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- Through an intimate reconstruction of an important phone call, this film investigates dislocation and the nature of remembering. In the protagonist's eleven year old mind the phone call erases her entire country, history and identity and hides its existence in books, films and memories of those born before 1995.
- A documentary exploring secret lives, behavior, and extreme levels of human/beast intimacy and communication, focusing on the 'only in New York' story of Antoine Yates and his cohabitation in a Harlem high-rise with 500-pound tiger Ming and 7-foot-long alligator Al, combined with filmic observation of predators in domesticated geographies.
- A Coney Island-inspired, densely-layered visually dynamic documentary portrait of the life and times of the original Nathan's Famous, created in 1916 by filmmaker Lloyd Handwerker's grandparents, Nathan and Ida Handwerker. 30 years in the making, Famous Nathan interweaves decades-spanning archival footage, family photos and home movies, an eclectic soundtrack and never-before-heard audio from Nathan: his only interview, ever as well as compelling, intimate and hilarious interviews with the dedicated band of workers, not at all shy at offering opinions, memories and the occasional tall tale.
- It Seems to Hang On is based on the true story of the serial killers Alton Coleman and Debra Brown, a young Black couple who cut a violent path beginning in the summer of 1984 through the American Midwest (Ohio, Kentucky, Michigan, Indiana, Illinois and Wisconsin). The dialogue spoken in the film is inspired and based on lyrics from the American soul duo (and couple) Ashford and Simpson's 1979 hit song "It Seems to Hang On". The lyrics refer to a couple struggling to hang on or to be together thought adversity. Filmmaker Kevin Jerome Everson's strategy was to make a film about a desperate, violent but loving couple on the run from the law. The film was shot in and around the city of Detroit, and area where Coleman and Brown committed several murders. Their crimes were horrific, and their victims were Black with the exception of one white woman, a murder that eventually led to Coleman's conviction and execution. Alton Coleman was executed in 2002. Debra Brown is doing life in a prison in Indiana. Coleman was born in 1956 in Waukegan, Illinois near Wisconsin. Debra Brown was born in 1962 in Ohio. There is no current documentation on how they met.
- The Island of Saint Matthews is a 16mm feature film about the loss of family history in the form of heirlooms and photographs. Years ago filmmaker Kevin Jerome Everson asked his aunt about old family photographs. Her reply-that "we lost them in the flood" was the catalyst for this film, a poem and paean to the citizens of Westport, a community just west of Columbus, Mississippi, and the direct and oblique remnants of the 1973 flood of the Tombigbee River. Scenarios depicted include a water skier on the Tombigbee; a river baptism; a meeting with an insurance agent about flood coverage; the control room of the lock and dam; the parking lot of a church; the ringing of the St. Matthews bell.
- Sugarcoated Arsenic is a 16mm cinematic exploration of African American intellectual, social, and political life at the University of Virginia during the 1970s. Conceived and written by UVA History Professor and author Claudrena Harold and directed by Harold and UVA Professor of Art, filmmaker/artist Kevin Jerome Everson, the film stars Erin Stewart (the bank teller/race driver in Everson's 2006 feature film "Cinnamon") as Vivian Gordon (the director of UVA's Black Studies program between 1975 and 1980). The film tells the story of African-American women and men who through their public and private gestures sought to create a beloved community that thrived on intellectual exchange, self-critique, and human warmth.
- Set in the 1970's, Hampton follows Black Voices, a gospel choir based at the University of Virginia, as it prepares for a performance in Hampton Roads, embarks on a two-hour bus ride to the concert venue, and then returns to campus after a triumphant performance. With a particular focus on the bus driver (Sandy Williams IV), the film captures the wide range of processes, relationships, emotions, and formal gestures operating in African-American gospel music.
- An exhilarating new work about the American artist Carolee Schneemann, the trailblazing multi-hyphenate (film, video, performance, installation) whose work continues to defy cultural gravity. Montréal filmmaker Marielle Nitoslawska interweaves Schneemann's films and documentation with poetic, kinetic mediations concerning art-making, feminism, gender, sexuality, and identity.
- Quality Control consists of a series of 16mm single take shots filmed in the summer of 2010,over a two day period, in a dry cleaners facility in Pritchard, Alabama, near Mobile, Quality Control exhibits the acts as well the conditions around labor and showcases, in Everson's words "the fine folks of Alabama producing a superior product." It is similar stylistically, in form and rhythm, to certain scenarios in Everson's award-winning and critically acclaimed previous films, including Erie (IFFR 2010) and in thematic concerns to several other short form works which follow the daily, quotidian tasks of workers in rest and in motion, and is an oblique sequel, ten years hence, to Everson's Creative Capital granted project A Week in the Hole (2001), which focused on an employee's adjustment to materials, time, space and personnel.
