Massu Engira Masilamani

I truly don't know what is the original title. 'Mass' or 'Masss' or 'Massu' or 'Massu Engira Masalimani'. Since 'Mangatha' I haven't seen any Venkat Prabhu's films. He has lost his midas touch. His films are used to be youthful and fun, but not anymore. This was a different than his usual theme, but did not deliver. Particularly, I hated the graphics. Those CGI characters ruined the film in the initial part, I thought it was a very cheap thing I ever seen in a big production film. The action sequences were so stupid as well. The comedies were okay, but still it had lots of references of old films. So you can't enjoy them if you are not familiar with the original.

Surya is a very dedicated actor that you would find in Kollywood today, but the filmmakers are not using that properly. Compared to any other actors, he does many varieties of films. I watched it only for him and nothing else. I appreciate the experimental theme, but they did not get a better screenplay. The storyline looked decent, especially the flashback, but did not develop well. Like what the title hints, it was too much mass which suits better for Tollywood fans. Might be Surya fans or Venkat's would like it, sadly I'm not one. Surely you will have some laughs, other than that this is not good. So skipping it is not a bad option.

3/10

Massu Engira Masilamani (2016) is a movie that swings wildly between being engaging and outright exhausting. I went into it expecting a quirky mix of horror and comedy, and while it delivered on entertainment in parts, I couldn't shake the feeling that it overstayed its welcome. For a film with an interesting premise and a charismatic lead like Suriya, it somehow manages to lose itself in unnecessary detours and convoluted storytelling.

On the positive side, the movie does pack in some fun moments. The spooky elements, while not groundbreaking, are cleverly executed and provide some genuinely enjoyable scenes. Suriya's performance is a major highlight-he brings charm, energy, and just the right amount of seriousness to carry the film, even when the script falters. The message about redemption and standing up for justice is heartfelt, and I appreciated how the film tied that into its narrative. Plus, the last act really picks up, delivering a mix of emotional payoff and high-stakes action that almost makes you forget the slog leading up to it.

But that's the issue - almost. The film is far too lengthy for its own good. It spends so much time meandering with subplots and comic relief that it doesn't get to the point until well past the halfway mark. I found myself checking the time during the first half, waiting for things to click into place. When the story does finally kick into gear, it's good-but by then, I felt a bit worn out.

Another problem is the way new elements are introduced seemingly out of nowhere. At times, I couldn't tell if I was supposed to be shocked, confused, or both. It's not just surprising - it's disorienting. The convoluted narrative doesn't help either; with so many moving parts, the story often feels like it's trying to do too much, leaving some characters and plot points underdeveloped.

Ultimately, Massu Engira Masilamani is a mixed bag. There's enough entertainment to make it a decent one-time watch, but its pacing and cluttered execution weigh it down. For me, it's a film that could've been great if only it had been tighter and more focused.

Suriya 's acting was good but script was little weak. It could have been better.

But it doesn't fails to entertain

This Venkat Prabhu's sixer is a complete one man show both behind as well as on the canvas.While on screen, it's Suriyas' all the way where as the captain, Mr.Prabhu, carried it on his shoulders being behind the camera. Screenplay is very good with a lot of twists all through but was not very gripping in the first half, giving way to unnecessary comic and song sequences. But still, one doesn't get bored of anything as the director incorporated a lot of references in very clever manner with which one is kept busy thinking about it, the best one being in the second half. Production values are really good, the cinematography is just enough to say so. Editing was just okay, could have been better. All the supporting cast did their part. Nayanathara had a very small role though. The film has ample of comedy, frightening situations, action scenes, awesome BGM, setiment and supernatural spirits. It's a complete entertainer which one can watch with their family. That sums it up, this 'Masss' is Suriya & Prabhu's F**king game!

Plot Line : Things get wrong for a conman when he gets deceived by a ghost.

Shortly, "Masss" is totally a one man show performance delivered by Suriya. He is simply electrifying throughout the film. It is Suriya who engages the audience till the climax even though the script is half baked.

But director Venkat Prabhu deserves a applause for trying out a different dimension in Tamil Cinema. Overall, the director could have concentrated more on the screenplay part.

There are equal number of pros and cons in this film. Suriya's performance, Visuals, Twists and Background score are the major positives of the film. The negative part of the film is illogical scenes and old run of the mill concept which was followed in the second half of the film.

The content of the film is mainly intended for kids and family audience. Overall, forget the logics and take your family out to theaters. It could be a watchable entertainer for you.