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- Un mercenario polacco aiuta un minatore e guidano una rivoluzione contro il oppressivo governo Messicano.
- Un abile pittore affitta una villa fatiscente in campagna, e presto si ritrova immerso nella storia della proprietà, in particolare nell'omicidio di una contessa ossessionata dal sesso morta lì decenni prima.
- In 1944, during a sabotage mission, the sole surviving U.S. paratrooper is saved by a group of Italian orphans who later aid him in blowing up a vital enemy dam.
- Il ricco proprietario di una piantagione è ammaliato da una donna misteriosa con un oscuro passato.
- Filming in the USA, Henri and Françoise meet and fall in love with each other.
- Sergio, a violinist, awaits his 6th child with mistress Marisa. He stays at the clinic, only leaving to drop his wife Giulia and kids at the station. After their train departs, he calls his other mistress, Adele.
- "Life, Love, Death" was made before the abolition of capital punishment in France. Its central message is the inhumanity of the guillotine. The film, which is shot somewhat in a cinema verite style, divides roughly into three acts. In Act One, there is a series of murders of prostitutes in Paris. An obviously deeply disturbed man is hiring these prostitutes and then strangling them. Suspicion falls on François (Amidou), a married man with a child. The police put him under surveillance. (Viewers will recognize the inspector in charge of the team as Marcel Bozzuffi, who would play Popeye Doyle's nemesis in The French Connection a couple of years later.) Ironically, François is experiencing spiritual healing and renewal through the power of love---not with his wife, of course, this being a French film, but through an affair with a beautiful young woman he has met (not a prostitute). But just as this is happening and François seems to have lost the need to commit violent crimes, he is arrested. Act Two is the arraignment, trial and exposition of François's life and history. His recent transformation, of course, makes no impression on the court, and he is sentenced to death by guillotine. Act Three is a documentary-style record of François's last days in prison and his execution. The last scene in the film is an image of the guillotine's blade beginning its descent; it slows and freezes and there is a fade to black, as a voiceover issues a passionate plea for abolition of the guillotine.
- Una marchesa, che attira automobilisti nel suo hotel sabotando loro le auto, ha una brutta sorpresa quando scopre che un ospite è un rapinatore di banche in fuga.
- The kidnapping of a 6-year-old leads to a race against time between a Mafia hitman and a police commissioner. The mafioso then realizes the child must be saved in order to spare his own life.
- Mario is a very strict policeman but when in the course of his partner's murder investigation meets Elsa, an attractive woman accustomed to luxury, he will not hesitate to cross the limits of the law to continue with her.