Pesquisa avançada

Jennifer Hills, uma jovem escritora, vai passar férias no campo. Mas a sua presença chama a atenção de um grupo de homens que a ataca, espanca e viola repetidamente. Traumatizada e ferida, Jennifer começa então a planear a sua vingança.

Uma série policial alemã, com sucesso indiscutível, em que detetives buscam solucionar crimes.

A filha de um senador americano é atraída para um culto hippie chamado The Children of Light pelo namorado da líder do culto, uma misteriosa e bela mulher asiática. O culto acaba por não ser a comunidade de amor livre que se apresenta.

Girls in a reform school are tormented violently by the headmistress . . . until they can take no more

Michiel has just graduated from the art academy and together with his girlfriend / assistant he moves to Switzerland for two months to edit the recordings of an extraordinary blind date. Through online dating apps, he found two strangers and put them together in a hotel room for a romantic first encounter. In one evening, the two get to know each other very intimately in the presence of a guitarist who provides the date à la minute with a juicy soundtrack. From the first touch to the sensual highlights everything is controlled by a presenter with a microphone and a stack of instruction cards.

Masked intruders take the family of a bank manager hostage in order to rob his bank.

"A Demonstration" is a monster film with no monsters. Inspired by the existence of taxonomies of monsters at the heart of Early Modern European science, the film explores and reinterprets a way of seeing the natural world that is almost impossible to imagine from today's vantage point. Early Modern naturalists were guided by a logic in which scientific truths were discovered through visual analogy. The word 'monster' comes from the latin 'monstrare', meaning to show, to reveal, to demonstrate. "A Demonstration" picks up on these themes in a poetic exploration of the boundaries of sight and the metamorphosis of form.

Princess Sophie's preparations for her royal duties are disrupted when she questions her future as queen, upending court hierarchies and customs.

A local photo studio in Pakistan serves as a vibrant cultural hub where personal dreams and community connections are brought to life through photography. The filmmaker, a displaced native, partners with Sakhi, a photographer yearning for a life abroad, to explore the aesthetics and economics of image-making shaped by sociopolitical influences and social class. As customers enter with their unique fantasies and desires, each photograph emerges as a powerful representation of their aspirations, reflecting the intricate interplay between identity and longing.

In the 20th century the world has finally supplied humanity with the machine for the ultimate answers. And so, burdened with the eternal questions of meaning, life and existence the filmmaker departs on a trip through the world wide web. Fighting her way through the jungle of connection errors, glitches, search bars and pop-up messages, she meets three people lost in cyberspace: a man who hopes that the digital realm can help him reach immortality, a young woman, who uses it as a platform for her spiritual practice, and a young man, who believes that the only reason for existence is in meaninglessness of it. Staying safely behind the screen we are invited to think of life through data, god through numbers and to witness the endless digital questions, many of which will never be answered.

When he was nine, Shahib fled from Somalia's civil war to the Netherlands. After twenty years without legal status, he's still picking up the pieces.

Ladies and gentlemen. Welcome. Welcome. Buckle up, you're about to enter the realm of the king of insanity. 'He's a down-to-earth guy who is maturing at his own pace. There's a youthful innocence to him and he's a bit perverse.' Patrick, a 50 year old call center employee, thinks he fits the description perfectly and responds to the casting call. By lying about his age and his acting experience he gets the part. Come and see him crash and burn in five chapters, accompanied by dance and music.

Collecting archival communist-era propaganda images, filmmaker Zuza Banasinska collages and warps them, recasting fabled Slavic witch Baba Jaga as a matriarchal goddess, exposing and detonating their patriarchal ideologies for liberation.

Voices unite in defiance: a filmmaker, parent, and caregiver reject exploitation and embrace solidarity. Their intertwined stories weave a tapestry of resistance, highlighting the power of collective action against oppressive systems.

A bird sound is transformed as it travels through a city.

In the 1970s, the populous neighbourhood around Brussels-North Station was destroyed to make room for 'Little Manhattan', a modernist dream with the two World Trade Centre towers as its crown jewels. The project failed, leaving the towers and surrounding area largely abandoned. In 2017, the private owners and politicians joined forces to redynamise the area. Fearing that history might repeat itself, Lietje Bauwens and Wouter De Raeve decided to enter the debate by making a film with the actors that claim a voice in the transition: politicians, an activist, the private owner, designers and others. Taking the WTC towers as its object, the film investigates contemporary urban redevelopment processes, and traces the influx of new ecological and participatory ideas and their actual impact. WTC A Love Story uses fiction as a method to explore whose stories enter the stage when the process of political representation is accelerated.

EYE FARM explores the relationship between agriculture and perception through the parallel tools of image production and industrial agriculture. The film shows an historical arch - in which the depiction of labor and spiritual beliefs are replaced by vast, empty automated landscapes and benign images of leisure - in an attempt to reconcile the gap between the material realities of agriculture and the symbolic value it has come to represent.

Brussels, 2019. While the world seems to be at the verge of destruction, a young super hero struggles with the responsibilities that come with having super powers. Once he decides to accept who he is, and put his powers to use, he finds out that fighting evil is harder than expected.

Hello Joe was covertly produced overnight in a series of rented Airbnb accommodations. It is constructed entirely from elements found and filmed within a number of private homes that were accessed through the website. Furnishings, ornaments and extracts from various personal book, CD and DVD collections act as a singular workable archive. Domestic spaces are merged together in this portrait of an emerging corporate territory within the declining value of privacy.

An isolated woman is confronted with the outside world when her cat disappears.

In We're All Here artist Beny Wagner channels feelings of inexplicable loss and yearning for something unknown through two seemingly unrelated material histories: that of camouflage and fossil fuels.

The Dynamists is a short artist film that involves twelve disruptive teenage boys and the Belgian poet and musician Angelo Perrotti. Alluding to the Coming of Age movie genre, with its 'rites of passage', the video attempts to capture the transitional instability of adolescence and proposes disruption and conflict as an essential part to growth.

Cas and Guido want to experience what it is like to be homeless, and decide to live on the streets between Christmas and New Year. Soon, their motto 'the plan is no plan' gets them in trouble.

Déploiements shows how a state may perform systems of control. Associating choreographed hand gestures of fighter pilots with a hydro-culture farm and images generated by a crowd-control training software, the film questions how states occupy terrain, both in air and on ground, both physically and symbolically.