Biografie

Earned $75 a day for the drama movie Boys Don't Cry (1999).

Mother Judy Swank moved with her to Los Angeles at age 16, where, impoverished for a while, they lived out of their car.

Although she was naturally athletic from high school, she totally changed physically to play Maggie in Million Dollar Baby (2004). She gained nearly 20 pounds, becoming so buff that her former clothes are still too small for her.

Competed in the Junior Olympics and Washington state championships in swimming; ranked fifth in the state in all-around gymnastics.

Replaced Sandra Bullock as Maggie Fitzgerald in Million Dollar Baby (2004) after Bullock dropped out due to other commitments.

[2005 Academy Awards acceptance speech for Best Actress in a Leading Role] I don't know what I did in this life to deserve all this. I'm just a girl from a trailer park who had a dream. I never thought this would ever happen, let alone be nominated. And a working actor, for that matter. And now, this. I thank the Academy. I'm eternally grateful for this great honor. I would also like to acknowledge my fellow nominees, Annette, Imelda, Kate, and Catalina, your work inspires me beyond words.

I am going to start by thanking my husband because I'd like to think I learned from past mistakes. Chad, you're my everything. Thank you for your support. It means the world. I would never be standing here if it weren't for the -- each and every one of the brilliant people I had surrounding me, supporting me and believing in me. Tom Rosenberg, Gary Lucchesi, thank you for sending me this most marvelous script. You will never know how grateful I am. Paul Haggis, for writing this beautiful script. Our other producers extraordinaire: Albert S. Ruddy (Al Ruddy), Clint, Rob Lorenz (Robert Lorenz). Phyllis Huffman, our casting director. My trainers, Grant Roberts and Hector Roca, you pushed me further than I ever thought I could push myself up to that last pound, actually to that last ounce. I thank you. My sparring partners who were so patient. And everyone at Gleason's.

Well, the ever-amazing Morgan Freeman. Tom Stern, our cinematographer, you are brilliant. Joel Cox, our editor, you're amazing. You know? I'm going to thank my mom for believing in me from the beginning. My dad, for his support. My agents, Josh Lieberman, Tony Lipp, Kelly Tiffan, John Campisi. Jason Weinberg, my manager (You can't do that. I haven't gotten to Clint yet! I saved him for the end)

Karl Austen (Karl R. Austen), Jeff Bernstein, my lawyers. And then Clint. Clint Eastwood. Thank you for allowing me to go on this journey with you. Thank you for believing in me. You're my "macushla" Thank you. Warner brothers, as well. And you know what? Wait! Troy Nankin, my best friend and publicist. Thank you!

[Newsweek magazine] My most annoying question is "Hilary, are you ever going to play a pretty girl?".

[on playing Annie Sullivan] I think when you're playing a real character you have an extra responsibility to do it really right, so because of that, I do extensive research. I really try and figure out the person inside and out. I read the lines, but I read in-between the lines and try and find the qualities in that person that makes them human and I hopefully try and bring that out in what I do.

[Woman's World, July 19, 2005] I cut coupons, love specials and believe in buying toilet paper and toothpaste in bulk. It's just who I am.

[on working as an actor] I've realized that as an actor you have to just keep working really hard and studying your craft. I think I thought maybe things would be easier after the first Academy Award, that I would get better job opportunities, but then you really realize that there's not a whole lot of great quality out there, for women especially. It's not just something that women say; it's the truth. Because of that I had to be specific about not just doing something that I didn't want to do, but I also needed to pay my bills. I didn't do job after job after job. I would do a job and then still keep working on acting, whether it would be reading a play - something that's inspiring - with a bunch of actors, hearing it, studying, reading books about acting, and watching actors. I think it's an ever-evolving craft. And I think it's something that you always need to work at.