एडवांस सर्च

Drug-dealing and sex-starved goons mistakenly disturb the peaceful lives of a frail witch and her nubile grandchild in a remote town in the mountains.

Story of a stepmother who, after moving in the home of her husband is haunted by her possessed stepdaughter.

Eight year-old Yael, shy to a fault, lives in her own private world. One day she finds out about a pen that can "translate" the thoughts and feelings of nervous people.

A mystery dreamlike portrait of a movie star's harrowing ordeal in the making of a film. This is about Liz Alindogan, then 19-year old naive newbie star, and director Celso Ad Castillo dubbed as Philippine cinema's messiah. It is structured as a mystery film, making viewers question whether to believe the account of Liz Alindogan.

Lukas nino (Lukas the strange) is a story of an awkward teenager coming to grips with his own initiation into manhood just when there is a movie shoot in their neighborhood. The story opens several nights before, when Lukas is told that he has a tikbalang (half-horse, half man) for a father. His father, Mang Basilio disappears in their life the next day. Soon enough, Lukas wonders if he really is half-beast. The village is in a frenzy as the film crew arrives. Everyone tries to participate as leads, action stars and stunt extras. In the film that they are shooting, there is a story of the mystical river, where it is said to have the power to let those who cross it forget one painful memory: their biggest heartbreak. All those who have crossed and have forgotten will forget the events and the people attached to that memory. Lukas' father, Mang Basilio emerges, and they tell them about the river. Very private footage of Lukas' mother emerges from the river. The film is told by Lukas' friend, Lorena, who is fascinated by this strange boy who thinks he is a tikbalang.

Assembling fragments of discordant images and murmuring voices, and inventive parable that creates a present that appears alien and a future that feels familiar.

A young girl goes through villages as a debt collector and in the process, lends herself to play roles to others, as an elemental, revolutionary, lover.

Marcos then, Marcos now. Filipino workers unite and lead the struggle for economic and political rights, determined to shape the course of history. In between, a janitor painstakingly rewinds videotapes featuring these struggles, unknowingly aiding in the preservation of history.

Bea Mariano strings together images of the Colonial Philippines, and overlays them with images from contemporary life, creating connections between past and present, and meditating on the power of the images themselves.