Die Geschichte des Bombenanschlags auf den Boston Marathon des Jahres 2013 und dessen Folgen, darunter auch die stadtweite Großfahndung, um die verantwortlichen Terroristen zu finden.Die Geschichte des Bombenanschlags auf den Boston Marathon des Jahres 2013 und dessen Folgen, darunter auch die stadtweite Großfahndung, um die verantwortlichen Terroristen zu finden.Die Geschichte des Bombenanschlags auf den Boston Marathon des Jahres 2013 und dessen Folgen, darunter auch die stadtweite Großfahndung, um die verantwortlichen Terroristen zu finden.
- Auszeichnungen
- 2 Gewinne & 3 Nominierungen insgesamt
Chris O'Shea
- Patrick Downes
- (as Christopher O'Shea)
Sang-bae Kim
- MIT Professor
- (as Sangbae Kim)
Ping Ping Yang
- Meng's Mom
- (as Pin Pin Yang)
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People are captivated by the extraordinary events. And people love to be entertained. So what could possibly be better than a dramatic story of extraordinary nature. Especially if it's based on real events, shows the heroism of simple people and touches the audience's sensitive patriotic spot.
That's basically a recipe for Patriots Day. Take the case of the Boston Marathon bombing, the largest terrorist attack in the US since 9/11, show it through the eyes of several regular people, first introducing their personal lives and then following them along the course of the main events. And finally, when it's all over, add some first-person moral lessons and conclusions, so that we all realize for sure how important and pivotal that event was for the people and for the world, and feel privy to its changing momentum.
All by itself, it's a pretty good, even noble approach. But there's a tiny little detail that changes everything: that all that must sell somehow, because even the extraordinary stories have to be entertaining. So the otherwise consistent and self-sufficient story is being infused with dramatization, laying it on even thicker where it's already been thick, and creating moments that might not have been there in the first place simply to make the story more of a thriller. A very similar thing happened just recently with Deepwater Horizon.
The result becomes a product with the typical Hollywood spin, but proudly called "based on real events". That it might be, but on the basis of real people's actions, beliefs and lives there has been put enough creative imagination for the film to feel at times fake, at times cheesy and at times way over the top. And we will never know for sure if some or other moments that touched each of us personally happened for real, or they were skillfully injected by the filmmakers to genetically modify the movie and make it more appealing to the audience. Having fallen for this trick before, I refuse to be bought so cheaply again. So I really wish movies such as Patriots Day were made as documentaries. Yes, maybe they wouldn't sell as much, but at least they would be sincere and true. And what if not truth and sincerity do such stories try to uphold?
That's basically a recipe for Patriots Day. Take the case of the Boston Marathon bombing, the largest terrorist attack in the US since 9/11, show it through the eyes of several regular people, first introducing their personal lives and then following them along the course of the main events. And finally, when it's all over, add some first-person moral lessons and conclusions, so that we all realize for sure how important and pivotal that event was for the people and for the world, and feel privy to its changing momentum.
All by itself, it's a pretty good, even noble approach. But there's a tiny little detail that changes everything: that all that must sell somehow, because even the extraordinary stories have to be entertaining. So the otherwise consistent and self-sufficient story is being infused with dramatization, laying it on even thicker where it's already been thick, and creating moments that might not have been there in the first place simply to make the story more of a thriller. A very similar thing happened just recently with Deepwater Horizon.
The result becomes a product with the typical Hollywood spin, but proudly called "based on real events". That it might be, but on the basis of real people's actions, beliefs and lives there has been put enough creative imagination for the film to feel at times fake, at times cheesy and at times way over the top. And we will never know for sure if some or other moments that touched each of us personally happened for real, or they were skillfully injected by the filmmakers to genetically modify the movie and make it more appealing to the audience. Having fallen for this trick before, I refuse to be bought so cheaply again. So I really wish movies such as Patriots Day were made as documentaries. Yes, maybe they wouldn't sell as much, but at least they would be sincere and true. And what if not truth and sincerity do such stories try to uphold?
The day is 15 April 2013; the place is Boston; the occasion is the annual marathon. As we all know, two radicalised Chechen immigrants, Dzhokhar (Alex Wolff) and Tamerlan Tsarnaev (Themo Melikidze), set off two bombs which killed three people and injured several hundred others, including 16 who lost limbs.
This film is a very workmanlike and respectful, almost documentary-style, account of the eve of the event, the bombing itself, and tracking down of the assailants in a tense five-day manhunt. Mark Wahlberg, reuniting with the director for the third film in a row, is Boston detective Tommy Saunders, a composite of several real people, while Kevin Bacon plays FBI Special Agent Richard DesLauriers.
For writer and director Peter Berg, following "Lone Survivor" and "Deep Water Horizon", "Patriots Day" can be seen as the third part of his unofficial Americans-in-crisis trilogy which probably play better for US audiences than overseas, but manage to combine information with entertainment.
