Eine Frau wird von einem unbekannten Wesen verfolgt, das nur auftaucht, wenn das Licht ausgeht.Eine Frau wird von einem unbekannten Wesen verfolgt, das nur auftaucht, wenn das Licht ausgeht.Eine Frau wird von einem unbekannten Wesen verfolgt, das nur auftaucht, wenn das Licht ausgeht.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 9 Nominierungen insgesamt
Ariel Dupin
- Young Diana
- (Nicht genannt)
Empfohlene Bewertungen
Lights Out, is quite possibly one of the most visually and mentally scary films in the last two years. The film is yet another in a string of horror movies that uses diseases as allegories for its premise, and this premise alone is genius. Lights Out is often unnerving and sometimes terrifying, dark in look and tone, without feeling recycled or derivative. The biggest strength of the film is that the story is constructed in a way that the audience is always wondering if something will happen.
The most genius element of the film is the look of the creature that haunts this movie "Diana." Diana is an all-black figure that lurks in the dark, and kills whoever threatens it. That being said throughout this film the audience has to fear that this character could pop out of any dark space at any given time. At 81 minutes, not a single second is calm or peaceful, because the mere sight of sight of this creature is unnerving. However, the writers and crew deserve credit for conceiving the idea of the film having a lot of darkness in it.
We often say lighting is a storytelling device, but in today's films it's become less true the more formulaic films get. In this film lighting is very much a storytelling device, and it is used perfectly. Every scene in this film contains, just the right amount of darkness and light, almost as if there are safe areas, and areas that characters should stay away from, and they're often changing. The dark look and tone of this film, create a very unnerving atmosphere, because one of the most common fears is a fear of the dark, and more notably a fear of the unknown, which exists in the dark.
The film really hit a note with me personally, because I have had nightmares in the past about all dark figures living in the dark, so the film felt that much more personal to me. That being said, the film really doesn't feel all that derivative of other recent horror films. A few moments, and scenes did feel familiar (Diana as a child), but those were few and far between. Even those moments that are a little familiar, are constructed in a way that they are still very scary.
The film does what The Babadook did a couple of years ago, and uses depression as an allegory for the creature in the film, which is turning into a very cool concept. The film is one of the few films within the system that uses lighting to tell the story, and does so in a way that is clever and terrifying at the same time. The film is admittedly dark, and relatively humorless, and not really for children, but that kinda goes without saying. For those horror buffs looking for a good scary movie, this may be your movie.
The most genius element of the film is the look of the creature that haunts this movie "Diana." Diana is an all-black figure that lurks in the dark, and kills whoever threatens it. That being said throughout this film the audience has to fear that this character could pop out of any dark space at any given time. At 81 minutes, not a single second is calm or peaceful, because the mere sight of sight of this creature is unnerving. However, the writers and crew deserve credit for conceiving the idea of the film having a lot of darkness in it.
We often say lighting is a storytelling device, but in today's films it's become less true the more formulaic films get. In this film lighting is very much a storytelling device, and it is used perfectly. Every scene in this film contains, just the right amount of darkness and light, almost as if there are safe areas, and areas that characters should stay away from, and they're often changing. The dark look and tone of this film, create a very unnerving atmosphere, because one of the most common fears is a fear of the dark, and more notably a fear of the unknown, which exists in the dark.
The film really hit a note with me personally, because I have had nightmares in the past about all dark figures living in the dark, so the film felt that much more personal to me. That being said, the film really doesn't feel all that derivative of other recent horror films. A few moments, and scenes did feel familiar (Diana as a child), but those were few and far between. Even those moments that are a little familiar, are constructed in a way that they are still very scary.
The film does what The Babadook did a couple of years ago, and uses depression as an allegory for the creature in the film, which is turning into a very cool concept. The film is one of the few films within the system that uses lighting to tell the story, and does so in a way that is clever and terrifying at the same time. The film is admittedly dark, and relatively humorless, and not really for children, but that kinda goes without saying. For those horror buffs looking for a good scary movie, this may be your movie.
