Recherche détaillée

Un an après les obsèques de leur père, trois frères traversent l'Inde en train dans l'espoir de renouer les liens.

Caught in an endless cycle evaluating his last meeting with his departing lover, Jag, an unemployed, fatigued contractor, descends inwards. There, he finds solace sheltering an unconscious, troubled boy. As the boy gradually recovers, Jag sinks deeper into the rabbit hole of his deep-seated wounds. One day, his lover comes back looking for him.

Amidst a lackluster relationship between a married couple, a young boy discovers a new dimension to his sexual being. Simultaneously, pythonesque adventures lay aplenty, serving to the boy's exploration of the ideas of life and death. Through his journey and the influence of nature on their lives, we see the dynamics of this isolated nuclear family alter leading to a poetic unification.

In a home suspended between memory and forgetfulness, two women share a fragile, intimate space. As one clings too tightly to the past, the other slowly slips into dementia.

A woman finds traces of happiness in small things while facing repeated trauma throughout the years.

After selling his father's land to chase a football career in India, a young Nigerian footballer suffers a devastating injury that ends his dreams. Lost and desperate, he seeks an escape through the healing power of his ancestral rituals.

Oru Paathiraa Swapnam Pole (Like a midnight dream) explores the story of Sudha, an entrepreneur and a mother of a college girl, who finds her world turned upside down when a doctor suspects that she might have cancer. Her worries deepen even further when one day she goes through her daughter's laptop and accidentally finds a nude video of the daughter hidden in it.

Sundar Jeebon is a film based on the fiction writing of the iconic Bengali poet Jibananda Das directed by Sandeep Chatterjee. AWARDS: Sandeep Chatterjee received the prestigious President's Medal at the National Film Award for Best Short Fiction Film for "Sundar Jeebon" (35mm, col) in 2003. CITATION: The award for the Best Short Fiction Film of the Year 2002 is given to the Bengali film SUNDAR JEEBON for its sensitive and nuanced story about a writer and the sour taste of beauty. The film is notable for its technical excellence and the excellent synergy created by the young director Sandeep Chatterjee and his colleagues from the Satyajit Ray Film and Television Institute in Calcutta. This award applauds them all.

Mala is a docile wife, mother, and maid who endures her abusive married life. However, when her husband is hospitalized after an accident, she finds solace and sees a glimmer of hope for a better future for her daughter. Yet, her newfound peace is threatened when her husband shows signs of recovery.

In a world devoid of human connections, Anshika grapples with the impending loss of her comatose mother in the presence of a clone created to replicate her mother's existence, emotions and mannerisms.

Amar like most young men around us is confused .He is always battling his demons, his morality, emotional upheavals and desperate to balance it all. Stuck between Mohini and Chitra he loses what he has in his pursuit of happiness.

Hello Guyzz is a reflection of modern day India where - cheap internet, longing to become the next big star, and high aspirations are a reality. But so are class, caste and gender differences. To Sumita, the subject (and also the star of the documentary) social media is a tool that provides her a space to have an alternate identity on tiktok ; an identity away from getting kids ready to school, away from being a homemaker, away from struggling to find means to lead a good life. Sumita straddles between her mundane domestic life, and life on social media in hopes of being able to make a successful career out of it and also maybe fulfill her long lost dream of becoming an actor. With this film, we aim to document this at the intersectionality of gender, society and class. Sumita, is like any other modern Indian woman trying to navigate between her personal and public space dichotomy, all this while trying to find financial primary crew independence and identity.

Keshav, a new film student, feels isolated as his peers debate filmmaking at a fine dining restaurant, ignoring his attempts to join. Mistaken for being responsible, the staff hands him the bill for delayed payment.

A mental asylum with no boundary walls aims at rehabilitating and empowering mentally unstable women. Priyanka and Trupti Di, two inmates at two different stages of rehabilitation are on their quest to define their notions of home.

"A stream of concentric thoughts, deliberating on Brahm-Jeev-Maya, in its attempt to get organised, loses to the tyranny of mind."

A young man struggles to keep his grandmother from losing her memories and realizes that time is a lie.

In order to curb inflation, the dystopian 'Authority' has privatized all farming and plantation activities-banning common people from agriculture. When lonely, elderly Bablu is sent on an assignment by his employer Babylon-a leading corporate brand-he accidentally runs into a rebel group on a secret mission.

On a rainy night, a man takes shelter in a jungle house. A blind grandmother mistakes him for Sujan, her granddaughter's lost lover. Haunted by tales of love and loss, he pretends to be Sujan to console her. But when asked if he'll truly return, he faces a haunting choice that challenges his identity and past.

In a secluded tribal village in Jharkhand, Mangra Honhaga's life is forever altered when he becomes entangled in the chaos of Operation Green Hunt and the Naxalite insurgency, during his daily routine when he was working for his livelihood