Recherche détaillée

A poor family in the Northeast of Brazil (Fabiano, the father; Sinhá Vitória, the mother; their 2 children and a dog called Baleia) wander about the barren land searching for a better place to live, with food and work. But the drought and misery destroy their hopes.

A newly married woman grapples with trauma and identity as she navigates her troubled marriage through increasingly risky behavior and complicated relationships.

In 1594 in Brazil, the Tupinambás Indians are friends of the French and their enemies are the Tupiniquins, friends of the Portuguese. A Frenchman (Arduíno Colassanti) is captured by the Tupinambás and, in spite of his trial to convince them that he is French, they believe he is Portuguese. The Frenchman becomes their slave, and maritally lives with Seboipepe (Ana Maria Magalhães). *Contains Spoilers* Later, he uses powder in the cannons that the Portuguese left behind to defeat the Tupiniquins in a battle. In order to celebrate the victory, the Indians decide to eat him.

To entertain some thieves, a blind guitar player tells them the story of a man from the Northeast of Brazil, involved with criminals living in the suburbs of Rio de Janeiro, who allegedly had a "closed body", meaning that his body couldn't be hit by bullets or other weapons, by the wish of Ogum, one of the gods of Candomblé, a religion common in Brazil and Africa.

Jubiabá is a French-Brazilian film based on the homonym novel by Jorge Amado. The film tells the story of the interracial love between the daughter of a rich Commander and Antonio Balduíno, a rascal, fighter and famous lover from Salvador.

Graciliano Ramos' period he spent in prison after being considered a subversive element by the government.

A star medical examiner is called to Brasília, the administrative capital of Brazil, to confirm the identity of a beautiful, young congressional aide's dead body. But his scientific rigor soon leads him to details of a multi-layered political scandal.

It's Christmas Eve and country boy Nogueira wants to see the Missa do Galo ("Rooster's Mass) while he stays on his uncle house located in the city of Rio de Janeiro, Brazil's capital back in the late 1890's. After a nice dinner with family and a friend of the family, he is left alone waiting for the midnight hour just to see the mass, while his uncle is out - possibly having an affair with another woman - and everyone else is sleeping. He spends the night reading a book. Conceição is the uncle's wife and after a sleepless night she stays with the young boy talking about all sorts of things. The long night provides many surprises for both of them.

After a catastrophe that modified the world's natural state and destroyed civilized society, a couple begins a new life in a shelter. Their relationship is disturbed by the arrival of a woman.

As the title in Portuguese tells, the film is about a baker's love adventures, also depicting a woman who has to decide among her husband, the baker and a black artist.

In an original and linear way, it shows the life and work of the famous author, I share with Vinícius de Moraes, "Girl from Ipanema" one of the 5 most re-recorded and played songs in the world, worshiped by Sinatra and many others .

Documentary in two parts about Brazilian historiographer Sérgio Buarque de Hollanda.

A couple of filmmakers facing difficulties to make a film in the midst of an economic crisis. Affecting the relationship between them.

Story of a farming family defined by the absence of its father who abruptly abandoned his wife and children, sailing away down the river, including his son who continues to communicate with his father, speaking daily to him from the river bank.

Documentary about the life of Tom Jobim, from the perspective of three women of his life: his sister, Helena Jobim, his first wife, Thereza, and his second wife, Ana.

Documentary about the history of Jornal do Brasil, founded on April 14, 1891.

Short musical film paying a tribute to samba composer Zé Ketti, one of the greatest popular artists of Brazilian music. In a jam session, in the late composer's house in Inhaúma, a neighborhood of Rio de Janeiro, a group of friends get together to play his music while a "feijoada" (typical Brazilian food with black beans)is being cooked in the kitchen. The samba-players, first-rate samba stars themselves, remember Ketti's great hits in a homage to the man who was best known as "a voz do morro" ("the hill's voice" - but hill as a metaphor for a place where poor people build their shacks in slums, in opposition to city, where middle-class people live in Rio). Among the guests, names of the traditional "samba-school" Portela and ex-partners. Also, the presence of a black hat on an empty chair, represents the composer himself, who died in 1999, after a life of many accomplishments in music, and appearance in three of Dos Santos's films: "Rio, 40 Graus", "Rio Zona Norte" and "Boca de Ouro".