Mystery and horror movie including chills , intrigue , terrifying happenings and it's certainly better than most other films of the same genre concerning a diabolic and mysterious terror appearing at a house . Enjoyable horror movie with thrills , chills and strange events , while the roles scream and panic her way through most of their scenes and including limited CGI . One of the film's strongest points is the fact that there's quite a lot of fun to be had with the supernatural aspects of the storyline . Stars Rebecca (Teresa Palmer) who must unlock the horror behind her traumatized little sibling's (Gabriel Bateman)grisly experiences that once tested her sanity , bringing her face to face with a supernatural spirit attached to their mother (Maria Bello) . At mother's house takes place a series of strange and eerie incidents . Later on , Rebecca is shocked when to be aware about the weird person there inhabits . Everything then changes in eerie way and things go wrong . You were right to be afraid of the dark. Darkness will consume you. Every Child Need To Feel Loved.
A creepy and thrilling film about a haunting house where lives a weird being , it packs inexplicable disturbing occurrences , shocks, thrills , suspense , chills, hair-rising events and surprising final twist . This starts off at the very beginning occuring mysterious happenings , as the camera lurks suspensenful behind its actors and beside them and above them and everywhere else . A scary and unsettling flick that garnered very positive reception on the internet in spite of its short budget , as the picture goes on growing more and more and developing little by little until the unexpected conclusion . The main and support cast are pretty well , giving attractive performances such as Teresa Palmer , Maria Bello , Gabriel Bateman , Alexander DiPersia and brief acting by Billy Burke as unfortunate father.
The pic contains a dark and colorful cinematography by Marc Spicer . Equally, a mysterious and suspenseful musical score by Benjamin Wallfisch , composing a sinister atmosphere . The motion picture was competently directed by horror expert David F. Sandberg who made the decision to focus on practical effects and avoided as much computed generator effects as possible . Being feature film debut of David F. Sandberg . As David decided to expand his original short film Lights out (2013) into a feature film thanks to producer James Wan , the latter has financed and directed notorious horror movies , such as : Swamp Thing , The Curse of La Llorona , Saw saga , Annabelle: Creation , Conjuring saga , Insidious saga , Demonic , Annabelle , among others . While fimmaker David Sanberg has made a few films all of them limited to short movies and terror genre as Annabelle : Creation , adding a peculiar superhero movie : ¡Shazam! (2019) . Rating 6.5/10. Acceptable and decent terror movie. Well worth watching.
A creepy and thrilling film about a haunting house where lives a weird being , it packs inexplicable disturbing occurrences , shocks, thrills , suspense , chills, hair-rising events and surprising final twist . This starts off at the very beginning occuring mysterious happenings , as the camera lurks suspensenful behind its actors and beside them and above them and everywhere else . A scary and unsettling flick that garnered very positive reception on the internet in spite of its short budget , as the picture goes on growing more and more and developing little by little until the unexpected conclusion . The main and support cast are pretty well , giving attractive performances such as Teresa Palmer , Maria Bello , Gabriel Bateman , Alexander DiPersia and brief acting by Billy Burke as unfortunate father.
The pic contains a dark and colorful cinematography by Marc Spicer . Equally, a mysterious and suspenseful musical score by Benjamin Wallfisch , composing a sinister atmosphere . The motion picture was competently directed by horror expert David F. Sandberg who made the decision to focus on practical effects and avoided as much computed generator effects as possible . Being feature film debut of David F. Sandberg . As David decided to expand his original short film Lights out (2013) into a feature film thanks to producer James Wan , the latter has financed and directed notorious horror movies , such as : Swamp Thing , The Curse of La Llorona , Saw saga , Annabelle: Creation , Conjuring saga , Insidious saga , Demonic , Annabelle , among others . While fimmaker David Sanberg has made a few films all of them limited to short movies and terror genre as Annabelle : Creation , adding a peculiar superhero movie : ¡Shazam! (2019) . Rating 6.5/10. Acceptable and decent terror movie. Well worth watching.
Lights Out takes some queues from Japanese-styled ghost stories, so it will be attractive to that audience. It has a strong chill-factor but a somewhat average formula, and it could have used fewer back-story explanations to make it more mysterious, especially since those elements did not feel original.
