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The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

Lucy, a privileged North American in contemporary Berlin, living a life of post Punk hedonism, roams the streets with her best friend, Derek. Together they use the city like a playground, a stage, and a never ending party. Into their lives enters Galia, a young Israeli woman carrying the promise of a better, cleaner way of living. A tribute to Punk underground films turns into a melodrama in "Saturn Returns", mirroring Lucy and Galia's modulating states of mind. Our and their look into each other's life and culture, becomes an investigation of empty facades. The film was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

An invented parallel world, saves a brother and a sister from the outside world.

An attempt to combine two different types of movies. One is the poetic and erotic journey of an urban couple trying to reconnect with nature. The other is a shallow comedy about a love triangle in Tel Aviv.

This short experimental work, led mainly by dialogs, tells the story of an encounter between three old friends.

The rough ride home of Tal and Moti, a soon to be married couple. The movie is questioning identifying with characters and the line between fiction and documented exhibitionism.