Recherche détaillée

A little girl wants to go to the toilet.

Images and sounds expose the duality of Portugal during the days of WW2: a peaceful, god-loving, rural country, providing an escape route for over one hundred thousand European refugees to the Americas; and a political and cultural elite that disguised their Nazi inclinations just enough to play its neutral role in international politics.

When two boys leave for a philosophical journey and only one is prepared for it, their worlds will part forever.

'Duarte de Almeida', director of the Portuguese National Film Archives [deceased in 2009], interviews the dean of contemporaneous film directors [96-years-old then]. Two humanists of different philosophical backgrounds, both with their long, entire lives dedicated to culture in general (music, painting, literature) and to film in particular, discuss freely, sometimes haltingly, the director's power as a creator or a magician, the philosophy beyond particular scenes in classic movies, film technique, the importance of color, sound and music to films, art versus entertainment, and much more. Their talk takes place in a museum room, seating in front of "The Annunciation" (a 1510 oil painting by João Vaz, a Portuguese artist), which eventually leads to a discussion of 'Leonardo da Vinci', and the relationship between a trend-setter master and his disciples. In the end, the movie director decides to come the talk to an end, as it was «becoming endless, like the two of us», and without actually answering the interrogation that starts it: «How can one represent life itself?»

The biography of Portuguese sculptor Rui Chafes.

In a high-security prison in northern Portugal, a fine-cut, poetic portrait of Ernesto and Gaspard, who are waiting for better days.