Advanced search

A group of people who feel betrayed by their government and let down by their Police force form a modern-day outlaw posse in order to right what they see as the wrongs of society.

When a father has to leave his family in New York, for a business trip to Thailand in the gaming industry, fatal destinies collide.

A group of sad slum residents, living on the limits of society under immense pressure, find an invitation to a handball tournament in Bavaria.

Sebastian and Paul are two bored boys about 16 years of age. They drink alcohol, steal - and attend a private school. They can't find a sense of meaning in their present adolescent existence. They abduct Sonja and lock her in an old, abandoned factory building. But what shall they do with her? Disorientation, fear, desire and also love are changing to cruel aggressivity.

Imagine finding out that a comet is coming to earth at a high rate of speed.

This is a love story set in the steppes of Central Asia of today. Temür a thirty year old Kazakh decides to start life again in his ancestral village in the Kyrghyz Mountains. He discovers soon after his arrival that he is a misfit in this settlement of old conservative Islamic men,some women and children. The only ray of hope for him is Amira a young married woman who waits in frustration for her absentee husband - a Mujahideen. Temur watches sorrowfully as the individual village stories unfold at the same as he tries to help the community out in any way he can. In this way he comes closer to Amira and Taib, her young brother-in-law. In a dead end situation the lovers decide to leave the settlement and travel to a place that would hold out with their dreams.

The film starts as a journey by the two directors-protagonists. Olga and Andrei, on the two sides of the frontline during the Russian-Georgian wars in August 2008. A film on such a hot political (and geopolitical) subject first of all establishes emotional contact with the audience by depicting human drama, before coming up with political conclusions. They emerge naturally and powerfully as overwhelming evidence of Russian imperialist plot shows through the Russian media smokescreen as well as mistakes and naivete of the Georgians. The filmmakers return to their St. Petersburg studio loaded with unique footage and evidence which they analyze in the process of film-editing. This process is intertwined in the film's narrative and the viewer gets a sense of partaking in it. In this way the filmmakers are able to come to forceful conclusions without slipping into propaganda and prejudice that characterize too many films about the August war. Importantly the film puts the recent war in context of the post-Soviet history which has managed to keep its darkest secrets away from the international public's attention despite dozens of relevant UN resolutions. At the same time as Milosevic was earning the reputation of the biggest evil of the post-communist world, Russia was sponsoring and conducting the campaign of terror and ethnic cleansing against the Georgian population of integral parts of Georgia, with cruelty exceeding that of the war in the former Yugoslavia.

A workaholic architect is summoned to an island to help plan and build a very safe community but soon has second thoughts about the project.