- Geboren am
- GeburtsnameMichael Figgis
- Größe1,84 m
- Mike Figgis wurde am 28 Februar 1948 in Carlisle, Cumbria, England, UK geboren. Er ist Regisseur und Autor, bekannt für Leaving Las Vegas: Liebe bis in den Tod (1995), Stormy Monday (1988) und Timecode (2000).
- EhepartnerBienchen (geschieden, 2 Kinder)
- Kinder
- VerwandteJonny Figgis(Cousin)Jason Figgis(Cousin)Susie Figgis(Cousin)
- Romantically linked to Saffron Burrows, who appeared in some of his movies, for several years.
- Directed two Oscar nominated performances: Nicolas Cage and Elisabeth Shue. Cage won for his role in Leaving Las Vegas: Liebe bis in den Tod (1995).
- Following Timecode (2000) he intended to direct "Urban Townies" with Brad Pitt. When Pitt pulled out to star in Spy Game - Der finale Countdown (2001) instead, Figgis decided to abandon the project, too.
- Studied music in London.
- Now there is no reason to prevent anybody from making a film. The technology exists, the equipment is much cheaper than it was, the post-production facilities are on a laptop computer, the entire equipment to make a film can go in a couple of cases and be carried as hand luggage on a plane. There is nothing to stop people making films.
- I could write a short thesis on why there were so many men in the film industry and I'd say it was to do with the weight of the equipment. One can understand how a hierarchy of men, a film crew, has built up. In order for us to handle 100 to 150 large men who are carrying equipment almost like an army unit, then it makes sense to put a man in charge of all of that because there are gender issues about control and authority. Just like in the armed forces. The fact is that in the modern film industry those physical conditions no longer prevail; therefore there is no crude, physical reason why it should be so male-dominated.
- Film is very important to our culture - it is the main story-telling medium. If it's not representational both of either the gender or race of the culture in which we live, it is an incomplete picture. So it's crucial that women are reflected in the statistics of how many directors there are. What do women bring to film-making? They bring a female perspective and, in a way, that's enough. To argue what a female perspective is not really my place, but I know it when I see it!
- This is the new reality - it's virtual, man, get with it. Cinema is dead, long live cinema.
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