Während Batman nach dem entflohenen Joker jagt, greift der Clown Prince of Crime die Familie Gordon an, um einen teuflischen Punkt zu beweisen, der seinen eigenen Fall in den Wahnsinn widers... Alles lesenWährend Batman nach dem entflohenen Joker jagt, greift der Clown Prince of Crime die Familie Gordon an, um einen teuflischen Punkt zu beweisen, der seinen eigenen Fall in den Wahnsinn widerspiegelt.Während Batman nach dem entflohenen Joker jagt, greift der Clown Prince of Crime die Familie Gordon an, um einen teuflischen Punkt zu beweisen, der seinen eigenen Fall in den Wahnsinn widerspiegelt.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
- Batman
- (Synchronisation)
- The Joker
- (Synchronisation)
- Barbara Gordon
- (Synchronisation)
- …
- Commissioner Gordon
- (Synchronisation)
- Francesco
- (Synchronisation)
- Detective Bullock
- (Synchronisation)
- Alfred
- (Synchronisation)
- Reese
- (Synchronisation)
- Murray
- (Synchronisation)
- Mitch
- (Synchronisation)
- Paris
- (Synchronisation)
- Carny Owner
- (Synchronisation)
- Patrolman
- (Synchronisation)
- Jeannie
- (Synchronisation)
- Call Girl
- (Synchronisation)
- Maroni
- (Synchronisation)
- (as Rick Wasserman)
Empfohlene Bewertungen
There is a real lack of grit and atmosphere in the delivery. For all the time spent with Batgirl, the film could have fleshed out dialogue, horrors, and conflict between the characters. Instead this felt truncated and lacking roots. For all the potential in the led two, there was little delivered but yet just enough to indicate what it could have been. It felt rushed, which may have been true because the film as a whole has a cheap feeling. The animation has little character or depth, and looked basic in both detail but also in movement. Searching online as to why, it seems that the animation was every 4 frames, which contributes to a choppy feel despite reducing cost. The voice work is good throughout, just a shame not to have a better product to deliver.
The Killing Joke had a lot of hype, most of which I ignored. Even with no preconceptions and reasonable expectations though, the film didn't deliver, and feels cheap, rushed, and poorly filled out.
*** (out of 4)
An already bad situation for Batman turns even worse when he realizes that the Joker has escaped and is on the streets again.
BATMAN: THE KILLING JOKE pretty much came out of nowhere and become a huge hit to fans and critics. I guess it's easy to see why so many positive vibes would go towards this animated film and especially since so many people were unhappy with BATMAN VS SUPERMAN: DAWN OF JUSTICE. With that said, as good as this film is I still think it has been overrated by some who are calling it a masterpiece.
Still, there's no question that this is a highly entertaining movie that manages to keep you glued to the personal drama effecting Batman and there's also the great rivalry with the Joker. These aspects is what keeps the film moving at such a good pace and I really thought the Joker character was highly entertaining and sinister just the way he should be. Mark Hamill does a very good job with the vocal work on the Joker and I thought Tara Strong was also very good with Batgirl.
The animation is top notch as you'd expect and the screenplay allowed the darkness of the city to blend in with the characters. This darker approach is something that "some" people don't like but I thought it was perfectly suited for the animation. BATMAN: THE KILLING JOKE is a darn good film and one that more people should check out.
I really wanted The Killing Joke to be DC Animation's return to greatness.
The parts that are actually The Killing Joke are great, but I just can't ignore the first 30 minutes. It felt like a random episode of a completely unrelated Batman TV show. I get that they wanted to make Batgirl more sympathetic and an actual character in the movie, rather than just a plot point, but honestly, who cares? Who gives a crap about Batgirl? She doesn't matter, she's irrelevant to the story. The Killing Joke is supposed to be about Batman's relationship with The Joker. Instead, it felt almost as If Barbara Gordon was the main character. If they didn't want to just do a direct adaptation of the novel because it'd be too short, I get it, but find another way to expand it.
But still, like I said, as soon as the actual movie starts, it's great. Hamill and Conroy were obviously great. They stole the show, specially Hamill. I didn't like Commissioner Gordon's voice though, it sounded weird.
Overall, good movie, but it should have been great.
What should be a deep, poignant movie that reflects on the nature of good and evil, why we become what we become, whether free will exists and other fascinating themes, becomes a lame action movie full of fan service, bad writing, bad characterization and terrible pacing.
This movie is doomed by a complete misunderstanding of what made the comic great, a bad writer and total lack of respect for its characters (especially Barbara Gordon).
Everything great about the comic was done poorly or taken out. And all the additions are awful.
A fan of the comic will hate it and a newcomer will just wonder why the hell the comic is considered a masterpiece, if this is the story people raved about for 30 years.
Animation is decent and voice acting is good, so I gave it a 4/10 out of respect for those things.
But this one of the worst things ever produced by DC.
Wusstest du schon
- WissenswertesAfter the release of Batman: Arkham Knight (2015), Mark Hamill stated that due to the strain it put on his vocal cords, he would never voice the Joker again unless "Batman: The Killing Joke" was adapted into a film.
- Zitate
The Joker: You know, it's funny. This reminds me of a joke. See, there were two guys locked in a lunatic asylum and one night... one night, they decided they didn't like that anymore. They decided to escape. So, they made it up to the roof and there, just across this narrow gap, they see rooftops, stretching across town, stretching to freedom. Now, the first guy, he jumps right across, no problem. But his friend, oh, no way, he's afraid of falling. So, the first guy has an idea. He says, "Hey, I got this flashlight with me. I'll shine it across the gap between the buildings and you can walk across the beam and join me." But the second guy says, "What do you think I am, crazy? You'll just turn it off when I'm halfway across!"
- Crazy CreditsIn a mid-credits scene, Barbara is in her wheelchair entering a secret room in her apartment. As she turns on her computers, Oracle's logo appears on the screen. She says "back to work."
- VerbindungenFeatured in Madness Set to Music (2016)
- SoundtracksI Go Looney
Composed by Michael McCuistion, Kristopher Carter and Lolita Ritmanis, Performed by Mark Hamill
Top-Auswahl
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Details
Box Office
- Budget
- 3.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 3.775.000 $
- Weltweiter Bruttoertrag
- 4.462.034 $
- Laufzeit1 Stunde 16 Minuten
- Farbe
- Seitenverhältnis
- 1.78 : 1(original aspect ratio)