[go: up one dir, main page]

    Calendario delle usciteI migliori 250 filmI film più popolariEsplora film per genereCampione d’incassiOrari e bigliettiNotizie sui filmFilm indiani in evidenza
    Cosa c’è in TV e in streamingLe migliori 250 serieLe serie più popolariEsplora serie per genereNotizie TV
    Cosa guardareTrailer più recentiOriginali IMDbPreferiti IMDbIn evidenza su IMDbGuida all'intrattenimento per la famigliaPodcast IMDb
    OscarsPride MonthAmerican Black Film FestivalSummer Watch GuideSTARmeter AwardsAwards CentralFestival CentralTutti gli eventi
    Nato oggiCelebrità più popolariNotizie sulle celebrità
    Centro assistenzaZona contributoriSondaggi
Per i professionisti del settore
  • Lingua
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista Video
Accedi
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usa l'app

Ricerca avanzata

    • TITOLI
    • NOMI
    • COLLABORAZIONI
  • Filtri di ricerca








    Inserisci la data completa

    a

    o inserisci solo aaaa o aaaa-mm di seguito

    a




    a




    a




    Escludi






    Include solo titoli con gli argomenti selezionati
























    a










    In minuti

    a











    1-50 di 86
    Visualizza le informazioni complete sull’azienda per Mezhrabpomfilm (SUHH)
    • Sergei Vecheslov and Iosif Gerasimovich in Gibel sensatsii (1935)

      1. Gibel sensatsii

      19351h 25m
      6,5 (208)
      In an unnamed English-speaking capitalist land, a young engineer invents inexhaustible giant robots to replace the fragile human workers on high-volume assembly-lines, and soon finds his invention co-opted by the military-industrial complex.
    • I. Dedintsev, Valéry Inkijinoff, Leonid Obolensky, and Anel Sudakevich in Tempeste sull'Asia (1928)

      2. Tempeste sull'Asia

      19282h 7mT
      7,0 (2434)
      After a run-in with the law, a Mongolian man becomes a fugitive and joins the Russian Civil War.
    • Vicino al mare più azzurro (1936)

      3. Vicino al mare più azzurro

      19361h 11m
      6,9 (1271)
      Two best friends shipwreck on an island in the Caspian Sea and fall in love with the same woman while helping the villagers of their new home.
    • Il cammino verso la vita (1931)

      4. Il cammino verso la vita

      19311h 59mPassed
      6,8 (512)
      Young hobos are brought to a new camp to become good Soviet citizens. This camp works without any guards. But crooks kill one of the young people when they try to damage the newly build railroad to that camp.
    • Izrail Bograd in Sobborghi (1933)

      5. Sobborghi

      19331h 38m
      7,0 (1184)
      Outskirts is an internationally renowned masterpiece of early sound cinema. In a remote Russian village during World War I, colorful and nuanced characters experience divided loyalties: family loyalty vs. personal desire, nationalism vs. transcendent humanism.
    • Rvanye bashmaki (1933)

      6. Rvanye bashmaki

      19331h 25m
      6,3 (66)
      Three-year Bubby, son of unemployed person, searches on rubbish heaps every junk that can be sold. On these pitiful pence all family forces to live. Every day Bubby goes out "on work" in the enormous lacerated shoes of the senior brother-schoolboy.
    • Igor Ilyinsky and Isaak Rabichev in Prazdnik svyatogo Yorgena (1930)

      7. Prazdnik svyatogo Yorgena

      19301h 23m
      7,3 (283)
      Satire of religious charlatanry where priests, police, and stock market officials conspire to fleece pilgrims who've come to see relics of a supposed saint. A pair of con men hatch a scheme to pass off one of the duo as the saint reincarnated.
    • Tre canti su Lenin (1934)

      8. Tre canti su Lenin

      19341h 1mT
      6,5 (914)
      Tre canzoni anonime su Lenin forniscono la base per questo documentario che celebra i successi dell'Unione Sovietica e il ruolo di Lenin nella loro creazione.
    • Dezertir (1933)

