Marseille

The script is born to mimic other political scripts. And be fateful to the nanny state state school indoctrination. Nothing original. Or creative. Stock characters in a stock story. The acting is so and so. The dialogue is crap. So it's hard to blame the actors. And the writers and producers are so in need of information! It is the French white middle class view on both the very low and the very high placed people in their society. A fairy tale about life in the ghetto or the political games. Probably a series about catholic syndicate men (not women), say the railway or the teachers, extorting more money from the rest of the society would have turned out far more engaging.

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Great show. Triste pour la France. If the writers/producers or the people in charge of the translation are reading, please contact me. I would very much enjoy giving your translators French lessons. This show is urban. This show is social. It is also very political. Proper translation is in order to convey the message and honor the writers. Too often do we see TV shows suffer from poor conduit. It has nothing to do with opinions on any of the subjects displayed in the show itself. Simply to honor both languages. The cultural effect might suffer. the slangs, idioms, and social language is quite simple to fix. Language carry the weight of social and cultural change.

As an American of European descent I loved these series. All lead actors put out great performances. Depardieu didn't disappoint. May be french audience is giving it poor ratings, but as someone who doesn't speak or understands French, I loved it. I always watch foreign movies, including this one, in original language with English subtitles. I also loved Borgen, the Danish political drama series. Well done, both Marseille and Borgen.

Marseille, well the dialogue or script sound like some cheap french soap opera, the scenery though is fantastic, views of the city are what kept me watching this jumbled up mess of a soap opera. Excessive reliance on sex scenes seem almost clichéd, whose screwing who, got to keep track of all of that useless drivel, scriptwriters should of got on with developing some proper dialogue and in depth characterization. The characters all come across as clichéd and tiresome, dreary dreary, but the panorama shots of the city do look so good. The marvelous french architecture and historic city buildings are interesting backdrops to all of this. It is supposed to be quite the crime infested city, and I guess that is real to a point, but I wish they could have given the characters more dimension, and stop with the excessive useless tiresome overdone sex scenes.

Though I'm not french I've been living in France for almost 10 years and I speak french. I think I can understand why french people is hating this series. I presume they're looking into details that non- french speakers won't take notice: accents, way of acting, rhythm, dialogues, etc. The french viewers and filmmakers are used to other kind of stories and language (in addition, french people love to take down their own work! You won't never hear them saying "this is good", they will say "it's not bad/c'est pas mal")

The series is worth the watch. There's an evolution in the characters that might have been done better, but acting and script it's not as bad as critics have said. Not the best series I'll see this year, but I've loved it as it radically changed from most of the other options you have on Netflix: American or British productions.

I hope there'll be a 2nd season.