This time round, the viewer cannot fail to be struck by the complexity and sophistication of modern-day surveillance and forensic technologies. If only these technologies could prevent terrorist incidents (without too much of a sacrifice of our privacy and freedoms) as well as find those who have just committed such an atrocity.
This film is a very workmanlike and respectful, almost documentary-style, account of the eve of the event, the bombing itself, and tracking down of the assailants in a tense five-day manhunt. Mark Wahlberg, reuniting with the director for the third film in a row, is Boston detective Tommy Saunders, a composite of several real people, while Kevin Bacon plays FBI Special Agent Richard DesLauriers.
For writer and director Peter Berg, following "Lone Survivor" and "Deep Water Horizon", "Patriots Day" can be seen as the third part of his unofficial Americans-in-crisis trilogy which probably play better for US audiences than overseas, but manage to combine information with entertainment.
This time round, the viewer cannot fail to be struck by the complexity and sophistication of modern-day surveillance and forensic technologies. If only these technologies could prevent terrorist incidents (without too much of a sacrifice of our privacy and freedoms) as well as find those who have just committed such an atrocity.
Various people's lives cross path in the 2013 Boston Marathon bombing and its following manhunt. It is directed by Peter Berg and starring Boston native Mark Wahlberg.
Originally, I feared Mark Wahlberg. He's not the greatest of actors although my bigger fear is that they would make the movie about him. That partly happened. Honestly, I cringed when he started yelling at Kevin Bacon and I rolled my eyes when he showed up to interview the Chinese guy. By placing him in the center of every aspect of the investigation, the movie loses a sense of reality. There is no need for him to be at every aspect of the manhunt. I do love the walk-thru with the security cameras. Otherwise, his role should be cut in half. This shouldn't be a vehicle for Mark.
On the other hand, I am overjoyed with the other people's stories. I love the Chinese guy and MIT security guy. This could cut back Wahlberg mugging for the cameras and add work from the other cops. Give me more J.K. Simmons. This movie should not be an one-man story if it purports to show the events in its entirety.
Originally, I feared Mark Wahlberg. He's not the greatest of actors although my bigger fear is that they would make the movie about him. That partly happened. Honestly, I cringed when he started yelling at Kevin Bacon and I rolled my eyes when he showed up to interview the Chinese guy. By placing him in the center of every aspect of the investigation, the movie loses a sense of reality. There is no need for him to be at every aspect of the manhunt. I do love the walk-thru with the security cameras. Otherwise, his role should be cut in half. This shouldn't be a vehicle for Mark.
On the other hand, I am overjoyed with the other people's stories. I love the Chinese guy and MIT security guy. This could cut back Wahlberg mugging for the cameras and add work from the other cops. Give me more J.K. Simmons. This movie should not be an one-man story if it purports to show the events in its entirety.
"Two people took many days and weeks to plan out hate but love responded in an instant." Tommy Saunders (Wahlberg) is a Sargent in the BPD. He is assigned to the finish line of the 2013 Boston Marathon. As the race is winding down the unthinkable happens and Tommy is right in the middle of one of the worst terrorist attacks in history. Now, with little evidence or leads Tommy, the FBI and every cop around conduct a manhunt to try and catch those responsible. For some reason I was not really looking forward to watching this. I think one of the reasons may have been the fact that it is still too close to the actual events and I remember watching it unfold on TV so I didn't think this would be that interesting or new. That being said I couldn't have been more wrong. The fact that this story is less than 4 years old really worked for it because it really milked the events prior and it felt tense, then once the bombs went off the pace really picked up and even though you know how it ends you are still tense and on the edge of your seat. I have said many times that there have been movies that are still able to pull off tenseness and excitement even though you know the entire story. This is one of those movies. Don't let the fact that you already know what happened dissuade you from watching this. This is much better than I was expecting and highly recommend this. Overall, tense and exciting. I really really enjoyed this and was engrossed the entire time. I give this an A.
WUSSTEST DU SCHON:
- WissenswertesThe Military Police in the movie are real-life MPs from the Massachusetts National Guard. Some of them had responded in the week following the attack.
- PatzerWhen Dzhokhar is surrendering at the boat, a step ladder leaning against the boat goes from horizontal to vertical between cuts.
- Zitate
Sergeant John MacLellan: Welcome to Watertown, motherfucker!
- Alternative VersionenIn the German version, the supplement at the end of the movie (where interviews with real life people are shown) was removed because it was deemed too patriotic/pathetic for Non-American viewers.
- SoundtracksCountry Fried
Written by Zac Brown and Wyatt Durrette
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Día del atentado
- Drehorte
- Mason St. Malden, Massachusetts, USA(Big firefight in street where one brother gets killed)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 45.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 31.886.361 $
- Eröffnungswochenende in den USA und in Kanada
- 161.306 $
- 25. Dez. 2016
- Weltweiter Bruttoertrag
- 52.185.751 $
- Laufzeit2 Stunden 13 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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