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Invierno de 1862. En plena guerra civil, el ejército estadounidense envía una compañía de soldados voluntarios a los territorios occidentales con la tarea de patrullar zonas fronterizas desconocidas.

Un verano caluroso y tormentoso junto a un lago turístico, Purdey, de diecisiete años, y su hermano menor Makenzy recorren la línea entre experimentar la adolescencia, encontrar el amor y valerse por sí mismos.

Jahia, who lives in an asylum center in Belgium, where her dim prospects for the future cast a shadow over her life. Then she meets the feisty and spirited Neta, a young Moldavian girl, who drags Jahia along with her crazy energy.

Spring 2017, in between the two rounds of the French presidential election. Pierre lives with 75-year-old Francine, who is disabled and wheelchair-bound. Politically and socially opposed, they are perplexed and disoriented as they witness the unfolding electoral spectacle.

A documentary exploring secret lives, behavior, and extreme levels of human/beast intimacy and communication, focusing on the 'only in New York' story of Antoine Yates and his cohabitation in a Harlem high-rise with 500-pound tiger Ming and 7-foot-long alligator Al, combined with filmic observation of predators in domesticated geographies.

It is a film about motorway, tourists under transhumance, concrete picnic tables, lines to the restroom, tepid melon slices and carwashs. It is a film about a man who wants to leave and a kid holding him back. It's a summer's film.

Otro Sol is a group of real and invented characters trapped in a film. It is also a purgatory of retired thieves set on the coast of the Atacama Desert. The film is circular and seeks to invent as well as verify the myth of Alberto Cándia, a Chilean international thief who stole the Cathedral of Cadiz in Andalusia in the late 1980s.

After Éléonore's automobile breaks down, she rents a bungalow on a campsite with a view of the lake, in which, it is said, a mythical beast resides. She moves from one mobile home to another, allowing fantasy to encroach on her space.

Aya crece con su madre en la isla de Lahou. Es alegre y despreocupada, le encanta recoger cocos y dormir en la arena. Pero su paraíso está condenado a desaparecer en el agua.

Merrill Nisker, the trailblazing feminist queer icon and musician known as Peaches, is the subject of this intimate documentary. It showcases her concerts, relationship with her sister Suri, and creative process both on and off stage.

This documentary about addiction is seen through the eyes of a mother and her son.

Three young men, two brothers and their cousin, meet on a dense summer night to feel the "high" of a dozen "Hasiklidika" songs, Rebetiko songs from the beginning of the 20th century which celebrate the effects of Hashish. But beyond the pleasures of drugs, it is here question of love, joy and sadness, search for freedom and political commitment - Little by little yesterday's counter-culture, made out of poverty and violence, and built on the pains of exile, reverberates the one of today.

Exhausted by the crisis, a young Athenian tries a new start on Lemnos, an eroded island, arid and militarized, lost in the middle of the Aegean Sea. There he finds himself caught between two tragic plots haunting the territory: one from the past - the betrayal of the Argonaut Filoktitis, the other from the future - the dystopian war of the video game Altis.

This is the story of a violent explosion. A story of a couple who are irradiated by love, of a planet that has been contaminated. An intimate and collective story. Chernobyl and HIV. A story of one man's obsessive search, of a chase across a new world. Devastation and blinding light. A story of rebirth.

A policeman in a small village in northern Italy whose boring days barely conceal a growing melancholy in the town a world whose contours are just barely discernible.

Boy meets washing machine. Boy loses washing machine. Boy gets (new) washing machine.

Twelve people describe their dreams and nightmares linked to their working lives. Between poetry and social commentary their stories portray a workplace dominated by the pressures of neoliberalism.

How do Europeans deal with their recent dark history (the wars, dictatorships and occupations)? What traces are etched?