      9. Dezertir

      19331h 45mNot Rated
      6,7 (330)
      A wise and forgiving communist leader decides to send a young worker, Karl Renn, as an international delegate to the Soviet Union after the worker had deserted a picket-line and had expressed doubts about the methods of class struggle in in his own country.
    • Weyland Rodd in Il grande consolatore (1933)

      10. Il grande consolatore

      19331h 35m
      6,6 (219)
      In basis of film are facts from biography of the American writer O. Henry and two his short stories.
    • Vsevolod Pudovkin, Grigory Borisov, and Pyotr Zhukov in Il cadavere vivente (1929)

      11. Il cadavere vivente

      19291h 22m
      7,1 (167)
      Fjodor Protassow wants to divorce his wife, so that she can be happy with another man. But the church won't allow a divorce, so he fakes his own death, becoming a "living corpse".
    • Blek end uayt (Chernoe i beloe) (1932)

      12. Blek end uayt (Chernoe i beloe)

      19323mCorto
      6,3 (169)
      The film addresses issues of racism in the Jim Crow American South. Themes of racial injustice, racial violence, working-class solidarity dominate the film. It depicts black men working in a field, walking in chains, sitting behind bars, and being executed in an electric chair. In most scenes, a white authority figure is seen whipping or guarding the men.
    • La casa sulla Trubnaja (1928)

      13. La casa sulla Trubnaja

      19281h 4mNot Rated
      7,2 (769)
      A girl Parasha Pitunova comes to Moscow from a deep province, eventually she arrives at a house. This is a story about the house and its inhabitants.
    • Morozko (1924)

      14. Morozko

      192440mCorto
      7,0 (73)
      An old man takes his daughter to the forest in winter at the instigation of her evil stepmother, where the girl meets the spirit of frost.
    • Bortsy (1936)

      15. Bortsy

      19361h 15m
      5,6 (40)
      1933 year, Germany. The mother of worker kill nazis organizes pure resistance against political tyranny reigning in a country.
    • Dzhulbars (1936)

      16. Dzhulbars

      19361h 19m
      6,1 (65)
      A squad of Basmachi attacks a peaceful caravan, and the old guide Sho-Murad and his granddaughter Pery find themselves in captivity of the bandits. Border guards and a sheepdog Dzhulbars repulse prisoners and neutralize enemies.
    • Due-buldi-due (1930)

      17. Due-buldi-due

      193055m
      6,9 (55)
      A story of circus performers during the Russian Civil War.
    • Vosstaniye rybakov (1934)

      18. Vosstaniye rybakov

      19341h 37m
      6,5 (50)
      Sailors working on the trawlers of the German shipowner Bredel go on a strike. A revolutionary trade union sends the sailor-communist of Hull in a fishing settlement, to heave up fishermen on a pathetic strike. Trying to prevent to the association of sailors and fishermen, Bredel promises to the fishermen to increase paying for a catch. But it turns out soon, that the promised raise is deception.
    • Nikolay Prusakov in Chiny i lyudi (1929)

      19. Chiny i lyudi

      19291h 4m
      7,0 (70)
      Based on three short stories written by Anton Chekhov: "Anna on the Neck", "The Death of a Government Clerk" and "The Chameleon".
    • Salamandra (1928)

