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After a fight with her boyfriend, a successful female erotic novelist on a book tour of Europe joins her ex and his female friend, with whom she falls madly in love, for a party at a castle owned by a dangerous cult.

Une famille se voit obligée de vendre sa demeure en Italie.

The magical Mole Antonelliana (the cavernous Museum of Cinema in Turin, Italy) is the setting for a very unlikely love story. One fateful evening the museum's timid night watchman, comes to the aid of an enchanting young fast-food cook on the run from the police. The museum's dreamy kingdom of silent movie characters becomes a sanctuary for her as she awaits rescue by her devilish boyfriend.

A Bocelli Family Christmas captures the wonder and music of the holidays with a mix of classic carols and original songs from the Bocelli family's brand new multi-generational album. It's a magical Christmas special for the whole family.

A prison-set musical about a female theater director who sets up a reinterpretation of the Crucifixion.

A group of international art students in Siena comes in contact with a mysterious Etruscan artifact owned by the sinister Samuel Powell.

Piedmont, Italy, 1944. The friendship between Anna and Nino, their runs and affectionate quarrels. On the background, the countryside destroyed by the war, the poverty, the hopes for the Italian partisan movement. Despite all of that the children continue to play, and a kite flies high into the sky. But one day the events affect Anna's family and her own life. But Nino is not willing to give up and will do anything he can to give back to Anna, who is now confined to a wheelchair, the feeling of freedom of a barefoot run.

"Piazza Garibaldi" is a name found in almost any Italian town. It is a metaphor for the nation and its history. Like in the successful, award-winning "La strada di Levi", Ferrario sets off on a journey: this time, on the traces of the expedition of the Thousand. The aim: to verify the relationship between past and present, starting from Bergamo, formerly the "City of the Thousand" and today a bastion of Padania, and arriving at Teano. The voyage is full of surprises, meetings, reflections: a sweeping road movie through the history and geography of the country, seeking to answer a nagging question: why are Italians no longer able to imagine a future for themselves?

The film is an investigation of style (and historiographical) About the relation to its time and environment that surrounds it, including the world of his contemporaries or with whom over the years has developed a personal relationship, intellectual or affinity work. Through a series of interviews with them, supplemented by personal comments of critics, academics and collectors, the intention is to create a heterogeneous landscape, fragmented and unique at the same time, as the style of that Nespolo. Alongside the interviews are interspersed, shooting reportage of events unfolding during processing (openings, conferences, award ceremonies), and included the artist dedicated to individual work, moments of personal work, passages of work with l ' team, and of course a selection of works exhibited in museums or public occasions in some cases the presence of the same Nespolo. Complete the specific segments of his film production, which not only look like another piece of the artistic career of Nespolo, while working as a document of the cultural climate of Turin from the sixties to today. The first major set of the film is the study of the same Nespolo and the Mole Antonelliana in the period when the Museum of Cinema has hosted the staff dedicated to the artist. The interviews and filming of the operations are accompanied and interspersed with footage of backstage made six months of close acquaintance of the artist. Contamination between the figure of the documentary film and the more immediate reporting is made mainly through the contrast between shooting on mini-DV (backstage and reportage) and those in HD (at the most structured interviews, film footage of the works). Rejecting the voice over, the documentary shows compound not unlike the paintings of the same puzzle Nespolo. Juxtaposing different types of approaches, the film gets un'unitarietà going through fragmentation and discontinuity. Each piece is independent, but pulled to the other creates more meaning. Without limitation (the production of Medlar is huge) do you try to offer the keys to understanding one of the most popular Italian artists and criticized at the same time. The work addresses the widest possible distribution, both for the public to want to configure as simple fans of artistic interest to industry experts, not just out of curiosity or original. It is assumed to give an analysis and discovery which in turn generates questions and dialogue, reflection on, man, the relationship that still it may have against the contemporary.

Looking for your way through unknown villages resuming the search for answers in life and human relationships