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After a long journey, Lila, arrives home. She immediately finds herself experiencing three extremely intense moments. An encounter with an Iranian, a personal break-up and a confrontation with young Eurocrats with transform her life.

The story of two teenagers that are about to have a baby. After deciding they will keep the baby, they have to deal with their parents and also with their everyday life.

Summertime. Jules, 18 years old, seeks to live a first love, despite his troublesome, excentric mother.

In 2018, in a country that doesn't exist, Dago Cassandra, a small time crook, returns to his kingdom after fifteen years in exile, invested with a divine mission to kill the twelve apostles of Lucifer, represented by the pyramid of power - An extremely dangerous mission, especially when there is a price on your head.

A glimpse at Ana's feeling of being emotionally trapped in a relationship and having the idea of letting go.

In a broken world, Michel Vay's escape is thwarted by a series of unexpected encounters. Will he be able to take flight?

Leila is a singer-songwriter who lives in Brussels. When Antoine, the man she is in love with, suddenly walks out on her for another woman, she leaves for Berlin to start a new life.

Somewhere in a deep forest, an isolated castle. Only in the court of the castle, a young man wearing a black glove in the right hand, makes bounce a ball against the wall, as a game, a threat. The young man is the son of the house, the forgotten son, the left son, the one who returns.

Basile and Lea walk across mountains. They rob every shelters and huts found on the road, carrying away what may be. They seek to reach Gondolin. Basile hopes to cross the pass before winter but Léa is exhausted. A comfortably equipped refuge with significant reserves in food, firearms and ammunition, allows them some rest. After a few days Basile wants to leave. But while she appropriates the place, Léa tries to delay their departure.

Anarchism and acid house techno

The story of Judith who is trying to find out whey her partner no longer wishes to sleep with her, who is trying to understand why others but not him, why she has such need of desire, and why the money she owes him stops him getting it up. It is the unadorned story of Judith who is struggling like a fish caught on the end of a line.

Behind the Redwood Curtain takes us on a mesmerizing journey through the dark and eerie Redwood forest. Seven forest dwellers - loggers, scientists, activists and Native Americans - invite us to discover their part of these impressive woods. There are no Walmarts and Starbucks here, just small towns and big trees. The ancient Redwoods have always kept the region isolated but now that excessive logging is encroaching, the survival of this unique habitat is under threat. Liesbeth De Ceulaer tells a compelling story about the relationship between man and his natural environment in which she entwines her own impressions of the forest with the beliefs, dreams and fears of the forest inhabitants.

A few prostitutes tell their story. Behind the big windows, they arrange their pillows, they sit down and wait. Their stories tell of men in search of something. Nice men, those who even show up on Christmas Eve and the lonely ones, who sometimes fall in love. The women are well acquainted with love and they know how to keep it at a distance when they work, because a client can never be anything but a client. Their words paint the picture of a world that lives in a few square meters and that shuts down at 6:30 p.m., when all around them the city is working and growing. "I wanted to make a film that adapts itself to the rhythm of the waiting in these places and that could find the right relationship between exhibition and modesty, between what is natural and its representation. Something both delicate and cruel. A film that touches a sort of intimacy and that, in certain moments, knows how to leave us on the threshold, inside a tent. All this has brought to life a film that is both open, like the big, airy space I think I have left to the spectator, and closed, like a door we shut in order to remain alone for a moment."

Through the images of her own film, the filmmaker seeks not only to remake the identity broken by the illness suffered by her grandmother, but also her own as an extension of that one. Trapped between the walls of the home, in what is revealed as a vital and existential confinement, only the dog will act as a connecting vehicle with the outside world.

Back home, Leila was involved in a mysterious car accident that her mind has blocked from her memory. Now it's Summer, and Leila escapes on a Roman Holiday to tend to her wounds in the arms of her sister, Anna. But the two sisters can't connect and if Leila's going to recover she'll have to take the first steps alone.