      20. Salamandra

      19281h 30m
      6,4 (42)
      A Socialist Realist distortion of Dr. Paul Kammerer's experiments in the inheritance of acquired character(istic)s -- the (not entirely anti-Darwinian) conjecture that certain changes the environment produces in an individual may spontaneously appear in the next generation. As recounted in Arthur Koestler's The Case of the Midwife Toad (1971), Kammerer (1880-1926) claimed that darkened footpads he had artificially induced in a toad had been passed on to its offspring. When it was discovered that his critical specimen had been injected with ink (though why and by whom is still unknown), his credibility was destroyed and he apparently suicided. Richard Goldschmidt's synopsis of the film in "Research and Politics," Nature (1949), mocks it as Soviet propaganda in support of the inheritance of acquired characters: The importance attached to the subject is revealed by the facts that none other than the then all-powerful [People's] Commissar for [Public] Education, the highly cultured and intelligent Lunacharsky, is the author of the film, that his wife plays the leading lady and that Lunacharsky, playing himself, appears in one scene.... In a Central European University a young biologist (model Kammerer) is working. He is a great friend of the people and endowed with all the qualities of a Communist movie hero. Working with salamanders, he has succeeded in changing their colour by action of the environment. One day the supreme glory is achieved; the effect is inherited. The bad man of the play, a priest, learns of this, comes to the conclusion that the discovery will spell an end to the power of the Church and the privileged classes, and decides to act. He meets at night in a church... with a young prince of the blood whom he had succeeded in having appointed as assistant to Kammerer. (This is obviously a typical job for a German prince!) Here in the dark sacristy the plot is hatched. The prince (or the priest?) proposes to Kammerer that he announce his glorious discovery at a formal University meeting, and the scientist gladly accepts. During the following night the priest and the prince enter Kammerer's laboratory... open the jar in which the proof specimen of salamander is kept in alcohol, and inject the specimen with ink.... [A]t the University meeting... the young scientist... makes a brilliant speech announcing the final proof for the inheritance of acquired characters.... [Suddenly someone] takes out the salamander, and dips it into a jar of water. All the colour runs out of the specimen. An immense uproar starts and Kammerer is ingloriously kicked out of the University as an impostor. Some time later, we see the poor young scholar walking the streets and begging with an experimental monkey which had followed him into misery. He is completely forgotten until one of his former students... succeeds in finding him, finally, completely down and out, in a miserable attic. She takes the train at once to Moscow and obtains an interview with Lunacharsky..., who gives orders to save the victim of 'bourgeois' persecution. Meanwhile, the character of Kammerer has sunk so low that he decides to make an end of it. The very moment he tries to commit suicide, the Russian student returns with Lunacharsky's message and prevents him from taking his life. The last scene shows a train in which Kammerer and the Russian saviour are riding east and a large streamer reads 'To the land of liberty.'
    • Ulitsa poperyok (1931)

      21. Ulitsa poperyok

      193112mCorto
      6,2 (30)
    • Zolotoye ozero (1935)

      22. Zolotoye ozero

      19351h 33m
      5,2 (24)
    • Anatoli Ktorov in Marionetki (1934)

      23. Marionetki

      19341h 23m
      6,3 (85)
      Political pamphlet, ridiculing fascists ready to fly to the arms against Soviet Union. The owners of the capitalist world are frightened by approaching of crisis and height of revolutionary moods of the masses. They decide to put at the head of some state of Bufferiya, abutting upon Soviet Union, new king - obedient marionette in their hands.
    • Prostoy sluchay (1930)

      24. Prostoy sluchay

      19301h 36m
      6,9 (108)
    • Pesn o geroyakh (1932)

      25. Pesn o geroyakh

      193250m
      6,7 (117)
      Soviet solidarity is strong in Germany where the Communist Party (KPD) marches under the clenched fist in spite of police harassment... Radio broadcasts reach all parts of the Soviet Union, including Magnitogorsk. On the steppe near the city, a family of nomads lives in their yurt. The father hears blasting: iron ore for the steelworks. Crushed ore and coke yield molten steel for the ladle. Stop-motion animation shows the bountiful tractor and freight car output of the future... A new blast-furnace is under construction. Accepting jobs at the site are women, ethnic minorities, and the nomad. An English-speaking engineer supervises; a young riveter learns his trade from an old hand... In the Kubass region, miners labour to produce the coal which becomes coke in Magnitogorsk... At last the blast-furnace is complete. Workers celebrate. A cheerful patriotic song is sung. Steel pours forth. The new day reveals a finished plant.

    Visti di recente

    Abilita i cookie del browser per utilizzare questa funzione. Maggiori informazioni.
    Scarica l'app IMDb
    Accedi per avere maggiore accessoAccedi per avere maggiore accesso
    Segui IMDb sui social
    Scarica l'app IMDb
    Per Android e iOS
    Scarica l'app IMDb
    • Aiuto
    • Indice del sito
    • IMDbPro
    • Box Office Mojo
    • Prendi in licenza i dati di IMDb
    • Sala stampa
    • Pubblicità
    • Lavoro
    • Condizioni d'uso
    • Informativa sulla privacy
    • Your Ads Privacy Choices
    IMDb, una società Amazon

    © 1990-2025 by IMDb.com, Inc.