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What would happen if your partner came from the future and wanted to change your life for the better, but you feel like your life is fine?

A popular girl has to choose whether she wants to stay as a part of her clique or fall for the brooding literature-loving boy in her school.

In the 1970s, a group of 10 students struggles with poverty and develop hopes for the future in Gantong Village on the farming and tin mining island of Belitung off the east coast of Sumatra.

Sadam, a true adventurer, reunites with his brave childhood friend, Sherina, when she embarks on a journalistic adventure.

Soe Hok Gie is an activist who lived in the sixties. Set in the darkest era of Indonesian modern history, "Gie" is an interpretation of what happened based on his journal.

Ambar and her cousin Yusuf get drunk, miss a flight, and decide to drive to the family wedding they are in danger of missing. They encounter bizarre people along the way while avoiding the sexual tension growing between them.

14 years after their budding romance in high school, Rangga and Cinta reunite in Yogyakarta to have their closure after Rangga had left Cinta with no explanation years prior.

Gaia, Aga and Awan only have one goal in their lives: to play music. They formed a band, produced their own mini-album, and distributed it with the support of a local music store. Soon, the album made them local heroes. But outside the band, they each have their own secrets. Despite the maturity of their music, they are still young and restless, and are still looking for their true identities. As Garasi gains popularity, their friendship is put to the test. The hidden love, the miscommunication, their conflicts with their families, and judgments from the media and society force them to realize who they truly are and how much they love their music.

A group of five girls and one boy becomes best friends since high school. One tragic event had to split them apart. 23 years later, one of them lay dying in a hospital. She hopes she could see all five of her old friends for the last time.

Mamet obeyed Milly's request to stop working at a banker bank to raise their children, to work in his in-laws factory to meet Alexandra who again invited her to become a chef at the restaurant of her second dream while in college.

Four artist managers at a talent agency company in Jakarta call themselves agents who are very passionate about their work above their personal lives.

Athirah's life is shattered when another woman enters her husband's life. In a time and cultural background where polygamy is still widely accepted, Athirah struggles alone with the hurt and humiliation.

Two girls in their preteens embark on a road trip with one of the girl's mother.

Isfi can wear her comfortable pants among her guy friends but has to wear hijab to be accepted at Nita's house. Two days to Nita's Birthday, all Isfi wants is to prepare the best gift in Nita's room.

After three years of separation, Bunda pays her daughter Eliana a surprise visit.

When an aging martial arts master chooses two of her meeker students to be her successors, two older students steal her mystical cane and pursue their rivals.

Martin (J.S. Khairen) is a Jakarta film student who comes home to Sumba for a complicated task. The journey brings Martin to meet Ana (Ully Triani) and the many questions about Humba and himself starts to unravel.

A Father, a son and a stranger cross path in a place where the heat of the sun can either burn or warm old wounds.

Following Butet Manurung's journey from anthropologist to educator to activist as she works with the indigenous Orang Rimba people who live upstream the Makekal river in the forest of Bukit Duabelas of Jambi, Sumatera, Indonesia.

This movie is an adaptation from a popular novel by the same title, and sequel to Laskar Pelangi. It portrays two village boys with a dream of traveling to Paris, to study at Sorbonne University.

Dina se escapa con su hija adolescente Laura después de que su marido abusivo Gion es encarcelado.

This split-screen documentary by a Malaysian director chronicles the shooting of the Indonesian film Gie (2005) in the middle of 2004, which is also when the country is undergoing its first direct presidential elections. Opinions from the cast, crew and extras of the film are sought on politics, filmmaking and the national myths of the past and present.