Based on chill factor alone, it ranks higher than Dark Water, The Forest, Paranormal Activity, The Others, The Babadook, and The Boy, and lower than The Ring, Ju-On / The Grudge, and other Japanese-styled ghost stories, as well as any horror James Wan himself directs. Comparing it to masterpieces like The Exorcist and Poltergeist has no value.
I would say its chills rank somewhat evenly with The Woman in Black and It Follows, without being as original as the latter.
The ghost itself is creepy enough, but the overall movie didn't have the creative twists that we enjoyed from movies like The Boy, The Others, The Sixth Sense, and 10 Cloverfield Lane. It also didn't have the storytelling chemistry of James Wan's own Insideous or The Conjuring movies.
I am a fairly difficult person to frighten. I have been seeing horror movies at the theater since the 70's, and I am usually only interested in the ones that have a supernatural or fantastical element to them. So I am very critical of them, and the only ones I collect on disc are either fun (Tremors), scary (the Grudge), or both (An American Werewolf in London). I will collect this one.
Ghost stories are done to death. It is very difficult to come out with anything scary that is original. I think Lights Out could have used the guided hand of a third-party master horror writer, mostly revising the back-story revelations and using the character relationships to build suspense and mystery surrounding what is going on. Then, perhaps working up to a punch line at the end so that suddenly the back- story rushes in on the audience in one moment, with one simple revelation. It is very difficult to think of how that can be done, but other movies have done it, and the payoff is huge.
I think Lights Out tried to do that a little but got confusing in the attempt.
But all-in-all it's a nice little scary movie with a smaller production value but a satisfying ghost.
Based on chill factor alone, it ranks higher than Dark Water, The Forest, Paranormal Activity, The Others, The Babadook, and The Boy, and lower than The Ring, Ju-On / The Grudge, and other Japanese-styled ghost stories, as well as any horror James Wan himself directs. Comparing it to masterpieces like The Exorcist and Poltergeist has no value.
I would say its chills rank somewhat evenly with The Woman in Black and It Follows, without being as original as the latter.
The ghost itself is creepy enough, but the overall movie didn't have the creative twists that we enjoyed from movies like The Boy, The Others, The Sixth Sense, and 10 Cloverfield Lane. It also didn't have the storytelling chemistry of James Wan's own Insideous or The Conjuring movies.
I am a fairly difficult person to frighten. I have been seeing horror movies at the theater since the 70's, and I am usually only interested in the ones that have a supernatural or fantastical element to them. So I am very critical of them, and the only ones I collect on disc are either fun (Tremors), scary (the Grudge), or both (An American Werewolf in London). I will collect this one.
Ghost stories are done to death. It is very difficult to come out with anything scary that is original. I think Lights Out could have used the guided hand of a third-party master horror writer, mostly revising the back-story revelations and using the character relationships to build suspense and mystery surrounding what is going on. Then, perhaps working up to a punch line at the end so that suddenly the back- story rushes in on the audience in one moment, with one simple revelation. It is very difficult to think of how that can be done, but other movies have done it, and the payoff is huge.
I think Lights Out tried to do that a little but got confusing in the attempt.
But all-in-all it's a nice little scary movie with a smaller production value but a satisfying ghost.
This is the full length film that all horror fans waiting for after watch short movie at YouTube.
Great storyline and great acting from al cast.
The atmosphere is there and wayyy to many jump scare plot.
In the film, a young woman must confront her childhood fears to protect her brother from a vengeful supernatural entity holding a mysterious attachment to their mother.
In a textile factory during closing hours, an employee named Esther encounters a silhouette of a strange woman with claw-like hands when the lights are off, but cannot see it when the lights are on. After she leaves, her boss Paul encounters the woman and tries to run away, but he is killed.
You guys need to watch this.
After the short film's success, Sandberg announced a film adaptation based on his short film.
Really recommended. Enjoy and entertaining movie.
Great storyline and great acting from al cast.
The atmosphere is there and wayyy to many jump scare plot.
In the film, a young woman must confront her childhood fears to protect her brother from a vengeful supernatural entity holding a mysterious attachment to their mother.
