Marseille

This was supposed to be a French version of something like House of Cards. It is about the rivalry between two candidates for the political leadership in Marseille. Both Gérard Depardieu and Benoit Magimel are two good, and very different, actors for the main characters. This creates an interesting dynamic between the two.

Still, the drama feels quite flat and stereotype in its execution. Actors are overplaying at the expense of nuances, subtleties and leaving basically nothing left to the imagination of the viewer. The storyline feels very linear and predictable, there are too few twists that keeps the interest up. Also it seems like very boring politically correct approach where the good folks always are on the left side and the bad ones always on the right side of politics.

The series could have been so much more than it was. A pity with so strong casting.

No surprise that it was cancelled after two seasons.

After House of Cards I hoped to enjoy a similar show in European setting this time. Depardieu with all the cast perform very well, but the script in general is rather flat. The behavior of major protagonists is illogical at times as if Netflix was very much in a hurry to release season one in 2016.

It would have been a very decent season if the script writers had studied better the psychological side of main protagonists.

Wrapping up: music is great, photo shooting pleasant to watch, location also fantastic, nonetheless it is far from West Wing or House of Cards milieu.

Great show. Triste pour la France. If the writers/producers or the people in charge of the translation are reading, please contact me. I would very much enjoy giving your translators French lessons. This show is urban. This show is social. It is also very political. Proper translation is in order to convey the message and honor the writers. Too often do we see TV shows suffer from poor conduit. It has nothing to do with opinions on any of the subjects displayed in the show itself. Simply to honor both languages. The cultural effect might suffer. the slangs, idioms, and social language is quite simple to fix. Language carry the weight of social and cultural change.

As an American of European descent I loved these series. All lead actors put out great performances. Depardieu didn't disappoint. May be french audience is giving it poor ratings, but as someone who doesn't speak or understands French, I loved it. I always watch foreign movies, including this one, in original language with English subtitles. I also loved Borgen, the Danish political drama series. Well done, both Marseille and Borgen.

The script is born to mimic other political scripts. And be fateful to the nanny state state school indoctrination. Nothing original. Or creative. Stock characters in a stock story. The acting is so and so. The dialogue is crap. So it's hard to blame the actors. And the writers and producers are so in need of information! It is the French white middle class view on both the very low and the very high placed people in their society. A fairy tale about life in the ghetto or the political games. Probably a series about catholic syndicate men (not women), say the railway or the teachers, extorting more money from the rest of the society would have turned out far more engaging.

Contact me with Questions, Comments or Suggestions ryitfork @ bitmail.ch