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Ein Übersetzer, der für die Polizei arbeitet, wird in die andere Seite des Drogenhandels verwickelt.

Pavel is an amiable loser, teaching at a film institute. He sells out his family apartment and accommodates his mother in a residence for elderly people to start filming his first picture. The bank, however, he deposits his money in, goes bankrupt and he can't afford to pay back the mob the loan taken to buy negative film stock. As for his family, the relations have for a long time turned into series of stupid and ridiculous misunderstandings. His wife cuckolds him, all his attempts to tale up with his son fail. The friendship with a neighbor boy ends in a classic knockout. A dubious partnership with an old colleague from the movie guild ends in a total fiasco before the Mafia. The only place Pavel feels comfortable is the student's cinema hall where old picture are screened. He often fancies himself a film character. Pavel starts behaving as such and gradually loses any sense of reality. When grasping that reality has rules of its own, it is already too late.

A world without water. In a post-apocalyptic city of Zagreb, last survivors are hiding in their apartments, fearing each other. One day in a building, a white cat appears leaving wet paw prints behind.

When cruel town boss Cortese tries to buy all the vineyards of the village only farmer Elia resists his offers and threats. Soon Elia's estranged daughter Clara offers Cortese to help him kill the stubborn wine grower.

Jam session in the courtyard of the Archaeological Museum of Varna under the motto of the poem by John Donne "No man is an island". No man is an island Entire of itself, Every man is a piece of the continent, A part of the main. If a clod be washed away by the sea, Europe is the less. As well as if a promontory were. As well as if a manor of thy friend's Or of thine own were: Any man's death diminishes me, Because I am involved in mankind, And therefore never send to know for whom the bell tolls; It tolls for thee.