Während Batman nach dem entflohenen Joker jagt, greift der Clown Prince of Crime die Familie Gordon an, um einen teuflischen Punkt zu beweisen, der seinen eigenen Fall in den Wahnsinn widers... Alles lesenWährend Batman nach dem entflohenen Joker jagt, greift der Clown Prince of Crime die Familie Gordon an, um einen teuflischen Punkt zu beweisen, der seinen eigenen Fall in den Wahnsinn widerspiegelt.Während Batman nach dem entflohenen Joker jagt, greift der Clown Prince of Crime die Familie Gordon an, um einen teuflischen Punkt zu beweisen, der seinen eigenen Fall in den Wahnsinn widerspiegelt.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
- Batman
- (Synchronisation)
- The Joker
- (Synchronisation)
- Barbara Gordon
- (Synchronisation)
- …
- Commissioner Gordon
- (Synchronisation)
- Francesco
- (Synchronisation)
- Detective Bullock
- (Synchronisation)
- Alfred
- (Synchronisation)
- Reese
- (Synchronisation)
- Murray
- (Synchronisation)
- Mitch
- (Synchronisation)
- Paris
- (Synchronisation)
- Carny Owner
- (Synchronisation)
- Patrolman
- (Synchronisation)
- Jeannie
- (Synchronisation)
- Call Girl
- (Synchronisation)
- Maroni
- (Synchronisation)
- (as Rick Wasserman)
Empfohlene Bewertungen
I really wanted The Killing Joke to be DC Animation's return to greatness.
The parts that are actually The Killing Joke are great, but I just can't ignore the first 30 minutes. It felt like a random episode of a completely unrelated Batman TV show. I get that they wanted to make Batgirl more sympathetic and an actual character in the movie, rather than just a plot point, but honestly, who cares? Who gives a crap about Batgirl? She doesn't matter, she's irrelevant to the story. The Killing Joke is supposed to be about Batman's relationship with The Joker. Instead, it felt almost as If Barbara Gordon was the main character. If they didn't want to just do a direct adaptation of the novel because it'd be too short, I get it, but find another way to expand it.
But still, like I said, as soon as the actual movie starts, it's great. Hamill and Conroy were obviously great. They stole the show, specially Hamill. I didn't like Commissioner Gordon's voice though, it sounded weird.
Overall, good movie, but it should have been great.
There is a real lack of grit and atmosphere in the delivery. For all the time spent with Batgirl, the film could have fleshed out dialogue, horrors, and conflict between the characters. Instead this felt truncated and lacking roots. For all the potential in the led two, there was little delivered but yet just enough to indicate what it could have been. It felt rushed, which may have been true because the film as a whole has a cheap feeling. The animation has little character or depth, and looked basic in both detail but also in movement. Searching online as to why, it seems that the animation was every 4 frames, which contributes to a choppy feel despite reducing cost. The voice work is good throughout, just a shame not to have a better product to deliver.
The Killing Joke had a lot of hype, most of which I ignored. Even with no preconceptions and reasonable expectations though, the film didn't deliver, and feels cheap, rushed, and poorly filled out.
And I get what they tried to do or felt they had to do as far as making it a complete experience as a 75 minute film. Barbara Gordon, aka Batgirl, is more of a plot device in the comic (spoiler? Joker shoots and paralyzed her before kidnapping Commissioner for his amusement park nightmare games), so to flesh out her backstory with Batman is good. On paper. Actually, not on this paper, as it turns into a half hour story where Batgirl is chasing after a ho-Hum "charming" criminal who I don't even recall in the comics (if he was in it he's certainly not memorable) and it's all here to make it a Batgirl story with Batman mostly as the ornery father figure...
Which makes that 'thing' that happens between them so jarring; if this was squarely a batman/batgirl story theoretically it could go somewhere )I'm not saying it's a good idea in most any context, again those like Robin or Batgirl are more like the kids to Batman not those he gets uh down n dirty with). But Azzarello crams it in where it doesn't fit and if anything makes the motivations for what comes in the actual Killing Joke story hamfisted. Not to mention how it's presented is silly especially given what room is open with an R rating (the first for any Batman film, ironically you could show this to most kids 12 and up and it'd be fine).
