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Ein eigensinniges neunjähriges Mädchen wird auf das Land geschickt, um zu arbeiten und zu reifen, findet sich aber stattdessen tief in ein Drama verstrickt, das sie kaum fassen kann.

A psychological drama about a young Doctor of Physics, Sandra, who unexpectedly loses her job in an interest research group. Getting a new job seems simple at first glance, but after a few failures Sandra feels herself ever more clearly as unemployed. Every new attempt to find a job is increasingly humiliating. In addition, she must hide her failure, at least from her successful parents who also work in the world of science.

Urmas Eero Liiv's feature film "Must alpinist" (Ghost Mountaineer) is a youth film with elements of horror which is based on real life events which took place during the Soviet era. It tells the story of an Soviet Estonian student hiking group which gets caught up in a series of scary events unfolding in wintry Siberia. The unpopular group leader Olle (Reimo Sagor), who becomes disappointed in his companions during the trip, disappears on the last day in the mountains. His rival, liberal-minded and adventurous Eero (Priit Pius) guides the descending hikers into a Buryate village on the mountain to seek help. A weird and insane chain of events is unleashed which seems to be orchestrated by the missing Olle. In a foreign land and among people they do not know, the hikers are faced with a task which they at first do not want to undertake and later are unable to tackle.

When Joko, Ants and Reeda, all in their own good reasons, first enter a casino, they can't possibly be aware of the very existence of the demons inside them. Soon enough, they will know. But then it is already too late and their lives are suddenly caught in a fatal vortex.

In 1912, the first Estonian filmmaker, Johannes Pääsuke, was commissioned to capture life and people in a far corner of Estonian countryside: Setomaa. He returned with more than 1300 photos, but only 7 minutes of film footage. What happened to the rest of it? Our comedy tries to propose a version. Johannes Pääsuke and his assistant Harri Volter, a Baltic German medical student, played by prominent Estonian comedians Ott Sepp and Märt Avandi, travel by train and on horse carriage from Tartu to Petseri and Värska and end up in most surreal adventures leading them to one conclusion: a man has to do what a man has to do. A year later, in 1913, Johannes Pääsuke filmed the very first Estonian feature film: Bear Hunt in the Pärnu County.

There are two people who wake up in the same bed one morning, and neither of them has a clue who the other is. Viivi would like to run away and the man is sleeping like a log. Unlike Viivi and Andu themselves, the viewers know both very well. They know that Viivi has the worst day in her life and that Andu is a dweeb, but not completely hopeless; a rather good-hearted man. They are both hopelessly lonely people hoping that maybe there's someone somewhere - So they might as well meet.

In the midst of the political upheaval of the early 1990s, an Estonian girl and a Russian boy reach across cultural lines to unite over a shared bottle of American soda.

In the film "Luulur", we follow Jaan Malin, who represents his stage name Luulur, on his journey towards the poetry slam and the "Crazy Tartu" festival. Sound poetry, originally defined by Ilmar Laaban, is a Luulur art form with roots in Dadaism and Surrealism. Jaan Malin, who has a complicated relationship with his father Ilmar Malin and the poet Ilmar Laaban, explores in his monologue the expectations and pressures that come from these influences. The structure of the film consists of several components, including Luulur's biography and his performances at international experimental poetry events. Interviews with well-known authors bring out discussions about "meaningless" art, which is also reflected in Malin's novel "Earth and World", written in a fictional language. The film explores how Luulur transcends his role models by creating dialogues with other artists such as Roomet Jakapi, Ivi Rausi and Tobias Kunze. The curation of the "Crazy Tartu" festival and the practice of sound poetry introduce Estonian surrealism and Luulur's expressive work, which invites us to ask whether art must have a clear meaning.

A heart-warming portrait documentary "Shusha" explores in intimate atmosphere the daily life of Stanislav Stanislavovich Shushkevich, the first head of state of Belarus. What is his daily routine like and what is on mind of a man, who a quarter of a century ago initiated Belavezha accords, signed by Belarus, Russia and Ukraine, which were the basis to effectively dissolve the Soviet Union. Shushkevich, who every now and then likes to play Vyssotski's earlier songs on a piano just to himself or his closest friends, is one of the Great Men of contemporary history, whose 'domino effect' initiative caused a geopolitical shift in Europe. However, what Shushkevich himself considers as his greatest achievement is not sending 'a sixth of the planet' to meet its maker but making a post-independent Belarus a nuclear weapon free state. "Shusha" is a positive story about a theme of remaining a human being.

The film summarizes the life and creative path of Mati Hind, an outstanding linguist, essayist, lecturer and who played an important role in the politics during the restoration of Estonia's independence, highlighting his uncompromising nature and rebel spirit, and also explores what role the fertile landscapes and harsh history of Southern Estonia played in his personality. In the turbulent nineties, it was extremely important that the Estonian language became the state language. For this, a language law had to be adopted. Mati Hint was the ideologue of the language law, and thanks to his courage, attempts to change it at the last moment failed. Here, his rebelliousness benefited the Estonian state. Mati Hint died on December 5, 2019. In the film, his university colleagues, students, linguists and relatives talk about Mati Hindi. His life's work and personality open up from new aspects. Mati himself is also still present in his slightly chattering, but firm and caring way.

HELJU TAUK (1930-2005) was an Estonian music teacher, pianist, musicologist, prominent music promoter and one of those involved in the establishment of the Tallinn Music High School. She was born on March 29, 1930 in Tartu. She went to school there and in 1939 entered the Tartu Higher Music School, majoring in piano. She also studied piano at the Tallinn Conservatory, graduating as a musicologist, pedagogue and concertmaster. Meetings of nationalist intellectuals took place in her home. This attracted the attention of the KGB and she had to resign from her teaching position. In 1982 she was called back to the conservatory, but in 1985 new interrogations came. In 1988 Tauk was involved in the founding of the Estonian National Independence Party. When the reconstruction of the Birgitine monastery began in Tallinn in 1994, Helju Tauk became the sisters' language and music teacher. Helju Tauk's greatest contribution is her work as a teacher and popularizer of music. In the period 1984-2003 alone, she gave over 800 lecture concerts in about 300 schools and institutions in all Estonian counties. What makes Helju Tauk a particularly remarkable person is that most of the musicians who are active today in Estonia are her students (or students of her students). The film features Mihkel Poll, Arne Mikk, Ivari Ilja, Kersti Kreismann, Madis Kolk, Tiina Mattisen, Tiiu Peäske, Lagle Parek, Tunne Kelam, Jüri Reinvere, Rein Rannap and others. Helju Tauk has been a central figure in Estonia, shaping the Estonian spirit, just as the Estonian community was shaped its musical and spiritual life at the moment.