Dark Angel

Nice production with epoch clothes and location. Not sure about the talking. The story is incredible but apparently true. The reality may have been more ruthless and chilling even though it was in this. We forget how death was routine in these times.

First let me say, I love Joanne Froggatt. She is a beautiful and compelling actress and I want to see more of her in better movies and series. In fact, all the actors in DARK ANGEL are very good. Laura Morgan, Emma Fielding, and Jonas Armstrong are standouts, and Alun Armstrong can do no wrong. However, the writing and direction of DARK ANGEL leave much to be desired. Mary Ann Cotton's motivations are very sketchy -- something vaguely feminist and she states that she wanted "more" -- and so it is very hard to sympathize with her character. What we are left with is a glorified crime re-enactment from one of those exploitative Dateline or crime channel shows. What's worse is that the series creators try to suggest some ambiguity about some of the killings, which comes off as coy rather than clever. And then at times the juxtaposition of her being a tight spot to a quick cut to a corpse is almost comic. Mary Ann Cotton deserves a better treatment. There is much more to her story than is shown here.

Dark Angel (2016) was apparently seen in England as a two-part TV miniseries. We saw it as a full-length TV movie. It was directed by Brian Percival.

Joanne Froggatt plays Mary Ann Cotton, England's first known female serial killer. There's no suspense here--the movie opens with the protagonist being led to the gallows. The movie then circles back to explain to us how events brought Mary Ann Cotton to her execution.

Joanne Froggart must have been delighted to play this macabre role. All those years at Downton Abbey left her with the reputation as playing a fine person with a pure heart. Now she gets to play a far heavier role. She does a fabulous job with the part--you really do believe that she could, and would, murder people in order to get what she wanted.

As portrayed in the movie, Mary Ann Cotton wasn't a demon, and she didn't start out with a view towards murdering her way forward. Victorian times were repressive for women, and a bad marital choice left a woman on her own with no obvious opportunity for escape. I'm sure many women dreamed about getting out of an unhappy marriage by murdering their husband. However, dreaming is one thing, and arsenic is another.

It was easier to avoid detection as a serial killer at a time when many people died young of natural causes. Death was everywhere, and arsenic was readily available. (It was used to control vermin.) Apparently, it's still possible to buy arsenic. Here's a headline from The Guardian Newspaper: "Toxic chemicals such as strychnine, arsenic and cyanide are freely available for sale on the internet, leading toxicologists have warned." Not a happy thought.

There's hardly a cheerful moment in this movie, and yet I enjoyed it. Joanne Froggatt is a brilliant actress. Freed from ensemble work, she can show the breadth and depth of her talent. Even if the film is depressing, it's still worth seeing just to watch Froggatt act.

Not sure which side of the bed (or whose) the other reviewer -ianlouisana got out of but maybe is a relation to Boris or permanently repressed. I found this two part serial compelling viewing, well researched, flavour and atmosphere of the times reminiscent of The Village with John Simm and Maxine Peake. Women in Victorian times had a place in society that was subservient and dependent upon male vanity and compassion. Not until after WWI, despite some notable exceptions, do they gain the independence of spirit and opportunity to exist outside the bounds of duty and childbirth. This tale relates the story of a tormented soul torn between the poorhouse and an institution she cannot or will not join. Serial killers deserve to be hanged (so was the punishment of the day) regardless of their gender. Watch and be moved by this TV drama.

What a compelling drama, thoroughly interesting. I only stumbled across it after hearing the ghostly tale of Mary Ann on a history tour in Durham city. I grew up in the village from where she is claimed to originate and yet had never heard of her. Joanne Frogatt and Alun Armstrong have strong performances and I very much enjoyed the rest of the cast and the wonderful locations including the North East coastline and liberal use of our amazing Beamish Open Air Museum. An unknown and under rated tale of mystery brought to life, I would have only liked to know more behind her rationale but it seems little is really known of her, with limited written records for the rural mining community of the time I suppose it's no wonder. And also makes you question how many other "Mary Ann's" got away with similar crimes!!?