Despite this troubling and/or just typical Batman/Batgirl story that squanders potential with really delving into backstory the comic hinted at, or because of it, when that second half of the film kicks in to gear and we get the story of the comic it'S presented largely faithfully and the genius and power of that story comes through; the Joker as a 'sympathetic' being with his own origin story which, by the end, is satisfying as its own story and is brilliant as a circumspect narrative from an unreliable storyteller.
I may also be a sucker for Hamill as the Joker but how can one not be when he always sinks his teeth in and makes him a real PRESENCE in a room? Adding to this he creates a good, relatable voice for pre.transformation Joker in the flashbacks and we get drawn in to his story in large part because that voice acting comes through. The animation is also top notch (as far as the limited budget allows), and some moments in that fun-house/amusement park are shown to be iconic for a reason; if you get any allusions to the Burton 89 Batman there's a reason for that.
I think my high rating is due to finding that main story so compelling - what a hero or villain means when they have to face existential questions and how they relate to one another through "one bad day" (interestingly though Moore recently says he doesn't like his own work here I find he underrated it, that he got under the skin of these iconic figures to show them as people). So I wanted it to be great, and it flirts with being as strong as the first part of the Dark Knight Returns movie or even Mask of the Phantasm. But that first half hour drags it into a murky, middle feeling where overall you come away saying 'it's alright, I guess,' with an ambiguous ending not landed with the weight that's required either.
*** (out of 4)
An already bad situation for Batman turns even worse when he realizes that the Joker has escaped and is on the streets again.
BATMAN: THE KILLING JOKE pretty much came out of nowhere and become a huge hit to fans and critics. I guess it's easy to see why so many positive vibes would go towards this animated film and especially since so many people were unhappy with BATMAN VS SUPERMAN: DAWN OF JUSTICE. With that said, as good as this film is I still think it has been overrated by some who are calling it a masterpiece.
Still, there's no question that this is a highly entertaining movie that manages to keep you glued to the personal drama effecting Batman and there's also the great rivalry with the Joker. These aspects is what keeps the film moving at such a good pace and I really thought the Joker character was highly entertaining and sinister just the way he should be. Mark Hamill does a very good job with the vocal work on the Joker and I thought Tara Strong was also very good with Batgirl.
The animation is top notch as you'd expect and the screenplay allowed the darkness of the city to blend in with the characters. This darker approach is something that "some" people don't like but I thought it was perfectly suited for the animation. BATMAN: THE KILLING JOKE is a darn good film and one that more people should check out.
Wusstest du schon
- WissenswertesAfter the release of Batman: Arkham Knight (2015), Mark Hamill stated that due to the strain it put on his vocal cords, he would never voice the Joker again unless "Batman: The Killing Joke" was adapted into a film.
- Zitate
The Joker: You know, it's funny. This reminds me of a joke. See, there were two guys locked in a lunatic asylum and one night... one night, they decided they didn't like that anymore. They decided to escape. So, they made it up to the roof and there, just across this narrow gap, they see rooftops, stretching across town, stretching to freedom. Now, the first guy, he jumps right across, no problem. But his friend, oh, no way, he's afraid of falling. So, the first guy has an idea. He says, "Hey, I got this flashlight with me. I'll shine it across the gap between the buildings and you can walk across the beam and join me." But the second guy says, "What do you think I am, crazy? You'll just turn it off when I'm halfway across!"
- Crazy CreditsIn a mid-credits scene, Barbara is in her wheelchair entering a secret room in her apartment. As she turns on her computers, Oracle's logo appears on the screen. She says "back to work."
- VerbindungenFeatured in Madness Set to Music (2016)
- SoundtracksI Go Looney
Composed by Michael McCuistion, Kristopher Carter and Lolita Ritmanis, Performed by Mark Hamill
Top-Auswahl
- How long is Batman: The Killing Joke?Powered by Alexa
Details
Box Office
- Budget
- 3.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 3.775.000 $
- Weltweiter Bruttoertrag
- 4.462.034 $
- Laufzeit1 Stunde 16 Minuten
- Farbe
- Seitenverhältnis
- 1.78 : 1(original aspect ratio)