Recherche détaillée

Un réalisateur israélien interviewe ses anciens compagnons d'armes de l'invasion du Liban de 1982 pour retrouver des souvenirs de son service militaire durant ce conflit.

Martha, Walter et Sam sont liés à jamais par un terrible secret. Des années plus tard, Martha et Walter sont mariés. Quand Sam revient en ville et dans leur vie, la tension monte.

Alexis veut tout savoir sur le passé de sa mère.

The story of the Russian-born, Wisconsin-raised woman who rose to become Israel's prime minister in the late 1960s and early 1970s.

Ollie has fallen in love with the innkeeper's daughter in Paris. The only problem - she's very much in love with her husband. To forget her he joins the Foreign Legion with Stan. Bad idea.

The 96th Academy Awards, held on March 10th, 2024 from the Dolby Threatre in Hollywood and hosted by comedian Jimmy Kimmel for the fourth time. The cultural phenomenon of "Barbenheimer" in six different categories is a recurring theme.

Des images du Black Power Movement aux États-Unis, tournées par un groupe de journalistes suédois de l'époque, sont assemblées par un cinéaste suédois contemporain.

Monsterland journeys through time and around the world, exploring diverse monster types, from the origins of the latex monster in devastated postwar Japan to the aliens and serial murderers of 1980s American cinema, and on to the rise of King Kong's digital descendants in the face of 21st-century terrors. One after another, a broad spectrum of monsters emerges that mirrors the range of our fears and longings. Director Jörg Buttgereit, himself a monster fan and also a director of horror films, assembles before the camera the great masters and connoisseurs of the genre: monster-makers such as Gremlins creator Joe Dante, analytical horror director John Carpenter, monster designers like H.R. Giger and painter Joe Coleman, special effects guru Gregory Nicotero, make up artist Rick Baker and Godzilla performer Kenpachiro Satsuma. They discuss their lives and their work with and for their monstrous creatures and relate to us the dark passion that they share. This documentary is a visual journey of exploration to the centers of monster culture: the megacity of Tokyo, a gigantic organism spawning machine-monsters; the sunshine city of Los Angeles, where knife-wielding killers roam night time streets; and the graceful skyscrapers of New York, which in both film and reality have been transformed into a doomsday panorama. Impressions of these places converge in the dense images of old and new monster films, blending with sinister, surreal drawings by monster designers, views into the chamber of horrors of the special effects studios, and pictures of fans in bizarre monster costumes.

How Louis XV, a young king loved by his people, sensitive to the artistic and intellectual turmoil of his century (that of the Enlightenment), will end his reign in decay and hatred? Only fifteen years after his death, it's the Revolution.

Un documentaire sur la sécurité du stockage des déchets nucléaires.

Juliane's happiness seems perfect. She is head over heels in love and has just begun a new life with August. One morning, however, she wakes up to find that she has been unexplainably thrown back into her past - to the time before she met her new love. Is what seems at first glance a cruel setback in reality actually a second chance?

The myth of return. In 1966, Yash and Sheel Suri leave India for a temporary stay in England while he burnishes his resume as a doctor. He buys projectors, tape recorders, and movie cameras, and sends one set to India beginning a 40-year exchange of tapes and Super 8 movies between his family in India and his household near Manchester. We watch their three daughters grow and we hear increasingly plaintive calls from Yash's parents and sister to return home. In 1982, it's back to India where Yash sets up a practice. A return to England, one daughter's marriage, another's move to Australia, and the third's film project complete the 40-year story. Yash still loves his homeland.

In the late-80s and early-90s, two prosecutors went after the mob in Sicily. Archival footage, gruesome photographs and new interviews are shown.

A look backwards, using contemporary interviews and archival footage, at "Hair" the musical, a theatrical and cultural phenomenon in the 1960s and 1970s. The documentary is arranged, loosely, around themes: the context of its creation, friendships among its creators, rehearsals, media coverage, race, sex, politics, backlash, several deaths, drug use leading to dissolution, and an assessment of the play's importance. The commentary comes from a dozen people looking back: creators, producers, actors, and directors of the play and film.

A film about the Paris Peace Conference that negotiated the end of World War I with the Versailles Treaty.

The One, The Only, The Real Tarzan is a compelling look at the turbulent life of Johnny Weissmuller, the Olympic champion who became the most famous Tarzan of the movies.

The documentary series observes Finnish nu-metal Blind Channel's journey towards global conquest. The episodes reveal the harsh realities of touring life and album production as the band strives for international success.

Marja is a prostitute who has to run away, when her pimp Jussi robs and kills one of her costumers. She finds a hiding place in a mansion on the country side. Marja falls in love with the master of the mansion, but Jussi finds out Marjas whereabouts and comes to meet her.

A criminal organization, mainly operating in the seaside of Helsinki at night, goes into alert mode when their trusted member betrays the boss at the instigation of his girlfriend. When Pihlajasaari attacks, you're doomed.

"Encounter". Seven stories of women. Occasionally intersecting with each other in everyday situations. Parallel episodes of hope and abandonment, addiction and infidelity, but also friendship and trust.

»Comrade Couture« is a journey into the world of the fashionistas and Bohemians of East Berlin in the 80s. A fantasy world within East Germany's restricted everyday life. Director Marco Wilms was himself a model at GDR's fashion institute.

Pertti works as a telegraph operator on a ship. When it arrives in Helsinki, Pertti looks forward to seeing his mother again, and also the neighbor girl, with whom he is in love. But his plans change when he steps into a restaurant with the first officer of the ship when they go ashore.