right there when the action finally should kick in, the movie trips in a black hole and never comes back again,,,,
And that was the last time we saw skeleteons in the closet.
Funny is the first review on this movie gave it 10 stars and a long story about how fantastic the director was,,, well that guy is on crack or he is the director, or perhaps both
It starts ok actually, little slow but not boring, the movie works it way up and in the middle the movie wins your attention, you have a hope now something good starts to grow , but right there when the action finally should kick in, the movie trips in a black hole and never comes back again,,,,
And that was the last time we saw skeleteons in the closet.
I actually heard about this movie awhile back when it was about to be released, and I forgot to follow up on it. I remember taking an interest in it because of the cast. Well, my interest is no longer; I'll pass on this one. It seems as if this was so bad that they felt it was better to let the movie itself sit in the closet.
What is funny is that there are a bunch of low ratings on here, and then you have the one 10/10 rating that sticks out like a sore thumb. It's not hard to figure out that the person is connected to this production in some way; perhaps it's the director who used words like stellar performances, masterfully crafted, chilling horror, and well-layered story. This one really made me laugh-"a spine-chilling cinematic experience."😆 And then it comes in at a 3.0/10 rating. Unbelievable.
What is funny is that there are a bunch of low ratings on here, and then you have the one 10/10 rating that sticks out like a sore thumb. It's not hard to figure out that the person is connected to this production in some way; perhaps it's the director who used words like stellar performances, masterfully crafted, chilling horror, and well-layered story. This one really made me laugh-"a spine-chilling cinematic experience."😆 And then it comes in at a 3.0/10 rating. Unbelievable.
My guess is this was filmed in about 8-10 days at most. Most scenes are 1-2 takes. They probably got Cuba Gooding Jr. For 1 or 2 days. The plot is extremely simple, almost as if a child wrote it.
By about the 1 hour mark I really wanted to shut it off, but I endured. To get to the underwhelming finale that any novice film goer would expect.
I guess the biggest question is why did Terrence Howard do this project? Why? It couldn't have paid much, maybe just for fun? The plot is partially a flashback story, which the synopsis explains. There's just nothing here sadly. The first 25 minutes is Cuba and Terrence drinking at bars talking, usually in 1 take scenes.
Overall it's passable to put on if you're working or cooking or something, but don't dedicate your time to watching this. 4.4/10.
By about the 1 hour mark I really wanted to shut it off, but I endured. To get to the underwhelming finale that any novice film goer would expect.
I guess the biggest question is why did Terrence Howard do this project? Why? It couldn't have paid much, maybe just for fun? The plot is partially a flashback story, which the synopsis explains. There's just nothing here sadly. The first 25 minutes is Cuba and Terrence drinking at bars talking, usually in 1 take scenes.
Overall it's passable to put on if you're working or cooking or something, but don't dedicate your time to watching this. 4.4/10.
I recently viewed Skeletons in the Closet (2024) on Shudder. The plot revolves around a family facing adversity, with a terminally ill daughter and a father who loses his job, making it challenging to cover medical expenses. The mother turns to a spirit from her past for help, but at what cost?
Directed by Asif Akbar (Clown Motel), the film features Terrence Howard (Crash), Cuba Gooding Jr. (Jerry Maguire), Udo Kier (Suspiria), Clifton Powell (Ray), and Michelle Wang (Ruthless).
Regrettably, this movie is a disaster. Despite a promising setup and realistic circumstances, the execution falls short. There are a couple of cool costumes, such as the scarecrow and voodoo skull guy, but even with a stellar cast, the acting consistently feels inauthentic, and the dialogue is inconsistent. The reactions to certain situations fail to evoke the intended impact, and Udo Kier's character and scenes could have been much better. The voodoo/seance subplot also misses the mark.
In conclusion, Skeletons in the Closet had potential in its setup but suffers from poor execution. There's little to appreciate here, making it unworthy of your time. I would give it a 2/10 and suggest skipping it.
Directed by Asif Akbar (Clown Motel), the film features Terrence Howard (Crash), Cuba Gooding Jr. (Jerry Maguire), Udo Kier (Suspiria), Clifton Powell (Ray), and Michelle Wang (Ruthless).
Regrettably, this movie is a disaster. Despite a promising setup and realistic circumstances, the execution falls short. There are a couple of cool costumes, such as the scarecrow and voodoo skull guy, but even with a stellar cast, the acting consistently feels inauthentic, and the dialogue is inconsistent. The reactions to certain situations fail to evoke the intended impact, and Udo Kier's character and scenes could have been much better. The voodoo/seance subplot also misses the mark.
In conclusion, Skeletons in the Closet had potential in its setup but suffers from poor execution. There's little to appreciate here, making it unworthy of your time. I would give it a 2/10 and suggest skipping it.
