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Too afraid to confess to his wife that he fell for another woman, a middle-aged man turns into a ticking bomb that might explode right into his face.

The Ukrainian veteran who returns home burnt out and traumatized from war but hoping to find peace for himself and his family

Exploring Croatia's societal landscape during its COVID-19 vaccination drive, this film offers an insightful glimpse into the country's shared consciousness.

ZELJKO is the head of the union at the Gredelj railway car factory. His deputy MLADEN committed suicide after the large public protests and clashes within the union. Zeljko is torn between the guilt he feels because of Mladen's death and the expectation between the workers to lead a strike that should thwart the government's plans, ordered by the EU, to send the company into bankruptcy. The film has a three-act structure. The first part (40 min) consists of the documentary material recorded by way of observational method. In this part, the camera follows the events chronologically. The second, transitional part, was recorded at the screening of the documentary material for the workers ten years later. This act provoked various reactions from the workers. The third (15 min) is the fictive part.

Passive parts of Lika, Kosinj and neighboring villages are tormented by floods every twenty years or so, due to heavy rains and snow melting.

The story of an apartment building renovation that becomes a metaphor for the society, uncovering the purpose and the futility of giving yourself for the greater good.

The film follows Marko Franciskovic in his attempt to present a radical political program., From an person who wants to radically change reality Marko becomes an object, a person deprived of liberty, a man who is locked up against his will in a psychiatric institution. When the system finally declares him healthy and releases him, he no longer wants to deal with politics. It turns out that the system was effectively cured him.

Stranger comes to a local cafe bar where guys from a nearby betting shop hang around. He leaves an unusual box and asks them to keep it and not to look what is inside. But curiosity and boredom makes the guys open the box.

The basic narrative line of this documentary follows a rather peculiar workshop held in Zagreb. The aim of the workshop was to teach the participants one very basic skill - how to seduce a woman in order to get her to bed.

The film follows the tenants of a building in Sisak's industrial suburb during a period in which a large mural of a Croatian street artist appears on one side of the building.

Erna and Dzevad are pub owners at the bus stop at the entrance to the once one of the largest steel mills in Eastern Europe. By the observational technique filmed "pub talks" last week before closing the pub.

Two Furnaces For Udarnik Josip Trojko shows the remains of what used to be a large iron industry, following the disassembling and cutting into pieces of a famous Siemens-Martin furnace which used to be the heart of former forge. In that furnace, the workers beat the world record several times in producing steel. Sons of those workers, with unhidden emotions, are slowly destroying the furnace, cramming it into a goods van which leaves the forge. On a narrative level of the film, the above described pictures follow off camera political speeches of enthusiasm and ideological optimism from the period when the old furnace was in operation, as well as many telegrams which the forge workers addressed to Tito, and he to them congratulating them on work results.

A portrait of a former industrial city through a river that passes through its center. Sometimes river reveals the remains of past that left traces in the water. What will remain behind us?

Six, half past six is the time period in which the story is set. Ana arrives from Sibenik to attend her best friend Maja's wedding. Dejan, Maja's future husband arrives to the flat, to pick up Ana and take her to the wedding...

A "road movie" to the past: two buses, two journeys, two final destinations, two opposing ideologies. The first bus carrying "the victors" on their way to commemorate and celebrate Tito's birthday at his birthplace, the second transporting the elderly and "defeated", as well as some young idealists, to the place of the World War II massacre at Bleiburg. But to the filmmaker Goran Devic, an outsider and observer, it was much more than that: "I was struck by the dramatic and emotional "sameness" of what was going on around me."

In the Zagreb's neighborhood Borovje residents try to save the game meadow in their apartment block. It serves as a playground for seventy children from the surrounding buildings. It is suddenly occupied by the construction company TEM 95, with the intention of constructing a building of 195 apartments. The film follows the residents of the surrounding buildings, mostly scientists, who rebel against the degradation of the urban environment.

Early in the new tourist season in the Adriatic, a family of six go to the beach in Savudrija. Seven years ago their father drowned on that beach. This is the children's, now age 15 to 28, and their mother's first time they went to the seaside all together after that tragic event. The filmmaker, the eldest son, records this moment without the presence of a film crew, making it possible to open up intimate conversations in the family about collective trauma and personally ways of coping with loss.