Knapp 200 Meter vor der Küste wird die Surferin Nancy von einem großen weißen Hai angegriffen. Die kurze Strecke bis zum sicheren Strand wird zum ultimativen Willenskampf.Knapp 200 Meter vor der Küste wird die Surferin Nancy von einem großen weißen Hai angegriffen. Die kurze Strecke bis zum sicheren Strand wird zum ultimativen Willenskampf.Knapp 200 Meter vor der Küste wird die Surferin Nancy von einem großen weißen Hai angegriffen. Die kurze Strecke bis zum sicheren Strand wird zum ultimativen Willenskampf.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 15 Nominierungen insgesamt
Joseph Salas
- Surfer
- (as Jose Manuel Trujillo Salas)
Sully Seagull
- Sully 'Steven' Seagull
- (as Sully 'Steven' Seagall)
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Steven Spielberg has a lot to answer for. Ever since he made Jaws in 1975 there have been countless attempts on the big screen to emulate that film and all have failed. Some have been excruciatingly bad but thankfully The Shallows isn't one of those. This is the story of Nancy who travels to a secluded beach to surf . While in the water , she is hunted by a great white shark and finds herself stranded on a rock with the tide going out . Wounded and with time running out she battles to get away from the shark. Probably the best thing about this film is performance of Blake Lively. She definitely carries this film. The action is pretty good although totally predictable and it looks great up until the use of CGI underwater when it starts to look like a scene from a Sharks Tale. At a pleasant running time of 84 minutes , The Shallows is good bit of escapism but like every other shark film , it's no Jaws.
I have a couple of issues with this film (occasionally too much CGI, and a weird ending) but for the majority of its brief, 86-minutes-long run, this is a riveting film, exquisitely filmed in the Gold Coast of Australia, about a survivor of a shark attack clinging to life, figuratively and literally, on the side of a rock 200 feet from shore, with the shark still circling the waters.
Normally watered down PG13-rating gives way to some surprisingly grisly bursts of gore, as she tries to suture her wounds with makeshift surgical tools, and a couple of brutal attack scenes.
The film makes the most of a small cast, and Blake Lively carries the film almost entirely herself, spending at least two thirds of the film completely isolated. Well, she's not completely alone, she also has Steven "Sully" Seagull, as himself.
Normally watered down PG13-rating gives way to some surprisingly grisly bursts of gore, as she tries to suture her wounds with makeshift surgical tools, and a couple of brutal attack scenes.
The film makes the most of a small cast, and Blake Lively carries the film almost entirely herself, spending at least two thirds of the film completely isolated. Well, she's not completely alone, she also has Steven "Sully" Seagull, as himself.
People often underestimate or under-appreciate the ability to produce a genuinely good B-movie. There's Renny Harlin on one end of the spectrum, making crap like The Legend of Hercules, 12 Rounds, and The Covenant. But then you have someone like Jaume Collet-Serra, who knows a thing or two about framing a scene, getting good performances from his actors, and above all, making an entertaining movie.
The Shallows could have been an otherwise conventional and forgettable thriller without Collet-Serra's strong and stylish direction. For example, the scene when Blake Lively's character first gets attacked by the shark is beautifully composed - in one unbroken take, no less - and legitimately nightmarish, with the red blood slowly overtaking the blue screen. It also doesn't hurt that Lively successfully carries the entire film on her shoulders, giving what is arguably the best performance in her career to date. There's a quiet fierceness and admirability to her character that makes it easy to root for her survival.
Overall, there's a lot to like about The Shallows. It's gorgeously shot, suspenseful, emotionally gratifying, and entirely successful on what it sets out to be - a solid B-movie, and it takes skill to pull that off. Sure, it doesn't match the heights of either Gravity or The Martian, but then again, its budget is a mere fraction of what those films cost.
