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One night at the cinema, Pierre reaches for out to take Anne's hand. She is annoyed and rebuffs him. He feels rejected. This moment begins the story of the disintegration of a couple... Pierre and Anne live in Paris with their two-year-old child Louis. After the night in the cinema it is clear that Anne is distracted and the small gulf between them seems to widen as time goes on. Lunches, evenings out with friends, there's obvoiusly something wrong. One night after a party, Anne tells Pierre that she is in love with another man. Although her confession is not surprising, Pierre's reaction is. He seems to accept it as a fact of life and refrains from asking the most burning questions. However, as Anne continues to see the other man, Pierre's feelings become more violent and it begins to dawn on them that some thing intangible has happened that can't be put right.

Morgan, a lapsed burglar, is drugged and shanghaied on board a yacht by beautiful Colleen. When he comes to, the athletic young man learns that Colleen and her friends want him to break open the vaults of a Caribbean island where a ruthless dictator has deposited a treasure stolen from his people. Despite the way he has been treated, Morgan accepts the mission. The group, supported by local resistant fighters, storm the fortress, but Colleen's father gets killed during the attack. The treasure is finally retrieved and is returned to the people. Morgan and Colleen will say yes to each other for better or for worse.

After an American Navy base is annihilated by a secret weapon, Agent OSS 117 is sent to Japan to investigate the organization that's claiming responsibility, and threatening the US with another attack, if they don't pay.

Jean Sarton è un agente segreto che è stato mandato in prigione per entrare in contatto con un falsificatore professionista che produceva banconote false durante la seconda guerra mondiale per i nazisti.

Professor Serafino Benvenuti is a master of classical music who has the passion of the orchestra director. However, the young audience of the 1960s does not appreciate classical composers like Mozart or Beethoven, so Serafino is likely to have compromised his image as a director.