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Stalked by celebrities, a paranoid paparazzo has locked himself in his apartment. Using a borrowed video camera, he chronicles the story of a vengeance directed at him by the celebrated and adored. But his manipulated life becomes sensationalized with a collage of tabloids and dramatizations as the owner of the camera edits the footage of this confession, bidding for his own fame even as the paparazzo declaims against our culture of celebrity.

Ten friends tell the unbelievable true story of the New Year none of them would forget - when they hired a limousine to take them to the beach for their annual rite of passage...only to find themselves kidnapped, stripped, stranded and left for dead on a dirt road 24 hours later, fighting to survive. A true tale told by those who lived it, these ten Southern raconteurs are as practiced in spinning great yarns as they are in hard living. By combining the narration of the actual participants with feature-length re-enactment, filmmakers Gideon C. Kennedy and Marcus Rosentrater marry broad subject - the greatest bar story ever told - with experimental form in this debut, full-length docu-comedy.

GRAND FUGUE ON THE ART OF GUMBO studies 'the baroque complexity of the South' through the musings of Mobile, AL native Eugene Walter, author, actor, artist, creator and chef. Using Walter's own radio broadcasts as narration, the film takes a peek at the simple ingredients that make up the Gulf Coast and its signature cuisine, gumbo, and shows how their staggered repetition builds something wholly unique and intricately beautiful.

Intertwines the history of spy radio broadcasts with the story of a man's relationship with his father to show how childish fantasies can lead personal heroes to public villainy.

In 1971, President Richard M. Nixon visited Mobile, AL for 104 minutes, during which time he shook 100 feet of hands, lost a cufflink, and shared a stage with his biggest political rival, Governor George Wallace. 'Dick-George, Tenn-Tom' is a sardonic look at their rivalry, the creation of the Tennessee-Tombigbee Waterway, and the attempt on Wallace's life less than a year later.

Outlaw. Hero. Myth. Three perspectives on the black train robber of the 1890s, each built from the same evocative imagery of the traditional American folk song with which it shares a name.