Erweiterte Suche

Haunted by the violent death of his father, Martin Hsu, a young Argentinian filmmaker of Taiwanese origin, returns to Taipei with his brother Marcelo to join their mother. The reunion reveals the portrait of a woman whose tragic fate is marked by the years of the White Terror in Taiwan, then by the difficulties integrating during her exile in Argentina. Faced with linguistic and cultural differences, Martin and his brother set up their camera in the cramped family apartment, hardly an invitation to speak freely. Not unlike a hall of mirrors, the mise en scène plunges us into the heart of a perpetual drama. The director's moments of frustration are eloquent, and speak of the difficulty of a double quest : one of identity and one of filmmaking, full of obstacles, which Martin Hsu skillfully circumvents through the interaction of fiction and documentary. The director's contradictory feelings resonate throughout the film like music that has now become essential, imbuing this moving diary of uprooting with sad notes and unexpected melodies.

Buenos Aires 2001. In a supermarket in the suburbs a chinese family decides to close the market for the fear of the looting being committed throughout the city. The days pass by and the family tries to keep their normal lives but the fear of outside lurking breaks in their family life, over and over.

From a small town between mountains, the voice of an old peasant emerges to make present a lost memory: the solo death of one of his closest friends. Some horsemen, also old friends, embark on a restorative odyssey.