Eine Familie, die in einem Haus in Indiana lebt, entdeckt seltsame, dämonische Vorkommnisse, die sie und die Gemeinde davon überzeugen, dass das Haus ein Portal zur Hölle ist.Eine Familie, die in einem Haus in Indiana lebt, entdeckt seltsame, dämonische Vorkommnisse, die sie und die Gemeinde davon überzeugen, dass das Haus ein Portal zur Hölle ist.Eine Familie, die in einem Haus in Indiana lebt, entdeckt seltsame, dämonische Vorkommnisse, die sie und die Gemeinde davon überzeugen, dass das Haus ein Portal zur Hölle ist.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 4 Nominierungen insgesamt
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The way this initially gripping film drifted off into laughable horror territory breaks my heart. No matter how often they tell us "based on a true story", it doesn't redeem what the director did. In the end it became its own parody. Close, Day and Mo'nique deserve better. And shame on Lee Daniel's. I expected so much more of you.
Here's where Lee Daniel drove his film off the road and into the cornfields. The SFX scenes which occur more towards the end. Less is more. Our imaginations will conjure up far more frightening scenes than you could ever create with SFX. Sound effects are very effective and could've been utilized more instead of the graphic visuals. There aren't many of these scenes. My advice, close your eyes and listen to the sound effects. You're not missing anything vital.
The film was brilliantly casted. And the performances were on par, with what the actors were given. In my opinion, the characters could've been developed a bit more. There was enough of a connection for me to like them and fear for them, but I really wanted to know this family.
Overall, it's a unique horror film that's fairly well written with a very talented cast. I'm glad we're starting to see more smart, metaphorical horror, films, (but please, lose the bad SFX). This one's worth a watch. Enjoy.
First of all, Andra Day is entirely terrible and her character Ebony is played in such a way that she deserves and earns no sympathy from the audience. I felt bad for the kids. But then I realized that they were just awful as well but in the opposite (under-developed) way.
There is your standard denial of all the weirdness happening. There is an overload of social commentary with all the doubters, "ambiguity" and disbelief over the family's plight . There is the stock Van Helsing. There is Mo'Nique ruining every scene she touches, trying and failing to undo her post-Oscar diva status.
Everything is just so overwrought with Insidiously Get Outie-ness with zero nuance. Other than Glenn Close and her ripped grandma jeans, the movie is both bland and annoying.
Production value is decent, acting is good. Story seemed to be developing well.. All of a sudden it switched into a completely different movie, full of absurdities and suddenly awful writing! I honestly feel that they changed writers half way through. In fact I'd place a bet on it.
So of course having invested time into watching it, I had to see it through to the end.
I didn't know whether to laugh or cry from the ultimate disappointment.
Bottom line - I could have done without!
But all of the sudden, there is a weird switch and it becomes standard exorcism stuff, with all the classic effects we've seen so many times before. There is also these annoying errors, for the love of all that is holy - why cannot exorcists tie a decent knot!
Bottom line, decent Sunday movie where the first part of the movie is good, second part is slightly disappointing and unimaginative.
Wusstest du schon
- WissenswertesThis film is based on the Latoya Ammons family possession.
- PatzerWhen the demon Tre is manifesting through Dre in the form of a demonic version of Alberta, you can clearly see the portions of Glenn Close's teeth that have been painted black to make it look like she has a mouth full of pointed fangs.
- Zitate
Doctor: Let's not push the panic button yet, Miss Henry. I'm sure there's a logical explanation for all of this.
Cynthia Henry: I just saw a little boy break his restraints, crawl out of that bed, crawl backwards on the floor, and climb up the fucking wall! What button should I push, Doctor?
["Based on Actual Events"]
- VerbindungenFeatures Das Tal der Puppen (1967)
- SoundtracksI Know Who Holds Tomorrow
Written by Ira F. Stanphill
Performed by Andra Day
Produced by Warryn Campbell
Andra Day appears courtesy of Warner Records Inc.
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- Laufzeit1 Stunde 52 Minuten
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