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A documentary shot in the North Atlantic and focused on the commercial fishing industry.

Caniba is a film that reflects on the discomforting significance of cannibalistic desire in human existence through the prism of one man, Issei Sagawa, and his mysterious relationship with his brother, Jun.

Focuses on five hospitals in northern Paris neighborhoods. It reveals that human flesh is an extraordinary landscape that exists only through the gaze and attention of others.

In the summer of 2003, a group of shepherds took a herd of sheep one final time through the Beartooth Mountains of Montana, in the extreme north-west of the United States. It was a journey of almost three hundred kilometres through expansive green valleys, by fields of snow, and across hazardous, narrow ridges - a journey brimming with challenges. The aging shepherds do their very best to keep the hundreds of sheep together; the panoramic high mountains are teeming with hungry wolves and grizzly bears.

A documentary about a group of pilgrims who travel to Nepal to worship at the legendary Manakamana temple.

Almost hallucinatory images of unidentified sleeping figures float across the screen to the accompaniment of increasingly unnerving monologues, the "dream narratives" of Dion McGregor, an aspiring Broadway lyricist who may have been performing for his roommate actively recording these sessions. In somniloquies, Paravel and Castaing-Taylor discover a dark, forked path to the unconscious in the ranting, sleep-talking voice of an obsessive and possibly deranged individual whose racist, misogynistic and xenophobic fears are unleashed with propulsive force and screeching climaxes.

'Foreign Parts' portrays a hidden enclave of automobile shops and junk-yards fated for demolition in the shadow of a new baseball stadium in Queens. The film observes this vibrant community of immigrants - where wrecks, refuse, and recycling form a thriving commerce - as it struggles for daily survival and contests New York City's development scheme.

In 1961, filmmaker Robert Gardner organized the Harvard Peabody Expedition to Netherlands New Guinea (today West Papua). Funded by the Dutch colonial government and private donations, and consisting of several wealthy Americans wielding 16mm film cameras, still photographic cameras, reel-to-reel tape recorders, and a microphone, the expedition settled for five months in the Baliem Valley, among the Hubula people. It resulted in Gardner's influential film DEAD BIRDS, two photo books, Peter Matthiessen's book "Under the Mountain Wall," and two ethnographic monographs. Michael Rockefeller, of the Standard Oil Rockefellers, was tasked with taking pictures and recording sound in and around the Hubula world. EXPEDITION CONTENT is an augmented sound work composed from 37 hours of tape, which document the strange encounter between the expedition and the Hubula people. The piece reflects on intertwined and complex historical moments in the development of approaches to multimodal anthropology, in the lives of the Hubula and of Michael, and in the ongoing history of colonialism in West Papua.

A mesmerizing, one-of-a-kind window into modern China, PEOPLE'S PARK is an exhilarating single shot documentary that immerses viewers in an unbroken journey through a famous urban park in Chengdu, Sichuan Province. PEOPLE'S PARK was produced at Harvard's groundbreaking Sensory Ethnography Lab, which has been responsible for some of the most critically-acclaimed, envelope-pushing documentaries of recent years (including SWEETGRASS, LEVIATHAN, and the upcoming MANAKAMANA.) The film explores the dozens of moods, rhythms, and pockets of performance coexisting in tight proximity within the park's prismatic social space, capturing waltzing couples, mighty sycamores, karaoke singers, and buzzing cicadas. A sensory meditation on cinematic time and space, PEOPLE'S PARK offers a fresh gaze at public interaction, leisure and self-expression in today's China.

La Libertad follows a group of matriarchal weavers in Mexico, formally mimicking the examination of an object through subtle shifts in scale and space.

A composite sketch artist works with selected individuals to produce drawings, not of strangers or suspects, but of the people closest to them. A man describes his wife of 50 years; identical twins, each other; a blind man, his own face. An investigation into the work of language, visuality, and memory in our most intimate relationships.

'Yumen' combines ghost stories and the 'ruin tourism' to form a celluloid psychocollage of wandering souls, seeking connection to each other and a lost collective history among the frozen remnants of the abandoned oil town of Yumen in China's north-west Gansu province.

Single Stream explores a recycling facility in the Boston area, where hundreds of tons of refuse are sorted daily.

An aviation field in an unknown suburb. The lake underneath the city burns the streets.

In northeastern China the Songhua River flows west from the border of Russia to the city of Harbin, where four million people depend on it as a source of water. Songhua is a portrait of the varying people that gather where the river meets the city, and an ethnographic study of the intimate ways in which they play and work. Through a series of interchanging and overlapping vignettes, filmmaker J.P. Sniadecki presents a full range of the river's value: from couples who fly kites or play cards by its shoreline, to fishermen who drag nets through its waters, to a vendor who relies on its attraction as a popular destination to sell his pinwheels. The river is a place containing multitudes, where a woman cleans up every single piece of trash along the bank, and a boy plays in the sand and drinks from a stagnant river pool littered with debris. Filmed only one year after a major chemical spill (one of the largest river spills in recent years), Songhua is at once a tender record of interactions with the natural waterway, and a subtle, but dark consideration of the societal and environmental implications of the river's condition.