एडवांस सर्च

The events of several travelers who stop at a sinister hostel one stormy night.

Scientist's wife Raquel and his friend Oliver begin an affair while he's consumed by work. They attack him with acid and spend his money while he recovers, but he returns home plotting revenge.

This movie is basically a vehicle for recycling footage from the eccentric pantheon of Brazil's premier horror filmmaker Jose Mojica Marins, whose own persona often melds with that of his popular alter-ego "Coffin Joe". Clips are culled from the trademark surreal nightmare sequences favored by Marins in such films as Esta Noite Encarnarei No Teu Cadaver (Tonight I'll Be Incarnated in Your Corpse), Ritual dos Sadicos (Ritual of the Maniacs) and Exorcismo Negro (Black Exorcism). These grotesque, hallucinatory set pieces are depicted as the nightmares plaguing psychologist Dr. Hamilton, who is haunted by the character of Coffin Joe. In an effort to stop the dreams, Hamilton seeks the aid of Joe's creator (Marins, as himself), who tries to convince him that Joe is not an actual demon but a flamboyant character he intends to lampoon in his latest film.

On Christmas Eve, Mauro, a reporter, has 24 hours to find a headine.

While out for a walk in the countryside, Marina and Juvenal stop to take some pictures in front of an old woman's house. Annoyed, the old woman turns out to be a witch and casts a curse on the young couple.

A prominent millionaire gets a woman drunk and rapes her, biting off her nipple in the process. Because of his influence and powerful lawyer, though, he is able to beat the rap, claiming the woman was trying to extort money from him. He continues his life of debauchery, using women and flaunting his power until he meets a new woman, who won't let him have his way with her, but wants to be his friend. Falling madly in love with her, he cleans up his act and devotes his attentions to her, not realizing that she has a hidden agenda.

A self indulgent, autobiographical docu-drama that chronicles the filmmaker's "struggle" with narrow minded authorities, critics, and personal tragedy.