Erweiterte Suche

Eine Frau aus Schottland beginnt auf einer Reise in Kolumbien, seltsame Geräusche wahrzunehmen. Bald beginnt sie, über deren Aussehen nachzudenken.

Ein Mann, der an einer Nierenerkrankung sterben wird, verbringt seine letzten, düsteren Tage in einem Farmhaus im Norden Thailands mit seiner Familie, zu der auch der Geist seiner verstorbenen Frau und sein Sohn in Gestalt eines Waldgeistes gehören.

Eine Romanze zwischen einem Soldaten und einem Landjungen, umhüllt von einer thailändischen Volkserzählung mit einem Schamanen mit Gestaltwandlungsfähigkeiten.

Story about director Apichatpong Weerasethakul's parents, who were both doctors, and the director's memories about growing up in the hospital environment.

Eine Gruppe von Soldaten wird in einer kleinen Stadt am Mekongfluss im Norden Thailands von einer seltsamen Schlafkrankheit befallen.

The story of a love affair that begins during a picnic on the Thai-Burmese border.

Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

A film crew documents a folk story-exquisite corpse combination by random Thai people; the story is reenacted.

In 2018, Apichatpong Weerasethakul made a film called BLUE. In it, actress Jenjira Pongpas Widner is unable to sleep. She is in a bed surrounded by banana trees. Nearby, a set of traditional theater backdrops unspools, revealing two alternate landscapes: a sunset over the sea and the foyer of a royal palace. Later on, her lack of sleep seems to set the place on fire. A flicker of personal and social recollections lingers on throughout the night. Similarly, ON BLUE reflects on the past years as we appear to have slept through the pandemic. Perhaps we are ready to wake up. ON BLUE was inspired by the moments of awakening, of sunrise. When first light reaches the eyes, there is a profound sense of clarity. The color blue was giving way to the the morning gold. Dream and reality coexist, memories and conditionings fade. Even the word "blue" has lost its meaning. In an instant, we are newborns with no ties to anything.

Six directors, six independent films, six visions on the state of the world. Each carrying a unique and personal interpretation of a specific experience, their crossover creates new space for a dynamic and radical inquisitive reflection.

A transvestite secret agent is sent on a mission to the Thai countryside.

The clouds descend onto a village and engulf it for a day. They touch the roof tiles, the beds, the chairs, the carpets, the grass, and the bodies, infecting everything with the fever of white stupor.

A filmmaker captures images that characterize the violence and repression as well as the hope of rebirth and remembrance in northeastern Thailand.

A depiction of the landscape, both metaphorically and realistically, of Panyi island.

Three children use a ghost as their willing puppet.

A film crew go in search of Nok Phii - a rare bird which feeds on the blood of other creatures

A couple explores the jungle in search of a spiritual tree while a film crew shoots a musical number.

Experimental documentary about lives connected by radio.

Commissioned by National Gallery Singapore, five award-winning Southeast Asian directors created filmic interpretations of masterpieces of their choice from the Gallery's collection.

A reflection of the director's emotions when he talks to his mother over the phone after a long absence from home.

A day in Bangkok spent by an eleven-year-old boy gathering sound-bites of the city. The verbal narrative is taken from a comic book at the location of the shoot.