The Last Panthers

In addition to being an excitingly toothsome, thrillingly complex, politically astute, morally destitute drama 'The Last Panthers' (2015) is also singularly blessed with the uncommonly brooding, bad-boy presence of the deliciously spring-heeled, lithe lead Panther, raven-eyed, vengeance-dispensing, Goran Bogdan, who is a TOTAL hard-bodied, heist-master hottie supreme! With its especially dense, thought provoking screenplay, all across the board terrific acting, a marvellously moody minimalist electronic score and its gorgeously layered potting, 'The Last Panthers' mini-series is one especially muscular, six-episode whirlwind of exquisitely twisted, double-dealing, breathlessly immersive, internecine intrigue! And all of this gloriously gritty, Euro-crime, gang land goodness has a rather nifty David Bowie title track ta' boot!

The plot had seemed intriguing even before seeing the first episode. I've waited to see the true brilliance of Johan Rencks work, and as I watched the first episode I felt excitement to see where this all ends.

I was especially intrigued by the excellent casting and refreshing filming locations. The only thing that bugs me would be the everlasting titles, but that makes the series even more special, as they departed from the usual Hollywood TV series products. Sky TV took a huge step in production, and I believe it will get them the acknowledgement they aspired to.

I surely hope this will eventually get under the spotlight it deserves to be. Until the next episode, by my count, this show gets a proper called nine out of ten.

The Last Panthers is one of the best series to air on Sky in 2015.

The story follows many well respected British/French/Serbian actors and should be well received by audiences outside the UK & US as well as.

I think a lot of credit needs to be given to production companies which embrace multi-lingual scripts, instead of re-creating the same concept storyline which seems to be happening as of a recent years.

This is not a film for people who do not enjoy subtitles. But I personally believe that if a character is from a different country to countries of English speaking languages, it is vital for the conviction of the story for that character to speak in there most 'comfortable' language, as this is what would occur in reality. Additionally it strengthens the acting too. To discredit any film because of this reason is unprofessional and shouldn't be validated as "Professional review".

The action in the series is well directed and convincing for the audience. The series does have a lot of 'gritty' moments and harsh realities of how multi-continental gangs could operate, which add to the conviction of the storyline and the attraction of the audience to the series.

The script/ storyline of the series is complex, so is for a mature audience. There are a lot of details that can be complicated for the viewer, but the fact that its hard to pick holes in the series storyline is credible to its genre and style as 'well made'.

The production value greatly surpasses its actual budget, and for a small British film company it should be applauded as a well produced series.

It surprises me that many people are unfavourable to the series's production due to points such as "they all look the same", "too much reading". These I would dismiss as nonsense as in regards to the similarities of actors, when you start to watch a series in full, you learn the faces of the characters and 'who is who', so to judge this as a factor of bad producing on viewing 'one episode' is ridiculous.

After watching all the episodes, I would recommend this to many of my piers, as a; "gripping British styled drama, with shocking twists and strong acting from a wide range of international actors"

9/10 (creativity and respect for the inventiveness of creating an international drama)

• Tommack

The Last Panthers doesn't quite have the confidence to really deliver on its premise. Everything feels a little flat and unremarkable, particularly Sam Morton who's character feels like a tenth generation photocopy of Sofie Gråbøl's Sarah Lund from similarly toned "The Killing". Ultimately there's not enough emotional engagement with anything in the pilot - I didn't care about any of the characters enough to want the insurance team, the police or the thieves to win. It was more just a bit of intrigue as to how the logistics might play out. Considering the far superior shows out there, its hard to invest my time in a season when the pilot feels as flat as this.

Starts with an old-fashioned diamond heist, but then the series dives deep into the lives of its three lead protagonists and explores the links between crime, war and finance. The characters have enough depth, and the cinematography and music are brilliant. But it somehow fails to build enough tension with ammo of information it has. The various circumstances blur the line between professional and personal in the lives of these characters. Overall, it's intelligent and insightful, and really uncovers the kind of world which perpetuates crime and creates criminals. The series is clear in its message - Intended or not, with or without a choice, once you find yourself entangled in a web of crime, there's rarely a happy or non-violent outcome... unless, of course, you're one of the rich people bankrolling it. The diverse perspective on morality was welcome and commendable; it puts us in the shoes of various characters, and kind of makes the whole journey thought-provoking.

Was really intrigued by the connection of real-life instances relating to the 'The Pink Panthers' and the Bosnian War. And really glad that the rise of Eastern European shows and peoples' interest in them led to an international co-production of a trilingual crime thriller. The casting is brilliant; couldn't have asked for better one. Hope it marks the beginning of a new era of internationally co-produced multilingual shows.