Occupied - Die Besatzung

This is a great well done show, very dark but with bright daylight action that doesn't fatigue you. The scenario is great and acting convincing. It's dystopian but still so real and feels so... Like it's all ready happening.

Go for it, it's a good one. I will update my score as I proceed with the series. So far so good so great!

Very good and complex story writing! I don't get the bad reviews that criticize that the plot is illogical. I think it is very well thought-out if one accepts the premise: Norway wants to quit the oil production and the EU and Russia don't like it. Hej, it's fiction - just like the Zombie-Apocalypse in the Walking Dead - so get over it! Then the interesting things start to happen. If one considers the situation that a small country such as Norway faces when it is caught in the middle of forces out of their control, there really is not much Norway can do on their own. It all depends on what Russia, the EU and the US do. And all of these play their role in this scenario representing their own interests. And of course there is some resistance from the Norwegian population, even terrorism. But there is no obvious good or bad side. To all the Russians: the role Russia plays is not ALL bad. Yes, they are the bad guys that occupy Norway, but actually the EU started the whole conflict and the US do everything so they don't have to intervene. So everyone of the big players is an asshole. I am looking forward to see a second season.

This is a very very slick, if very complex, political thriller. I binged it over three days and still struggled with the nuances of the plot. Multiple languages, subtitles, many many important characters, all complex and clearly damaged, makes it a very absorbing and challenging watch. No clear heroes and multiple protagonists makes it even more challenging.

That said, very entertaining and thought provoking. Moral dilemmas abound at all levels and ethical compromises rush past at pace.

This is political Scandinavian-Russian noir at its best. Highly recommend!

A bold series with an impactful premise, that was refreshingly enjoyable. At times, melodramatic and tainted with soap opera-ish situations and conversations, but most of the time consistent and true to its base nature and screenplay.

Truthfully speaking, I expected more from it. More character, more shininess and a brighter ending. It was mild, juggled with many sub-plots, got confused on the way, wasn't brought to a satisfying closure and begged for a tying and finishing season 4!

• Screenplay/story: 9
• Development: 9
• Realism: 9
• Entertainment: 9
• Acting: 9
• Filming/cinematography: 9
• Special effects: 9
• Music/score: 8.5
• Depth: 8.5
• Logic: 7
• Flow: 8
• Suspense/thrill: 8.5
• Ending/closure: 7

It was a fun and appealing ride, but could have been more impactful and shocking, had it stuck to a rawer screenplay and development with less dramatization. In one word, needed to be more brutal.

P.S. The Statoil building looks fine, interesting and futuristic to me. A semi-crazy architectural achievement. I guess, it's a question of taste!

10 episodes of blissful engagement. Somebody skillful achieved what I'd consider an understated style of the TV series '24', without the body count. A pleasant surprise.

Things begin with a middle-aged man walking solo down the center of a snow- covered road, looking bewildered. A quick flashback to who he is and how he got there, then back to the road where the story turns into a snowball itself — entangling more characters and subplots as it rolls along. Every scene counts, and contributes to the quick pacing as the story unfolds.

If you're watching these on Netflix, don't go past episode six unless you have time to finish. Don't bother trying to stop after that, it's not possible — I tried… ;-)

Worth it's weight in subtitles, 'Occupied' is a great show.