Erweiterte Suche

Eine Frau entdeckt, dass sie eine neue Beziehung zur Zeit hat, nachdem sie einen Autounfall überlebt hat, der sie fast getötet hätte.

Animierte Erwachsen-werd-Geschichte über die erste Mondlandung im Sommer 1969 aus der Sicht der Astronauten und des Kontrollzentrums und andererseits aus dem Blickwinkel eines Kindes aus Houston, Texas.

Animationen, Zeugenaussagen und Archivmaterial erzählen von den Ereignissen des 1. August 1966, als ein Schütze von der Turmuhr der Universität von Texas aus das Feuer eröffnete und 16 Menschen tötete.

Frank and Bruno, two drifters, ally themselves with Linde on a quest to recover her land, trekking across the rugged terrain of 1870s Southern Arizona to locate an elusive frontier musician.

Alma realizes Sam has been lying to her and they get into a fight. Alma bounces between different timelines in her life, Sam's life, and their relationship.

Camila helps out at the church, and accompanies Becca on a food tasting with Reed's family. Meanwhile, Sam and Alma go mystery solving together.

Alma attends Becca and Reed's wedding while continuing to investigate her father's murder. Meanwhile, Jacob encourages Alma to stop investigating in the present and find her way back to the past to save him.

Alma goes back to the Halloween night Jacob died and tries to change the past. Back in the present, Camila and Sam try to make Alma get help.

In our season 9 premiere episode, legendary television producer, actor, comedian, and writer Larry Wilmore talks about his more than 25-year career span. As a writer, he's been behind the TV comedies The PJs, The Bernie Mac Show, and HBO's Insecure, which he co-created with star Issa Rae.

In 1991, Linda Woolverton became the first woman to write an animated feature for Disney. Since Beauty and the Beast, Woolverton has gone on to write some of Disney's biggest family films, including The Lion King, 2010's Alice in Wonderland, and Maleficent. Woolverton discusses her animated classics and writing tales as old as time.

Academy Award® nominated writer, novelist and filmmaker Peter Hedges, discusses his process behind writing novels and screenplays including What's Eating Gilbert Grape, About a Boy and most recently, Ben is Back starring Academy Award® winning actress Julia Roberts.

We'll hear from writer, producer, and showrunner Graham Yost. Yost was behind 90s action hits Speed and Broken Arrow, World War II epics Band of Brothers and The Pacific, and the suspenseful TV dramas Justified and the Golden Globe-winning FX series The Americans.

Writer and best-selling author Pamela Ribon discusses writing the Disney films Moana and Ralph Breaks the Internet.

We return to the rough-and-tumble streets of Bassaras and the terrifying promise of what lies within the Taste of Tal'dorei.

Bells Hells seek out allies and options in their evolving plan to infiltrate Paragon's Call.

Bells Hells tend to their inner relationships before returning to the Seat of Disdain, but a surprising face in Paragon's Call rattles several members of the group.

Tension builds at the base of the Bone Tree as dangerous automatons and their mad dog drivers growl in anticipation of the Deathwish Run.

Following the crazed Deathwish Run, a Mother-Daughter reunion is interrupted by an insidious deception revealed.

Bells Hells finds themselves entangled in dangerous Fey business as they ride across the Hellcatch for more answers to a growing mystery and looming danger.

Hot on the trail of moon-based mysteries, Bells Hells tangles with dark truths, familial fallout, and ominous portents.

Bells Hells tinker with former friendships and robotic inner workings before returning to Paragon's Call, this time as newly minted members.

Surrounded by chaos, Bells Hells act quickly to secure their quarry, but their attempted escape leads to an unexpected confrontation with a deadly foe.

As the scales of fate shifted towards darker consequences at the hand of Otohan, Bells Hells faces the outcome of the deadly battle

As the echoes of tragedy ripple on, Bells Hells push ever onward to make good on lingering promises, and hold onto hope.