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A documentary about the deconstruction of the Berlin Wall which makes no use of vocal commentary but instead focuses on visual elements. From the Potsdamer Platz to the Brandenburg Gate, the camera captures the historic events from all sides and different angles: on the one hand there are news reporters and tourists from all over the world taking pictures, children selling pieces of the wall to passers-by, and people celebrating New Year's Eve, on the other we see abandoned subway stations and officials with blank looks on their faces.

Filmmaker Sibylle Schoenemann, imprisoned by the GDR in 1984, was released to the FRG after having West Germany literally buy her freedom. In 1990 she went back and questioned those responsible.

A supermarket was to be opened on the outskirts of the former Ravensbrück women's concentration camp, which led to protests and in turn aroused incomprehension among the residents. The result is a film about the city of Fürstenberg and its residents, which tells something about the different attitudes of the people of Fürstenberg, their current situation, their experiences with the memorial and memorial and with 40 years of "anti-fascism" decreed.

Using almost completely positive clips from East German film archives, this deadpan documentary presents a history of the forty years of the former DDR.

In early summer 1989, Helke Misselwitz portrays young musicians in a band who produce their music on other people's waste items. The four boys call themselves "Bulk Rubbish" and they drum out their resentment, having grown up on the new housing estates of East Berlin. A straight-up picture of the GDR youth is presented here, which in no way conforms to the official image. The film crew concentrates on the observation of the boy Enrico and his mother Erika: when the mother marries in the West, her son decides to stay in East Berlin, bidding her farewell at the border-crossing. Only shortly after, the tables are turned again: as the events in Berlin leading up to the fall of the Wall are practically captured live from the film crew, Enrico insists on maintaining his cultural identity, even after the fall of the Wall. The "Bulk Rubbish" musicians want to remain citizens of their own state and perceive the looming reunification with scepticism

The second instalment of March Brandenburg trilogy captures the conversations taking place in Zehdenick during the weeks leading up to the first free elections in spring 1990. Including previously censored footage of March Brandenburg Bricks, this film reflects the hopes and concerns of the business community, working class women, and young people during 'Die Wende', the period of political change in East Germany.

A small crew films Leipzig 89-90. They interview factory workers, young people, a former journalist, a Redskin and others. These individuals share their thoughts about the reunification, its consequences and their plans for the future.

A report on free theater in the GDR/East Germany. The ten members of the "Zinnober" group describe how and under what conditions it was possible to work without an intendant and director, while always following the path of their own personality. With many open and emotionally expressed original tones, the theater people describe the togetherness then and now. Excerpts from puppet shows and sequences from the film "Traumhaft" are additionally cut in and thus show the wide-ranging repertoire of the artists. A model that failed for many reasons, including because the GDR state reacted with reprisals. After the borders were opened in 1989, the group split up and each went his own way.

The final instalment of March Brandenburg trilogy moves away from the town of Zehdenick in order to focus on the rural areas north of Berlin. Made in the period between the currency union in East Germany and the official reunification in October 1990, the film shows how drastically the lives of the residents have changed, as crippling unemployment has taken the place of hard work.

Documentary about the uprising of June 17, 1953 based on unpublished archival materials. Above all, the memories and fates of those involved, from the strike leader to the former top SED functionary, add up to an emotionally touching film about the history, the course and the consequences of the uprising in June 1953. Filmmakers from the GDR are approaching a decisive chapter in history their country.