The Shallows could have been an otherwise conventional and forgettable thriller without Collet-Serra's strong and stylish direction. For example, the scene when Blake Lively's character first gets attacked by the shark is beautifully composed - in one unbroken take, no less - and legitimately nightmarish, with the red blood slowly overtaking the blue screen. It also doesn't hurt that Lively successfully carries the entire film on her shoulders, giving what is arguably the best performance in her career to date. There's a quiet fierceness and admirability to her character that makes it easy to root for her survival.
Overall, there's a lot to like about The Shallows. It's gorgeously shot, suspenseful, emotionally gratifying, and entirely successful on what it sets out to be - a solid B-movie, and it takes skill to pull that off. Sure, it doesn't match the heights of either Gravity or The Martian, but then again, its budget is a mere fraction of what those films cost.
Entertaining 'shark' movie that adds a modern twist to the Jaws films of the 1970s and 80s. The location is supposed to be some surfers paradise beach in Mexico (in reality filmed in Australia) where a lone surfer Nancy (Blake Lively) ends up stranded a mere 200m from the safety of the beach by an angry Carcharadon carcharias (Great White Shark).
Nancy heavily losing blood from a deep leg wound ends up finding solace on a rock. To add to the screenplay she is befriended by a seagull she names Steven. Do you get the joke Steven Seagull? The shark effects are all cleverly added by CGI which of course Steven Spielberg didn't have available at the time of shooting Jaws in 1975. I suppose there is little manoeuvre for the screenplay. Don't get me wrong an entertaining watch but just highlights for me how good Jaws was.
Nancy heavily losing blood from a deep leg wound ends up finding solace on a rock. To add to the screenplay she is befriended by a seagull she names Steven. Do you get the joke Steven Seagull? The shark effects are all cleverly added by CGI which of course Steven Spielberg didn't have available at the time of shooting Jaws in 1975. I suppose there is little manoeuvre for the screenplay. Don't get me wrong an entertaining watch but just highlights for me how good Jaws was.
The Shallows is a cool and helpful film, it is also a movie that has many risks of being boring, since much of the film is set on an isolated rock in the sea, and the main one has to survive, not to be killed by A shark, the cast is good, I was surprised Blake Lively's performance, she proved to be a good actress, obviously not a memorable performance, but she did well, the rest of the cast does not compromise, the visual effects are good, the Visual of the shark is OK, the rhythm starts well, but loses a little strength in the progress, the soundtrack combines with the film, the film has tense moments, the script has some problems, and the film unfortunately loses its force in the third act , Plus The Shallows is recommended, even more who likes movies of that same style. Note 6.8
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- WissenswertesSteven Seagull's name in real life is Sully. He lives (to this day) in a seagull sanctuary in Australia. Two extra seagulls were used to portray Steven Seagull. According to producer Matti Leshem, she added "They were all good but not nearly as good as him. Peggy was the vocal one, the very squawky bird. Gaviota (which means seagull in Spanish), I think he's almost 30 [as Steven is estimated to be about 15 or 20 years old]. The most challenging thing about Sully as an actor is that seagulls are remarkably clean. They self clean a lot, so the blood on Sully, obviously fake blood, he kept wanting to clean it off, so we had to deal with that."
- PatzerAs all experienced surfers (as Nancy clearly is) would know, a whale carcass is almost guaranteed to attract sharks. Coming across one, a surfer would have hightailed it back to shore as fast as possible to avoid becoming part of a buffet. They would not move in for a closer look and hang about ogling it.
- Crazy CreditsAs himself, Steven "Sully" Seagull.
- SoundtracksEl Lado Más Bestia de la Vida (Walk On The Wild Side)
Written by Lou Reed
Performed by Albert Pla
Courtesy of Sony Music Entertainment España, S.L.
By arrangement with Sony Music Licensing
Nancy and Carlos are driving to the beach.
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Box Office
- Budget
- 17.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 55.124.043 $
- Eröffnungswochenende in den USA und in Kanada
- 16.800.868 $
- 26. Juni 2016
- Weltweiter Bruttoertrag
- 119.100.758 $
- Laufzeit1 Stunde 26 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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