IMDb-BEWERTUNG
5,9/10
2132
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuSamuel is a paraplegic boy who lives with his mother Elena in an isolated mansion. When he meets Denise, he finds the strength to open up to the world. Elena won't let him go so easily, and ... Alles lesenSamuel is a paraplegic boy who lives with his mother Elena in an isolated mansion. When he meets Denise, he finds the strength to open up to the world. Elena won't let him go so easily, and she is ready to do whatever it takes to stop him.Samuel is a paraplegic boy who lives with his mother Elena in an isolated mansion. When he meets Denise, he finds the strength to open up to the world. Elena won't let him go so easily, and she is ready to do whatever it takes to stop him.
- Auszeichnungen
- 3 Nominierungen insgesamt
Justin Korovkin
- Samuel
- (as Justin Alexander Korovkin)
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I do not understand the high ratings regarding this movie; I'm truly at a loss.
People want to call this movie an aesthetically, beautiful, dark and intelligent, slow burn, when in reality it's simply long, boring, and wasteful.
There is so much of nothing going on for an hour and a half, no explanation as to the motives of the psychotic mother, the brain numbing pace, the child who is so micromanaged you began to wonder if he's truly brainwashed, or just stupidly compliant.
The scenes are so long and drawn out without any cohesive understanding as to what prior scenes have to do with what is currently happening.
Just gloom, doom, an overly dominant mother, the other psychotic character, the doctor, and household staff who wander around, terrified, of who knows what.
And, that ending. Really? Surely the producers could have given better subtle cues within the movie, so when the end comes you're prepared for it all to make sense. No. You're just left scratching your head going, huh? With all that said, after the big reveal at the end, (you still hate the mother) you'd think the mother would've wanted that kid to walk... but, you have to watch it to understand what I'm saying; or just watch 30 minutes then fast forward to the end, and ask yourself it it was worth fast forwarding, or sitting through all the drivel.
People want to call this movie an aesthetically, beautiful, dark and intelligent, slow burn, when in reality it's simply long, boring, and wasteful.
There is so much of nothing going on for an hour and a half, no explanation as to the motives of the psychotic mother, the brain numbing pace, the child who is so micromanaged you began to wonder if he's truly brainwashed, or just stupidly compliant.
The scenes are so long and drawn out without any cohesive understanding as to what prior scenes have to do with what is currently happening.
Just gloom, doom, an overly dominant mother, the other psychotic character, the doctor, and household staff who wander around, terrified, of who knows what.
And, that ending. Really? Surely the producers could have given better subtle cues within the movie, so when the end comes you're prepared for it all to make sense. No. You're just left scratching your head going, huh? With all that said, after the big reveal at the end, (you still hate the mother) you'd think the mother would've wanted that kid to walk... but, you have to watch it to understand what I'm saying; or just watch 30 minutes then fast forward to the end, and ask yourself it it was worth fast forwarding, or sitting through all the drivel.
It is a pleasure to see films of this genre in the Italian panorama. The Nest is directed by Roberto De Feo, here at his first rehearsal as a director. In some places we see that this is his debut film but otherwise he has an excellent staging where the jumpscares are not the tension but the gothic atmospheres and the fact that there is a mystery behind the whole.
Excellent the cast, chosen with great care and above all excellent the ending that initially may leave you perplexed but, observing the film, the dialogues and certain enigmatic scenes, we can understand that that ending was well studied.
Recommended!
I gave this film 3 stars purely for the atmosphere of the film. Otherwise, it a long and tedious and seemingly endless all leading to a pretty lousy twist at the end that did not warrant the long and strange storyline to build up to it.
It is listed as a horror story, but except for the twist there is NOTHING horrific in it except for extremely creepy mother and extended family and their bizarre ways.
The characters are all pretty creepy, not in haunted or supernatural ways, but in reflecting people who make your skin crawl with their personalities.
Even the boy comes across as a sinister figure, although he is not. The story makes him a tragic figure and one deserving of the viewers sympathy, but the way he is played and his dialogue makes one feel unsettled by him.
It is not horrible, but you choose to watch it keep No-Doz and strong caffeinated coffee handy to keep you awake till the end!
It is listed as a horror story, but except for the twist there is NOTHING horrific in it except for extremely creepy mother and extended family and their bizarre ways.
The characters are all pretty creepy, not in haunted or supernatural ways, but in reflecting people who make your skin crawl with their personalities.
Even the boy comes across as a sinister figure, although he is not. The story makes him a tragic figure and one deserving of the viewers sympathy, but the way he is played and his dialogue makes one feel unsettled by him.
It is not horrible, but you choose to watch it keep No-Doz and strong caffeinated coffee handy to keep you awake till the end!
Very very slow movie and somehow boring in its first part, it is surprisingly good once the end is revealed.
De Feo direction is really classy and the cast is good.
Wusstest du schon
- WissenswertesAbout her nude scene, Francesca Cavallin said, "We were already in Turin, and Roberto [De Feo] says to me, 'Before we start shooting I have a request to make of you, something personal. I have already talked about it with the production and the premise is that the final decision is yours. I've been thinking a lot about the scene where you cut yourself (I was originally supposed to be sitting on the edge of the bathtub, dressed, and he would start from the trickle of blood and go back up to me), and I'm asking you to do it nude. It's a nude that makes sense though, for the scene, for the character and her private moment. For me it would be much stronger, however, I defer to you, because it was not in the script.' I answer him, 'Roberto, for me nudity -if it makes sense- doesn't involve any problem. My body is my instrument, I am an actress.' Then we start talking about the scene, which was originally supposed to have me sitting, or semi-sitting, while cutting myself. Then I reflect on it and say, 'I have a proposal: what if I were in the fetal position? For a character like Elena, the most private moment, of returning to the essence, must correspond to a return to the uterine environment, to a condition of absolute protection from the outside world. In my opinion, for Elena there is no greater intimacy. And you should frame her from above, naked, inside that tub' The result was stylistically and visually perfect. It is a nude, but one of extraordinary elegance. And I was blown away when I saw the camera movement he did, 180 degrees. After he finished, he made a point of showing me the shot."
- SoundtracksPiano Sonata No. 14 in C sharp minor, Op. 27 No. 2 'Moonlight'
Composed by Ludwig van Beethoven
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- La maldición de Lake Manor
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 1.300.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 5.504 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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