After a series of setbacks, a family confronted with the idea of a returning spirit that has haunted her from childhood that seems to be caused by a longstanding curse as the reasoning for everything and must resort to dangerous practices to protect their family from these forces.
This was a massively disappointing and barely worthwhile effort. Among its few bright spots here that make this a decent enough setup with the family going through their struggles which gets everything going in a decent enough clip. The family history that includes a series of confrontations and counters with spirits from a child into adulthood signals the start of a tragedy which starts to rear its head again with the newfound diagnosis of the daughter which puts them into the mindset of trying whatever means necessary to save her. This upsetting of the supernatural realm manages to be somewhat chilling as a concept due to the use of the demonic figure as a starting point to get the central deal together. This is all pretty much the best part about this one. That leaves the film with a veritable slew of issues.to hold this back. The main problem is that it's nearly impossible to care what's going on since all the sub-plots here don't come together in any shape or form. Featuring a series of sidestories involving a gangster holding him accountable for a monetary loan to cover the necessary surgery for the removal of her cancer, the mother's struggles with her faith go nowhere which is due to the sudden introduction of the strange spiritual figure that comes for her, and the interactions of the rother who just got out of prison that sets him up with the mob boss in the first place, this one has way too much going on that's just not interesting as it features way too many things happening to make any of these plots feel connected. In addition to this kind of scattered approach, there's also the fact that the pacing is so slow it's nearly impossible to care about what's going on. As so many of these elements getting brought up make the film feel far more like a family drama with a bit of suspense thrown in with the mob connections, it's so light on the sightings of the spectral figures around her that they almost feel like an afterthought introduced simply to make it more marketable. Very little is explained in a way that connects everything and it tends to come off more like an extra setup to add even struggle to the family since they take up far more of the running time here than anything else going on. That becomes a big component of the rest of the film as the final big issue is the lack of threatening genre action. As there's barely anything here in the first part where the few shocking inserts of the spirit haunting her are so haphazardly inserted it could easily be taken out without upsetting anything and then almost ignored until midway through the film for a briefly written explanation that tries to retcon everything into a functioning explanation for the setup. It's done so lamely and without any kind of genuine genre thrills that hardly any kind of interaction with the spirit occurs so there are no kills or anything like that happening throughout here, rendering all these aspects enough to completely downgrade this one.
Rated Unrated/R: Graphic Language and Violence.
This was a massively disappointing and barely worthwhile effort. Among its few bright spots here that make this a decent enough setup with the family going through their struggles which gets everything going in a decent enough clip. The family history that includes a series of confrontations and counters with spirits from a child into adulthood signals the start of a tragedy which starts to rear its head again with the newfound diagnosis of the daughter which puts them into the mindset of trying whatever means necessary to save her. This upsetting of the supernatural realm manages to be somewhat chilling as a concept due to the use of the demonic figure as a starting point to get the central deal together. This is all pretty much the best part about this one. That leaves the film with a veritable slew of issues.to hold this back. The main problem is that it's nearly impossible to care what's going on since all the sub-plots here don't come together in any shape or form. Featuring a series of sidestories involving a gangster holding him accountable for a monetary loan to cover the necessary surgery for the removal of her cancer, the mother's struggles with her faith go nowhere which is due to the sudden introduction of the strange spiritual figure that comes for her, and the interactions of the rother who just got out of prison that sets him up with the mob boss in the first place, this one has way too much going on that's just not interesting as it features way too many things happening to make any of these plots feel connected. In addition to this kind of scattered approach, there's also the fact that the pacing is so slow it's nearly impossible to care about what's going on. As so many of these elements getting brought up make the film feel far more like a family drama with a bit of suspense thrown in with the mob connections, it's so light on the sightings of the spectral figures around her that they almost feel like an afterthought introduced simply to make it more marketable. Very little is explained in a way that connects everything and it tends to come off more like an extra setup to add even struggle to the family since they take up far more of the running time here than anything else going on. That becomes a big component of the rest of the film as the final big issue is the lack of threatening genre action. As there's barely anything here in the first part where the few shocking inserts of the spirit haunting her are so haphazardly inserted it could easily be taken out without upsetting anything and then almost ignored until midway through the film for a briefly written explanation that tries to retcon everything into a functioning explanation for the setup. It's done so lamely and without any kind of genuine genre thrills that hardly any kind of interaction with the spirit occurs so there are no kills or anything like that happening throughout here, rendering all these aspects enough to completely downgrade this one.
Rated Unrated/R: Graphic Language and Violence.
Wusstest du schon
- WissenswertesThird collaboration between Cuba Gooding Jr. and Terrence Howard after Red Tails (2012) and The Butler (2013).
- PatzerMan asks Mark for a light and then lights up a cigarette at the bar. Most businesses and buildings no longer allow smoking inside.
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- 1.420 $
- Laufzeit1 Stunde 32 Minuten
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