In a textile factory during closing hours, an employee named Esther encounters a silhouette of a strange woman with claw-like hands when the lights are off, but cannot see it when the lights are on. After she leaves, her boss Paul encounters the woman and tries to run away, but he is killed.
You guys need to watch this.
After the short film's success, Sandberg announced a film adaptation based on his short film.
Really recommended. Enjoy and entertaining movie.
Lights Out is an interesting stab at a horror movie based on a 2013 short film of the same name. The movie's novel concept is a creature that can only be seen and manifest in the dark. Turn a torch on, and it disappears. Naturally, this means that a lot of the movie is spent in the dark but this works well.The use of lighting is one of the movie's strong points and allows for some creative, and occasionally funny, uses of torches, candles and even car headlights. This technique generates a lot of the scares and atmosphere and given the movie's title, this is a must. Definitely top marks for the director on this part.
Teresa Palmer and Gabriel Bateman do well in the lead roles as the unfortunate kids with a crazy mother, played by Maria Bello. The problem with the movie is that apart from its main concept, it doesn't add much else. Clichés abound and yes, there is the mandatory dark basement (groan). Most of the scares are jump-out-at- you shocks and it's all been done before. Hollywood seems to have forgotten how to use psychological horror and churns out movies that are just twists on the same theme. This is probably a bit harsh as the movie is enjoyable enough and it's well-written, but I long for something new that isn't so long in the tooth.
The supernatural horror is effective and does elicit a genuine threat to the characters. Maria Bello, in particular, does well to ramp up the threat levels and makes you wonder who is going to make it out alive. As already mentioned, this was based on a short film and it really still is, coming in at around 80 minutes. Perhaps there wasn't enough material to make a longer movie but there's a feeling that it ends just as it gets going.
Lights Out is a decent film if you feel the need for a dash of supernatural horror but don't expect anything stand-out; it just doesn't deliver enough of a impact to make it memorable. It's good for what it does but don't buy too much popcorn as you may not have time to finish it.
Teresa Palmer and Gabriel Bateman do well in the lead roles as the unfortunate kids with a crazy mother, played by Maria Bello. The problem with the movie is that apart from its main concept, it doesn't add much else. Clichés abound and yes, there is the mandatory dark basement (groan). Most of the scares are jump-out-at- you shocks and it's all been done before. Hollywood seems to have forgotten how to use psychological horror and churns out movies that are just twists on the same theme. This is probably a bit harsh as the movie is enjoyable enough and it's well-written, but I long for something new that isn't so long in the tooth.
The supernatural horror is effective and does elicit a genuine threat to the characters. Maria Bello, in particular, does well to ramp up the threat levels and makes you wonder who is going to make it out alive. As already mentioned, this was based on a short film and it really still is, coming in at around 80 minutes. Perhaps there wasn't enough material to make a longer movie but there's a feeling that it ends just as it gets going.
Lights Out is a decent film if you feel the need for a dash of supernatural horror but don't expect anything stand-out; it just doesn't deliver enough of a impact to make it memorable. It's good for what it does but don't buy too much popcorn as you may not have time to finish it.
Wusstest du schon
- WissenswertesDavid F. Sandberg decided to focus on practical effects and avoided as much CGI as possible.
- PatzerThe condition Diana has is called Xeroderma pigmentosum, which makes the skin hyper sensitive to the Ultraviolet rays of the light. But in the movie we see Diana being okay with Blacklight/Pure UV light. UV light should be rather more dangerous to her with that condition than normal light.
- Crazy CreditsNo person or entity associated with this film received payment or anything of value, or entered into an agreement, in connection with the depiction of tobacco products.
- VerbindungenFeatured in Hollywood Express: Folge #14.32 (2016)
- SoundtracksEnemy
Written by Bret Autrey
Performed by Bret Autrey (as Blue Stahli)
Courtesy of FIXT Music/Position Music
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Lights Out?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Cuando las luces se apagan
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.900.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 67.268.835 $
- Eröffnungswochenende in den USA und in Kanada
- 21.688.103 $
- 24. Juli 2016
- Weltweiter Bruttoertrag
- 149.368.835 $
- Laufzeit1 Stunde 21 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen